{"id":8469,"date":"2021-01-26T15:06:10","date_gmt":"2021-01-26T14:06:10","guid":{"rendered":"https:\/\/www.imex-revista.com\/xix-paz-literatura-mundial\/"},"modified":"2021-06-01T12:05:09","modified_gmt":"2021-06-01T11:05:09","slug":"xix-paz-literatura-mundial","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xix-paz-literatura-mundial\/","title":{"rendered":"XIX. Gesine M\u00fcller \u2013 Paz entre literatura mundial y literaturas del mundo"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8396\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8393\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Octavio Paz entre la <em>literatura mundial<\/em> y las <em>literaturas del mundo<\/em><br \/>\n(pp. 51-63; DOI: 10.23692\/iMex.19.3)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F2_GM_Octavio-Paz-literatura_iMex19.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/2_GM_Octavio-Paz-literatura_iMex19.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Gesine M\u00fcller<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8303\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/M\u00fcller_iMex19-225x300.jpg\" alt=\"\" width=\"150\" height=\"200\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/M\u00fcller_iMex19-225x300.jpg 225w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/M\u00fcller_iMex19-768x1024.jpg 768w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/M\u00fcller_iMex19.jpg 1000w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Gesine M\u00fcller is Full Professor of Romance Studies at the University of Cologne. Her areas of research include literatures of French and Spanish Romanticism, Latin American contemporary literature and culture theory, literatures of the Caribbean, literary transfer processes and transcultural studies. She is director of the ERC-funded project \u201cReading Global: Constructions of World Literature and Latin America\u201d. Her publications include Wie wird Weltliteratur gemacht? Globale Zirkulationen lateinamerikanischer Literaturen (De Gruyter 2020); Crossroads of Colonial Cultures. Caribbean Literatures in the Age of Revolution (De Gruyter 2018); Die Boom-Autoren heute: Garc\u00eda M\u00e1rquez, Fuentes, Vargas Llosa, Donoso und ihr Abschied von den \u201egro\u00dfen identit\u00e4tsstiftenden Entw\u00fcrfen\u201c (Vervuert 2004). Current editions: with Gustavo Guerrero et al.: Literatura latinoamericana mundial. Dispositivos y disidencias (De Gruyter 2020); with Mariano Siskind: World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise (De Gruyter 2019).<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">The debate around the concept of world literature, held with new intensity in the last twenty years, is part, within the framework of cultural studies, of the controversies that are closely associated with issues related to global networks in a polycentric world. In view of this, this article would first of all like to open the field of tension between the concepts of world literature and literature of the world, with the purpose of developing differentiation criteria that will serve to illustrate the reception and canonization of the work of Octavio Paz, located in the middle of that field of tension.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">El debate en torno al concepto de literatura mundial, sostenido con nueva intensidad en los \u00faltimos veinte a\u00f1os, forma parte, en el marco de los estudios culturales, de las controversias que est\u00e1n estrechamente asociadas a cuestiones relacionadas a las redes globales en un mundo polic\u00e9ntrico. En vista de ello, este art\u00edculo quisiera ante todo abrir el campo de tensi\u00f3n existente entre los conceptos de literatura mundial y literaturas del mundo, con el prop\u00f3sito de desarrollar criterios de diferenciaci\u00f3n que servir\u00e1n para ilustrar la recepci\u00f3n y canonizaci\u00f3n de la obra de Octavio Paz, situada en medio de ese campo de tensi\u00f3n.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b019 | M\u00e9xico en el mundo &#8211; el mundo en M\u00e9xico&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-editorial\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Yasmin Temelli \u2013 Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span 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de la realidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-apercepcion-amado-nervo\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jos\u00e9 Ram\u00f3n Ruis\u00e1nchez Serra \u2013 Apercepci\u00f3n en Amado Nervo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-traven-encuentro-indios\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Edith Negr\u00edn \u2013 Traven: primer encuentro con los indios mexicanos<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" 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data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-guadalupe-tonantzin-transcultural\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Stephanie Sch\u00fctze \u2013 Guadalupe Tonantzin: una santa transcultural<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-necropolitica-mexico\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tanius Karam C\u00e1rdenas \u2013 Entre muros y t\u00faneles: necropol\u00edtica en M\u00e9xico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-etnoarqueologia-combate-pobreza\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sandra L. L\u00f3pez Varela \u2013 Etnoarqueolog\u00eda para el combate a la pobreza<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xix-sueno-transparencia-absoluta\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sandra del Pilar \u2013 El sue\u00f1o incobrable de la transparencia absoluta<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13223,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1838],"tags":[1837,1956,1955],"class_list":["post-8469","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xix-mexico-en-el-mundo-el-mundo-en-mexico-en","tag-gesine-muller","tag-literature-of-the-world","tag-world-literature"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XIX. Gesine M\u00fcller \u2013 Paz entre literatura mundial y literaturas del mundo - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XIX. M\u00e9xico en el mundo \u2013 el mundo en M\u00e9xico | Gesine M\u00fcller \u2013 Paz entre literatura mundial y literaturas del mundo | DOI: 10.23692\/iMex.19.3\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xix-paz-literatura-mundial\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XIX. Gesine M\u00fcller \u2013 Paz entre literatura mundial y literaturas del mundo - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"iMex XIX. M\u00e9xico en el mundo \u2013 el mundo en M\u00e9xico | Gesine M\u00fcller \u2013 Paz entre literatura mundial y literaturas del mundo | DOI: 10.23692\/iMex.19.3\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/xix-paz-literatura-mundial\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-26T14:06:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:05:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-19.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"958\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xix-paz-literatura-mundial\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xix-paz-literatura-mundial\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"XIX. 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