{"id":8800,"date":"2021-03-08T15:27:16","date_gmt":"2021-03-08T14:27:16","guid":{"rendered":"https:\/\/www.imex-revista.com\/articulos-imex-ed1_1-pedroparamo-silenthill\/"},"modified":"2021-08-09T19:33:45","modified_gmt":"2021-08-09T18:33:45","slug":"articulos-imex-ed1_1-pedroparamo-silenthill","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_1-pedroparamo-silenthill\/","title":{"rendered":"1.1 Daniel Calleros Villareal \u2013 Lectura l\u00fadica en Pedro P\u00e1ramo y Silent Hill"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\">\u00a0<a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8726\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Pueblos espectrales y aproximaciones interactivas para sobrevivir la narraci\u00f3n: lectura l\u00fadica en <em>Pedro P\u00e1ramo<\/em> y <em>Silent Hill<\/em><br \/>\n(pp. 84-101; DOI: 10.23692\/Articulos_iMex1.1_4)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_DCV_Pedro-P%C3%A1ramo-Silent-Hill_1_1_ArticulosiMex.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_DCV_Pedro-P\u00e1ramo-Silent-Hill_1_1_ArticulosiMex.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Daniel Calleros Villarreal<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Daniel Calleros Villarreal received his Ph.D. in Hispanic Literatures and Cultures from the University of Arizona. He is an Assistant Professor of Spanish of the Department of Modern and Classical Languages and Literatures in California State University, Fresno, where he teaches courses on advanced composition, Latinamerican literature, Mexican culture and literature, and graduate seminars on topics related to Mexico, digital humanities, and critical theory.\u00a0 His research focuses on the intersections of digital culture and literature, the analysis of cultural networks manifested in Mexican popular culture, the representation of Latinx identities in digital media, and the study of the processes through which video games integrate and project cultural elements depicting specific groups.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1580125134478-08f7d-b5a4&#8243; tab_id=&#8221;1615213187752-2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This paper presents a recontextualization of Juan Rulfo\u2019s <em>Pedro P\u00e1ramo<\/em> as a ludic novel that can be further subcategorized as a horror survival narrative. In addition to stating the genre and textual <em>modus operandi<\/em> of the book, these classifications also hint to a quality that is reminiscent of a newer type of cultural text: a video game, to be specific. In general terms, this paper seeks to contribute to the expanding field of cultural studies by presenting an exercise that illustrates how emergent theory can be applied to the analysis of cultural texts to generate new interpretations. This study argues that Rulfo\u2019s novel can be approached as a cultural text that can\u2014and should\u2014be read as a ludic object. This paper interjects narratology (B\u00e1rcenas, Herman, Franco), cultural studies (Klinger), film studies (Bruhm, Savoy), and video game theory (Kirkland, Nae) in order to create a functional analytic framework that allows for a reread of <em>Pedro P\u00e1ramo<\/em> that creates a dialogue between literary studies and video game culture, while also expanding on the field of Mexican studies. As a point of departure, this paper rethinks the act of reading as an interactive practice comparable to playing a video game. By doing so, it becomes possible to view <em>Pedro P\u00e1ramo<\/em> as a ludic novel in different terms from those generally applied to literary works. From that point on, this work presents a close read of Rulfo\u2019s novel employing a comparative approach to scrutinize some of the basic narrative elements it shares with the horror survival video game series <em>Silent Hill<\/em>, ranging from the narrative units shared to the performative elements as it relates to the meaning formation processes through their respective user interactions.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1580125134518-18f7d-b5a4&#8243; tab_id=&#8221;1615213187781-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Este trabajo ofrece una recontextualizaci\u00f3n de la novela <em>Pedro P\u00e1ramo<\/em> como un texto l\u00fadico que puede subcategorizarse como una narrativa de horror y supervivencia. Adem\u00e1s de estipular el g\u00e9nero y las din\u00e1micas textuales del libro, estas clasificaciones apuntan a una cualidad que evoca un nuevo tipo de texto cultural: el videojuego, para ser m\u00e1s espec\u00edfico. En t\u00e9rminos generales, este escrito tiene como principal finalidad contribuir al campo de los estudios culturales presentando un estudio que ilustra c\u00f3mo es que teor\u00edas emergentes pueden aplicarse al an\u00e1lisis de un texto cultural con el fin de proveer nuevas interpretaciones. Este trabajo argumenta que la novela de Rulfo debe ser estudiada como un texto cultural que puede y debe leerse como una obra l\u00fadica. En este ensayo se intersectan los campos de la narratolog\u00eda (B\u00e1rcenas, Herman, Franco), los estudios culturales (Klinger), los estudios f\u00edlmicos (Bruhm, Savoy) y la cultura del videojuego (Kirkland, Nae) para crear un marco anal\u00edtico funcional que permita una relectura de <em>Pedro P\u00e1ramo<\/em> en la que se genere un di\u00e1logo entre estos distintos \u00e1mbitos, a la vez que se expanden los l\u00edmites de los estudios mexicanistas. Como punto de partida, este escrito replantea la lectura como una pr\u00e1ctica interactiva que se asemeja al acto de jugar un videojuego. Al hacer esto, se posibilita el contextualizar <em>Pedro P\u00e1ramo<\/em> en t\u00e9rminos que pudieran sobrepasar los com\u00fanmente empleados para el estudio de textos literarios. A partir de ah\u00ed, se ofrece una lectura detallada de la novela de Rulfo mediante un an\u00e1lisis comparativo que escruta algunos de los principales elementos narrativos y performativos que comparte con <em>Silent Hill<\/em>, un videojuego de horror y supervivencia.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;2021 Articles iMex vol.1&#8243; id=&#8221;1580125134563-48f7d-b5a4&#8243; tab_id=&#8221;1615213187820-10&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Rosa-Blanca\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Humberto Ortega Villase\u00f1or \u2013 &lt;em&gt;La Rosa Blanca&lt;\/em&gt; sobre el f\u00e9retro de un suicida<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Independencia-politica-periodicos\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Frank Leinen \u2013 El dif\u00edcil camino hacia la &lt;em&gt;Independencia&lt;\/em&gt;<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-biopolitica-enfermedad-discapacidad\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Etna Avalos \u2013 Biopol\u00edtica, enfermedad y discapacidad en &lt;em&gt;Teor\u00eda de las cat\u00e1strofes&lt;\/em&gt;<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-PedroParamo-SilentHill\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniel Calleros Villareal \u2013 Lectura l\u00fadica en Pedro P\u00e1ramo y Silent Hill<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2013 Entre-lugar<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] \u00a0 [\/vc_column_text][vc_row_inner&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13091,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2006,1995,2007,1996],"tags":[2008,1990],"class_list":["post-8800","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articles-imex","category-articulos-imex-en","category-vol-1-2021","category-vol-1-ed-1-en","tag-daniel-calleros-villareal-en","tag-estudios-mexicanistas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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