{"id":7963,"date":"2020-07-14T15:08:48","date_gmt":"2020-07-14T14:08:48","guid":{"rendered":"https:\/\/www.imex-revista.com\/xviii-poetica-contra-politica\/"},"modified":"2021-06-01T12:05:22","modified_gmt":"2021-06-01T11:05:22","slug":"xviii-poetica-contra-politica","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xviii-poetica-contra-politica\/","title":{"rendered":"XVIII. C\u00e9cile Brochard \/ Oscar Torres \u2013 Po\u00e9tica contra pol\u00edtica"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7807\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7804\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><span style=\"color: #b0b0b0;\"><strong>Po\u00e9tica contra pol\u00edtica: cuestionando el poder performativo de la ficci\u00f3n en <em>Desierto<\/em> de Jon\u00e1s Cuar\u00f3n<br \/>\n<\/strong><strong>(pp. 16-27; DOI: 10.23692\/iMex.18.2)<\/strong><\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F1_CBOT_Po%C3%A9tica-contra-pol%C3%ADtica_iMex18.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_CBOT_Po\u00e9tica-contra-pol\u00edtica_iMex18.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. C\u00e9cile Brochard<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7957\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/C\u00e9cile_Brochard_iMex-205x300.jpg\" alt=\"\" width=\"150\" height=\"220\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/C\u00e9cile_Brochard_iMex-205x300.jpg 205w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/C\u00e9cile_Brochard_iMex.jpg 337w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">C\u00e9cile Brochard is a \u2018ma\u00eetre de conf\u00e9rences\u2019 of Comparative Literature at the University of Caen-Normandie in France. She studies the relationship between fiction and politics in contemporary extraeuropean literature (<em>Le Roman de la dictature contemporain. Afrique \u2013 Am\u00e9rique<\/em>, Paris, \u00c9ditions Honor\u00e9 Champion, 2018) and is particularly interested in native novels and poetry from Africa, North and South America and Australia. <a style=\"color: #b0b0b0;\" href=\"http:\/\/unicaen.academia.edu\/C%C3%A9cileBrochard\">http:\/\/unicaen.academia.edu\/C\u00e9cileBrochard<\/a><\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3 style=\"text-align: right;\"><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Oscar Torres<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7959 size-medium alignright\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Torres-Oscar_iMex-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Torres-Oscar_iMex-205x300.jpg 205w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Torres-Oscar_iMex-698x1024.jpg 698w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Torres-Oscar_iMex.jpg 1397w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Oscar Torres is a PhD student in linguistics at the University of Nantes in France. His research work explores the influence of political discourses over the collective construction of the concept of family in the Hispanic American countries. He also teaches foreign languages at the University of Nantes.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1580125134478-0ce02-7896&#8243; tab_id=&#8221;1591957141003-2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This essay examines the performative power of fiction in J. Cuar\u00f3n\u2019s film <em>Desierto <\/em>(2015). It seeks to determine if the esthetics of this film make the audience aware of the dangers provoked by the reemergence of the nationalist, racist and supremacist rhetoric during Donald Trump\u2019s presidential campaign. This article questions whether or not the artistic choices made by the director merely reinforce immigrant and white American supremacist archetypes. Analyzing the concept of <em>engagement<\/em> in literature, we extrapolate it into the cinematographic field in order to understand the reasons why esthetic choices are contrary \u2013 or even counterproductive \u2013 to the original purpose of a supposedly politically engaged film that aimed to fight against the reduction of the Other.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1580125134518-1ce02-7896&#8243; tab_id=&#8221;1591957141038-2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Este ensayo analiza el poder performativo de la ficci\u00f3n en la pel\u00edcula <em>Desierto<\/em> (2015) de Jon\u00e1s Cuar\u00f3n. Desea analizar si su est\u00e9tica, que corresponde a los c\u00f3digos del cine de g\u00e9nero, sirve como una estrategia para concientizar a la mayor parte del p\u00fablico sobre los peligros generados por los discursos nacionalistas, racistas y supremacistas que reaparecieron durante la \u00faltima campa\u00f1a presidencial en los Estados Unidos y que sirvieron como subtexto pol\u00edtico durante la promoci\u00f3n de <em>Desierto<\/em>, o si, al contrario, las elecciones est\u00e9ticas del director que se basan en la est\u00e9tica de la \u201cindustria entretenimiento\u201d no hacen m\u00e1s que atizar y reforzar los arquetipos del inmigrante, y del supremacista blanco americano. Para nuestro an\u00e1lisis hemos convocado varios autores que discuten el concepto de \u2018compromiso\u2019 en la literatura y que extrapolaremos en el \u00e1mbito cinematogr\u00e1fico. Esto nos permitir\u00e1 comprender por qu\u00e9 las elecciones est\u00e9ticas del director de <em>Desierto<\/em> pueden ser contrarias e incluso contraproducentes a una pel\u00edcula que se jacta de ser pol\u00edticamente comprometida y que busca luchar contra el esencialismo del Otro. <\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b018 | US-Mexican Encounters in Contemporary Film&#8221; id=&#8221;1580125134563-4ce02-7896&#8243; tab_id=&#8221;1591957141068-3&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Guido Rings \/ Stephen Trinder \u2013 Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Articles<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-poetica-contra-politica\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>C\u00e9cile Brochard \/ Oscar Torres \u2013 Po\u00e9tica contra pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-trump-politics-of-fear\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Douglas E. Forster \u2013 Trump\u2019s Politics of Fear<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-sicario-films\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>James Shelton \u2013 Narrative and the \u2018Norteamericano\u2019 in the Sicario Films<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-contested-border-crossings\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-trumps-rhetoric-influence\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Erica Berzaghi \/ Frank O\u2019Sullivan \u2013 Trump\u2019s Rhetoric Influence<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-the-river-and-the-wall\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Martina Moeller \u2013 Politics in <em>The River and The Wall<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-re-animating-mexicanidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jessica Wax-Edwards \u2013 Re-Animating Mexicanidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-coco-trump-era\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sandra L. L\u00f3pez Varela \u2013 Pixar\u2019s <em>Coco <\/em>during the Trump Era<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Review<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1570,1577],"tags":[1748,1760,1759,1751,1761],"class_list":["post-7963","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xviii-encuentros-estadounidenses-mexicanos-en","category-xviii-us-mexican-encounters","tag-campana-presidencial","tag-engagement","tag-genre-film","tag-oscar-torres","tag-presidential-campaign"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XVIII. 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