{"id":9665,"date":"2021-08-09T11:30:54","date_gmt":"2021-08-09T10:30:54","guid":{"rendered":"https:\/\/www.imex-revista.com\/articulos-imex-ed1_2-entre-lugar\/"},"modified":"2021-08-09T19:35:58","modified_gmt":"2021-08-09T18:35:58","slug":"articulos-imex-ed1_2-entre-lugar","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/","title":{"rendered":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\">\u00a0<a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/9644\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Entre-lugar<br \/>\n(pp. 102-142; DOI: 10.23692\/Articulos_iMex1.1_5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F6_VB_Entre-lugar1_1_iMexArticulos.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/6_VB_Entre-lugar1_1_iMexArticulos.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong>Prof. Dr. Vittoria Bors\u00f2<br \/>\n<\/strong><\/span><\/h3>\n<p><span style=\"color: #b0b0b0;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8560\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Prof.-Dr.-Vittoria-Bors\u00f2X-1-scaled.jpg\" alt=\"\" width=\"150\" height=\"224\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Prof.-Dr.-Vittoria-Bors\u00f2X-1-scaled.jpg 1370w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Prof.-Dr.-Vittoria-Bors\u00f2X-1-201x300.jpg 201w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Prof.-Dr.-Vittoria-Bors\u00f2X-1-685x1024.jpg 685w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Prof.-Dr.-Vittoria-Bors\u00f2X-1-1028x1536.jpg 1028w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Full Professor at Heinrich Heine University of D\u00fcsseldorf.\u00a0<\/span><\/p>\n<div style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Head of department of Romance\u00a0 Languages and Literatures I (Romance literature and cultural studies in Spanish, French and Italian).<\/span><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Vittoria Bors\u00f2 began her academic career at the University of Mannheim, where she obtained her doctorate in Romance philology with a study about metaphors in the novels of Honor\u00e9 de Balzac and \u00c9mile Zola (<i>Metapher: Erfahrungs- und Erkenntnismittel. Die metaphorische Wirklichkeitskons<\/i><i>titution im franz\u00f6sischen Roman des XIX. Jahrhunderts<\/i>, 1985), which was honoured with summa cum laude. In 1991 she achieved habilitation at the same university with a critical study about magic realism in Spanish America in the context of Mexican culture and literature (<i>Mexiko jenseits der Einsamkeit. Versuch einer interkulturellen Analyse \u2013 Kritischer R\u00fcckblick auf die Diskurse des Magischen Realismus<\/i>, 1994).<\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/editores\/prof-dr-vittoria-borso\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>view more<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1615213187752-2e734-3476&#8243; tab_id=&#8221;1628505071754-7&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Concepts of in-between were established as a tool against the ontology of separations and against the logic of identity and difference, eradicating the consistency of binary classifications. The following article relates the different concepts to two paradigms: the geopolitical, whose objective is the aggression of Western thought as imperialist thought, and the aesthetic-political paradigm in which politics is questioned from aesthetics that dispenses with geopolitical locations. This second paradigm entails a meta-criticism with respect to the organization of space and the linguistic device that produces it. Although Latin America fulfills the conditions of a critical thought that \u2013from the beginning\u2013 is based on an <em>entre-lugar<\/em>, nevertheless, on both sides of the ocean there is both the closing of borders and an identity logic as well as the porosity of confines open to their own otherness \u2013a condition conducive to the formation of an <em>entre-lugar<\/em>. Mexico obviously offers transcendent examples of a hybrid culture in which <em>entre-lugares <\/em>flourish. Based on the above observations, a topological reading of Mexican texts on pachucos and cholos is attempted. The way of approaching these border characters produces different organizations of space and suggests different concepts of <em>entre-lugares<\/em> according to a geopolitical logic (Octavio Paz) or based on an aesthetics of relationship and transformation (Carlos Monsiv\u00e1is). The different conception of <em>entre-lugares<\/em> is, therefore, due to a different epistemological positioning that organizes writing in different ways.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1615213187781-0e734-3476&#8243; tab_id=&#8221;1628505071778-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Conceptos de entre-lugar se establecieron como herramienta contra la ontolog\u00eda de separaciones y contra la l\u00f3gica de la identidad y de la diferencia erradicando la consistencia de clasificaciones binarias. El siguiente art\u00edculo relaciona los distintos conceptos a dos paradigmas: el geopol\u00edtico, cuyo objetivo es la agresi\u00f3n del pensamiento occidental como pensamiento imperialista, y el paradigma est\u00e9tico-pol\u00edtico en el que la pol\u00edtica se cuestiona desde la est\u00e9tica que prescinde de de localizaciones geopol\u00edticas. Este segundo paradigma conlleva una metacr\u00edtica con respecto a la organizaci\u00f3n del espacio y al dispositivo ling\u00fc\u00edstico que lo produce. Si bien Am\u00e9rica Latina cumple las condiciones de un pensamiento cr\u00edtico que \u2013desde el comienzo\u2013 se funda en un entre-lugar, sin embargo en ambos lados del oc\u00e9ano occurren tanto el cierre de las fronteras y una l\u00f3gica identitaria como la porosidad de confines abiertos a su propia alteridad \u2013 condici\u00f3n propicia a la formaci\u00f3n de un entre-lugar. M\u00e9xico ofrece obviamente ejemplos trascendentes de una cultura h\u00edbrida en la que entre-lugares florecen. Partiendo de las anteriores observaciones, se intenta una lectura topol\u00f3gica de textos mexicanos sobre los pachucos y los cholos. La manera de acercarse a estos personajes fronterizos produce distintas organizaciones del espacio y sugiere distintos conceptos de entre-lugar seg\u00fan una l\u00f3gica geopol\u00edtica (Octavio Paz) o en base a una est\u00e9tica de relacionamiento y transformaci\u00f3n (Carlos Monsiv\u00e1is). La distinta concepci\u00f3n de entre-lugar se debe, por ende, a un diferente posicionamiento epistemol\u00f3gico que organiza la escritura de diferente manera.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;2021 Art\u00edculos iMex vol.1&#8243; id=&#8221;1615213187820-10e734-3476&#8243; tab_id=&#8221;1628505071804-2&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Rosa-Blanca\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Humberto Ortega Villase\u00f1or \u2013 <em>La Rosa Blanca<\/em> sobre el f\u00e9retro de un suicida<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Independencia-politica-periodicos\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Frank Leinen \u2013 El dif\u00edcil camino hacia la <em>Independencia<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-biopolitica-enfermedad-discapacidad\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Etna Avalos \u2013 Biopol\u00edtica, enfermedad y discapacidad en <em>Teor\u00eda de las cat\u00e1strofes<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-PedroParamo-SilentHill\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniel Calleros Villareal \u2013 Lectura l\u00fadica en Pedro P\u00e1ramo y Silent Hill<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2013 Entre-lugar<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] \u00a0 [\/vc_column_text][vc_row_inner&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13091,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1995,1996],"tags":[2219,2221,2220],"class_list":["post-9665","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos-imex-en","category-vol-1-ed-1-en","tag-entre-lugar","tag-espacios","tag-in-between"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista<\/title>\n<meta name=\"description\" content=\"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2021-08-09T10:30:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-08-09T18:35:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1104\" \/>\n\t<meta property=\"og:image:height\" content=\"1092\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar\",\"datePublished\":\"2021-08-09T10:30:54+00:00\",\"dateModified\":\"2021-08-09T18:35:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/\"},\"wordCount\":1201,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Articulos.webp\",\"keywords\":[\"entre-lugar\",\"espacios\",\"in-between\"],\"articleSection\":[\"Art\u00edculos iMex\",\"Vol. 1, 2021\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/\",\"name\":\"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Articulos.webp\",\"datePublished\":\"2021-08-09T10:30:54+00:00\",\"dateModified\":\"2021-08-09T18:35:58+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"description\":\"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Articulos.webp\",\"contentUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Articulos.webp\",\"width\":1104,\"height\":1092},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/articulos-imex-ed1_2-entre-lugar\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/imex\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/\",\"name\":\"iMex Revista\",\"description\":\"iMex Revista\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.imex-revista.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\",\"name\":\"iMex Revista\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/author\\\/temelli\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista","description":"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/","og_locale":"en_US","og_type":"article","og_title":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista","og_description":"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142","og_url":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/","og_site_name":"iMex Revista","article_published_time":"2021-08-09T10:30:54+00:00","article_modified_time":"2021-08-09T18:35:58+00:00","og_image":[{"width":1104,"height":1092,"url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp","type":"image\/webp"}],"author":"iMex Revista","twitter_card":"summary_large_image","twitter_misc":{"Written by":"iMex Revista","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#article","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/"},"author":{"name":"iMex Revista","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f"},"headline":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar","datePublished":"2021-08-09T10:30:54+00:00","dateModified":"2021-08-09T18:35:58+00:00","mainEntityOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/"},"wordCount":1201,"image":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp","keywords":["entre-lugar","espacios","in-between"],"articleSection":["Art\u00edculos iMex","Vol. 1, 2021"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/","url":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/","name":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar - iMex Revista","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#primaryimage"},"image":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp","datePublished":"2021-08-09T10:30:54+00:00","dateModified":"2021-08-09T18:35:58+00:00","author":{"@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f"},"description":"Vittoria Bors\u00f2 \u2013 Entre-lugar | 2021 Art\u00edculos iMex vol. 1, pp. 102-142","breadcrumb":{"@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#primaryimage","url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp","contentUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Articulos.webp","width":1104,"height":1092},{"@type":"BreadcrumbList","@id":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.imex-revista.com\/en\/imex\/"},{"@type":"ListItem","position":2,"name":"1.1 Vittoria Bors\u00f2 \u2013 Entre-lugar"}]},{"@type":"WebSite","@id":"https:\/\/www.imex-revista.com\/#website","url":"https:\/\/www.imex-revista.com\/","name":"iMex Revista","description":"iMex Revista","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.imex-revista.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f","name":"iMex Revista","url":"https:\/\/www.imex-revista.com\/en\/author\/temelli\/"}]}},"_links":{"self":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/9665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/comments?post=9665"}],"version-history":[{"count":5,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/9665\/revisions"}],"predecessor-version":[{"id":9693,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/9665\/revisions\/9693"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media\/13091"}],"wp:attachment":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media?parent=9665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/categories?post=9665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/tags?post=9665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}