{"id":7931,"date":"2020-07-14T15:05:11","date_gmt":"2020-07-14T14:05:11","guid":{"rendered":"https:\/\/www.imex-revista.com\/xviii-contested-border-crossings\/"},"modified":"2021-06-01T12:05:24","modified_gmt":"2021-06-01T11:05:24","slug":"xviii-contested-border-crossings","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xviii-contested-border-crossings\/","title":{"rendered":"XVIII. Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7807\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7801\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><span style=\"color: #b0b0b0;\"><strong>Contested Border Crossings in Shifting Political Landscapes:<br \/>\n<\/strong><\/span><span style=\"color: #b0b0b0;\"><strong>Anti-Invasion Discourses and Human Trafficking Representations<br \/>\nin US Film and Politics<br \/>\n<\/strong><strong>(pp. 61-82; DOI: 10.23692\/iMex.18.5)<\/strong><\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_LLVAN_Contested-border-crossings_iMex18.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_LLVAN_Contested-border-crossings_iMex18.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Lara Martin Lengel<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7925\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Lara_Lengel_iMex-205x300.jpg\" alt=\"\" width=\"150\" height=\"220\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Lara_Lengel_iMex-205x300.jpg 205w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Lara_Lengel_iMex-698x1024.jpg 698w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Lara_Lengel_iMex.jpg 1396w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Lara Martin Lengel, PhD, is Professor at the School of Media and Communication, Bowling Green State University. Research informing this study, on human trafficking in Central America, was supported by a Fellowship from the Institute for the Study of Culture and Society. Lengel\u2019s recent refereed research is published in <em>French Journal for Media Research, Journal of International and Intercultural Communication, Studies in Symbolic Interaction, Feminist Media Studies, Global Health Promotion, International Journal of Women\u2019s Studies, <\/em>and <em>International Journal of Communication.<\/em> Her most recent publication, on decolonising gender and intercultural communication in transnational contexts, is forthcoming in <em>The Cambridge Handbook of Intercultural Communication<\/em>, Cambridge University Press.<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3 style=\"text-align: right;\"><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Victoria Ann Newsom<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-7927\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victoria_Newsom_iMex-205x300.jpg\" alt=\"\" width=\"150\" height=\"220\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victoria_Newsom_iMex-205x300.jpg 205w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victoria_Newsom_iMex-698x1024.jpg 698w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victoria_Newsom_iMex.jpg 829w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Victoria Ann Newsom, PhD, is a Professor of Communication Studies at Olympic College in Bremerton, Washington. Newsom\u2019s research centers on the negotiation of power, gender, and identity in performative and communication contexts. Her current projects include work in international media analysis and activism, peace studies, postcolonial feminism(s), Islamophobia Studies, performative pedagogies, fan and media studies, and cultural studies-grounded analyses of transnational policy making. She has published articles in, among others, the<em> International Journal of Communication, Studies in Symbolic Interaction, Global Media Journal, Communication Studies, Communication Yearbook, Feminist Media Studies, <\/em>and <em>Journal of International Women&#8217;s Studies.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><em>\u00a0<\/em><\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1580125134478-082e1-a8ba&#8221; tab_id=&#8221;1591953522746-9&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Drawing upon hypermasculine, gun-wielding characteristics associated with the political right and its military industrial complex, this study critiques cinematic representations of the criminal enemy Other in changing political landscapes. Focusing in particular on the filmic representation of Mexicans in recently released US blockbuster film, <em>Rambo: Last Blood<\/em> (2019), we critique how the current political climate marked by alt-right, ethno-nationalist constructs in the era of Trump has given rise to anti-immigration discourses that reinforce racialised fears and the belief that nationalists are the rightful heirs to white privilege. Through original literary work on the five-film <em>Rambo <\/em>franchise, we trace the characterisation of John Rambo from Vietnam veteran anti-hero, via Reagan-era champion, to Trump-era anti-hero killing the Other as he invades the US southern border. This most-recent <em>Rambo<\/em> film evokes the frontier mythology and a fear of the foreign Other encroaching upon the homeland. We critique anti-Mexican and anti-immigration discourses of both Trump and <em>Last Blood<\/em>, and Rambo\u2019s role necessitating empowering heteronormative masculinity and the American male prominence of the saviour figure. We illustrate topoi underlying these constructs and critique political and cultural influences and audience reception reflecting shifting <\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1580125134518-182e1-a8ba&#8221; tab_id=&#8221;1591953522780-9&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Criticando las caracter\u00edsticas hipermasculinas y armadas asociadas con la derecha pol\u00edtica y su complejo industrial militar, este estudio analiza representaciones cinematogr\u00e1ficas del enemigo criminal Otro en paisajes pol\u00edticos cambiantes. Centr\u00e1ndose especialmente en la representaci\u00f3n f\u00edlmica de los mexicanos en una de las pel\u00edculas m\u00e1s exitosas de los EE.UU, <em>Rambo: Last Blood<\/em> (2019), criticamos c\u00f3mo el clima pol\u00edtico actual marcado por construcciones etno-nacionalistas de extrema derecha en la era de Trump ha dado lugar a discursos contra la inmigraci\u00f3n que refuerzan los temores racializados y la creencia de que los nacionalistas son los herederos leg\u00edtimos del privilegio blanco. Trastreamos la caracterizaci\u00f3n de Rambo desde el antih\u00e9roe veterano de Vietnam, hasta el h\u00e9roe de la era Reagan, hasta el anti\/h\u00e9roe de la era Trump que mata al Otro mientras invade la frontera sur de los EE.UU. Criticamos los discursos anti-mexicanos y anti-inmigrantes de Trump y <em>Last Blood<\/em>, con Rambo como arquetipo de salvador anti-h\u00e9roe estadounidense. Rambo evoca al antih\u00e9roe de la mitolog\u00eda fronteriza y el miedo al Otro extranjero que invade la patria. Ilustramos los topoi subyacentes a esta construcci\u00f3n y criticamos las influencias pol\u00edticas y culturales y la recepci\u00f3n de la audiencia que refleja los intereses y temores pol\u00edticos cambiantes, especialmente la inmigraci\u00f3n y el tr\u00e1fico de personas\/sexo.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b018 | US-Mexican Encounters in Contemporary Film&#8221; id=&#8221;1580125134563-482e1-a8ba&#8221; tab_id=&#8221;1591953522818-4&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Guido Rings \/ Stephen Trinder \u2013 Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Articles<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-poetica-contra-politica\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>C\u00e9cile Brochard \/ Oscar Torres \u2013 Po\u00e9tica contra pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-trump-politics-of-fear\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Douglas E. Forster \u2013 Trump\u2019s Politics of Fear<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-sicario-films\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>James Shelton \u2013 Narrative and the \u2018Norteamericano\u2019 in the Sicario Films<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-contested-border-crossings\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-trumps-rhetoric-influence\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Erica Berzaghi \/ Frank O\u2019Sullivan \u2013 Trump\u2019s Rhetoric Influence<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-the-river-and-the-wall\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Martina Moeller \u2013 Politics in <em>The River and The Wall<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-re-animating-mexicanidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jessica Wax-Edwards \u2013 Re-Animating Mexicanidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-coco-trump-era\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sandra L. L\u00f3pez Varela \u2013 Pixar\u2019s <em>Coco <\/em>during the Trump Era<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Review<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1570,1577],"tags":[1713,1700,1714,1712,1715,1704],"class_list":["post-7931","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xviii-encuentros-estadounidenses-mexicanos-en","category-xviii-us-mexican-encounters","tag-anti-immigration-rhetoric-of-donald-trump","tag-el-trafico-sexual","tag-filmic-representations-of-mexico","tag-racism","tag-sex-trafficking","tag-victoria-ann-newson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XVIII. Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XVIII. US-Mexican encounters | Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings in Shifting Political Landscapes: Anti-Invasion Discourses and Human Trafficking Representationsin US Film and Politics | DOI: 10.23692\/iMex.18.5\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xviii-contested-border-crossings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XVIII. Lara Lengel \/ Victoria A. Newsom \u2013 Contested Border Crossings - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"iMex XVIII. US-Mexican encounters | Lara Lengel \/ Victoria A. 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