{"id":8437,"date":"2021-01-26T13:26:22","date_gmt":"2021-01-26T12:26:22","guid":{"rendered":"https:\/\/www.imex-revista.com\/xix-myriam-moscona\/"},"modified":"2021-06-01T12:05:16","modified_gmt":"2021-06-01T11:05:16","slug":"xix-myriam-moscona","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xix-myriam-moscona\/","title":{"rendered":"XIX. Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8396\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/8385\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">De ida y vuelta: Myriam Moscona entre el pasado b\u00falgaro-sefard\u00ed y el presente mexicano (pp. 155-165; DOI: 10.23692\/iMex.19.11)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F10_JS_Ida-y-vuelta-Myriam-Moscona_iMex19.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/10_JS_Ida-y-vuelta-Myriam-Moscona_iMex19.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Jacobo Sefam\u00ed<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8261\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Sefam\u00ed_iMex19-225x300.jpg\" alt=\"\" width=\"150\" height=\"200\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Jacobo Sefam\u00ed is the grandson of Sephardic Jews who immigrated from Syria and Turkey to Mexico City. He studied his licenciatura at UNAM and his PhD at the University of Texas at Austin. He is currently Professor of Latin American literature at the University of California, Irvine, and Director of Middlebury College&#8217;s Summer School of Spanish. He is the author and editor of several books on Latin American poetry, including Medusario. Muestra de poes\u00eda latinoamericana (1996, co-edited with Roberto Echavarren and Jos\u00e9 Kozer), in addition to the novel Los dolientes (2004) and Vaquitas pintadas, an anthology of texts related to cows, later reproduced with images of Alicia Ceballos in Unidiversidad journal (Puebla, 2017). With Myriam Moscona, he edited Por mi boka. Textos de la di\u00e1spora sefard\u00ed en ladino (2013). His most recent publications include: Por tierras extra\u00f1as (2019), a book of stories, and travel chronicles to Turkey and Syria, El camale\u00f3n y la esponja: David Huerta. Entrevista, ensayos y antolog\u00eda po\u00e9tica (2019), and Mili, en lo inacabado mutante (poems, 2019).<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This article studies the Sephardic sphere in the work of Myriam Moscona (Mexico City, 1955). It begins with an overview of this writer\u2019s works, and then concentrates on two of her fundamental books on the subject: Tela de sevoya (2012) and Ansina (2015). The idea of displacement or wandering is explored not only as a family motive but also as the engine that nurtures the various explorations that Moscona has carried out throughout her oeuvre. Tela de sevoya is analyzed as a multivalent novel in which dispossession, loss, death, distress, and diaspora are explored, both as autobiographical reflections and in the broader scope of Judeo-Spanish. Ansina&#8217;s poems demystify the Sephardic nostalgic clich\u00e9 to place themselves into the contemporaneity of Mexican poetry, through irony, humor and criticism of writing itself.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Este art\u00edculo estudia el \u00e1mbito sefard\u00ed en la obra de Myriam Moscona (Ciudad de M\u00e9xico, 1955). Comienza con un recorrido de la trayectoria de esta escritora para luego concentrarse en dos de sus libros fundamentales al respecto: Tela de sevoya (2012) y Ansina (2015). Se explora la idea del desplazamiento o de la errancia no solo como motivo familiar sino como el motor que nutre las diversas exploraciones que ha llevado Moscona a lo largo de su obra. Se analiza Tela de sevoya como una novela plurivalente en donde se explora el despojo, la p\u00e9rdida, la muerte, la desaz\u00f3n, la di\u00e1spora, tanto como reflejos autobiogr\u00e1ficos como en el \u00e1mbito m\u00e1s amplio del judeo-espa\u00f1ol. 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Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XIX. M\u00e9xico en el mundo \u2013 el mundo en M\u00e9xico | Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona | DOI: 10.23692\/iMex.19.11\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xix-myriam-moscona\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XIX. Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"iMex XIX. M\u00e9xico en el mundo \u2013 el mundo en M\u00e9xico | Jacobo Sefam\u00ed \u2013 De ida y vuelta: Myriam Moscona | DOI: 10.23692\/iMex.19.11\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/xix-myriam-moscona\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-26T12:26:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:05:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-19.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"958\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xix-myriam-moscona\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xix-myriam-moscona\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"XIX. 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