{"id":8796,"date":"2021-03-08T15:30:14","date_gmt":"2021-03-08T14:30:14","guid":{"rendered":"https:\/\/www.imex-revista.com\/articulos-imex-ed1_1-rosa-blanca\/"},"modified":"2021-08-09T19:32:31","modified_gmt":"2021-08-09T18:32:31","slug":"articulos-imex-ed1_1-rosa-blanca","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_1-rosa-blanca\/","title":{"rendered":"1.1 Humberto Ortega Villase\u00f1or \u2013 La Rosa Blanca sobre el f\u00e9retro de un suicida"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\">\u00a0<a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8729\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\"><em>La Rosa Blanca<\/em> sobre el f\u00e9retro de un suicida (pp. 1-22; DOI: 10.23692\/Articulos_iMex1.1_1)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F1_HOV_Rosa-Blanca-Traven_1_1_ArticulosiMex.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_HOV_Rosa-Blanca-Traven_1_1_ArticulosiMex.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Humberto Ortega-Villase\u00f1or<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8683 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Ortega_Villasenor_iMex.jpg\" alt=\"\" width=\"150\" height=\"200\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Humberto Ortega Villase\u00f1or is a Mexican senior professor and a research fellow at the University of Guadalajara (UdG) since 1989. After receiving his Bachelor of Law degree in 1975 at the National Autonomous University of Mexico (UNAM), Villase\u00f1or continued his Master&#8217;s studies at the University of London in Great Britain and finished his PhD at UNAM in Mexico (1982). Humberto has published five books [entitled <em>The Chinese and Maya <\/em>(2008)<em>,<\/em> <em>Towards a Multicultural Nation, a Study of Linkage to Preserve the Richness and Cultural Diversity of Mexico in the Future <\/em>(2010), <em>Beyond Dialogue. A Case Study of Blended Learning <\/em>(2013); <em>Dark Matter. Exports of Mexican Crude Oil (1982-1988); Historical Study and Prospective Balance<\/em> (2017)]; and <em>Word and Image, an Interdisciplinary Relationship Study<\/em> (2017). He has also coordinated a collective book, <em>The Means of the Future: Between Conditional Freedom and the Search for Truth<\/em><\/span><br \/>\n<span style=\"color: #b0b0b0;\">(2018), in which researchers from University of Guadalajara, Mexico and the Constantine\u00a0 the Philosopher University in Nitra, Slovakia participated. His focus of interest covers various fields of social sciences and humanities related primarily to philosophy, communication, art and culture. His papers and essays have been published in indexed international Journals of (Argentina, Brazil, Canada, Chile, China, Colombia, Italy, Per\u00fa, Polonia, Slovakia, Slovenia, Spain, the United States, Taiwan, etc.). Also in Mexican periodicals, in national newspapers and other contemporary outreach media.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">As a member of the Department of Literary Studies since 2003, Humberto has concentrated his efforts on investigating the links between plastic and literary creativity from a scientific perspective\u00a0 He is a PRODEP Profile, Member of the Academic Board of the Humanities Postgraduate Programme, Member of the National System of Researchers of Mexico (Level I), of the Consolidated Academic Body UDG-CA-595: Analysis and History of cinema, genres, styles and relationships with others arts, and various Associations, Research Projects and International Networks. Finally, it is worth mentioning that Ortega-Villase\u00f1or is also a plastic artist (website: http:\/\/www.hov-art.com.mx\/). He has had numerous individual exhibitions in Mexico, the United States and Europe since 1975. He has participated in various collective expositions as well organized in Mexico and abroad. Some of Humberto\u2019s works have been selected by funds, cultural organizations and foreign Museums to become part of their collections. There are some corporations and private collectors of his plastic works who track his steps.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Main components of form and background of the Mexican film <em>La Rosa Blanca<\/em> directed by Roberto Gavald\u00f3n in 1961 are reviewed in this research. The article seeks to explore the nature and identity of its intermedial argument, and determine how such a simple and remote realization in time (the story is located in 1937), can help us make analogies and collect important events for today&#8217;s Mexico. It is a work of well-integrated Mexican cinematography, of high symbolic and polysemic value, whose anticipatory weight seems remarkable to us: a genuine asset for historical memory and for making objective and pertinent correspondences. On the one hand, it reveals plausible transnational strategies put into play for the seizure of a resource such as oil; on the other, it allows us to infer the collusion of economic and political interests that derive from bribery, conflict of interests and the derogatory and submissive role of the country&#8217;s natural resources by the current political class. From <em>La Rosa Blanca<\/em> it is possible to find regrettable parallelisms and to evaluate the very serious historical regression that privatization of oil in Mexico meant, under the mortuary mantle of the so-called energy reform.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Se revisan los principales componentes de fondo y forma de la pel\u00edcula mexicana <em>La Rosa Blanca<\/em> dirigida por Roberto Gavald\u00f3n en 1961.\u00a0 El art\u00edculo busca explorar la identidad y el car\u00e1cter intermedial de su argumento, y determinar c\u00f3mo una realizaci\u00f3n tan sencilla y remota en el tiempo (la historia se ubica en 1937), \u00a0puede ayudarnos a hacer analog\u00edas y colegir eventos important\u00edsimos para el M\u00e9xico de hoy. \u00a0Se trata de una obra de la cinematograf\u00eda mexicana bien integrada, de un elevado valor simb\u00f3lico y polis\u00e9mico, cuyo peso anticipatorio nos parece notable: un activo genuino para la memoria hist\u00f3rica y para hacer correspondencias objetivas y pertinentes.\u00a0 Por un lado, deja entrever estrategias plausibles trasnacionales puestas en juego para el apoderamiento de un recurso como el petr\u00f3leo; por otro, permite inferir la colusi\u00f3n de intereses econ\u00f3micos \u00a0y pol\u00edticos que derivan del soborno, el conflicto de intereses y el papel denigrante y entreguista de los recursos naturales del pa\u00eds por parte de la clase pol\u00edtica actual.\u00a0 A partir de <em>La Rosa Blanca<\/em> es posible encontrar paralelismos lamentables y aquilatar la grav\u00edsima regresi\u00f3n hist\u00f3rica que ha significado la privatizaci\u00f3n del petr\u00f3leo en M\u00e9xico, bajo el manto mortuorio de la llamada reforma energ\u00e9tica.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;2021 Articles iMex vol.1&#8243; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Rosa-Blanca\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Humberto Ortega Villase\u00f1or \u2013 <em>La Rosa Blanca<\/em> sobre el f\u00e9retro de un suicida<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-Independencia-politica-periodicos\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Frank Leinen \u2013 El dif\u00edcil camino hacia la <em>Independencia<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-biopolitica-enfermedad-discapacidad\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Etna Avalos \u2013 Biopol\u00edtica, enfermedad y discapacidad en <em>Teor\u00eda de las cat\u00e1strofes<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-PedroParamo-SilentHill\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniel Calleros Villareal \u2013 Lectura l\u00fadica en Pedro P\u00e1ramo y Silent Hill<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-imex-ed1_2-entre-lugar\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2013 Entre-lugar<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/articulos-iMex-ed1_1-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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