{"id":7858,"date":"2020-02-17T12:40:17","date_gmt":"2020-02-17T11:40:17","guid":{"rendered":"https:\/\/www.imex-revista.com\/xvii-fenomenologia-cruce\/"},"modified":"2021-06-01T12:06:05","modified_gmt":"2021-06-01T11:06:05","slug":"xvii-fenomenologia-cruce","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xvii-fenomenologia-cruce\/","title":{"rendered":"Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7255\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/7524\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Hacia una fenomenolog\u00eda del cruce. Propuestas literarias, cinematogr\u00e1ficas y art\u00edsticas <\/span><span style=\"color: #b0b0b0;\">desde la frontera norte\/sur (pp. 84-98; DOI: 10.23692\/iMex.17.6)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F5_RR_Fenomenologia-del-cruce_iMex17.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/5_RR_Fenomenologia-del-cruce_iMex17.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Romana Radlwimmer<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7146 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/R.-Radlwimmer_iMex17.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Romana Radlwimmer holds a Ph.D. in Romance Literatures from the University of Vienna. She was a lecturer for Literatures and Cultures at the University of Salamanca, Postdoctoral candidate for Romance Literatures at the University of Lisbon, and Fulbright Visiting Scholar at the Latina\/o Studies Program at the University of Missouri, Kansas City. Since 2016, she has been an Assistant Professor for Romance Literatures, currently teaching and researching at the University of T\u00fcbingen. She is an Elected Forum Member of the Modern Language Association (2018-2023) and a Founding Member of the Interdisciplinary Centre of Global South Studies at the University of T\u00fcbingen. She is the author of <em>Wissen in Bewegung. Latina-Kulturtheorie \/ Literaturtheorie \/ Epistemologie<\/em> (2015) and of articles in her fields of research which include Latin American and US Latina\/o Literary and Cultural Theory, Spanish Urban Dynamics, 16<sup>th<\/sup> century Spanish and Portuguese Colonial Literature, and Film.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">The perspective on the Mexican-US Border is modified when looked at as <em>frontera norte<\/em> or as <em>Southern Border. <\/em>Along this enormous division line, the crossing of persons or merchandise between two distinct geopolitical entities becomes possible or is restricted. It is an emblematic zone to conceive the phenomenon of crossing. Contemporary literature, cinema and arts reflect a focus on displacements, a tendency that can be understood as a movement towards a <em>transborder<\/em> approach. Which phenomena of crossing between Mexico and the US exist, and how are they constructed and described in texts and images from and about the Northern\/Southern Border?<em> Transborder <\/em>appears as an inherent category in the best-known concepts of the Border at the end of the 20<sup>th<\/sup> century (Anzald\u00faa, Canclini, Mignolo, amongst others). This article sounds out how crossings manifest in contemporary expression of Border writers, artists and theorists (such as Laura Varela, Norma Cant\u00fa, Mayra Martell, Perla de la Rosa, <em>Puro Borde<\/em>, Azzul Monraz y Aldo Guerra, Guillermo G\u00f3mez Pe\u00f1a). This way, the outline of a Phenomenology of Crossings is revealed, which is characterized by the double presence of crossing and not crossing, of difference and similarity, of vulnerable experiences and their transformation. The understanding of &#8220;two sides&#8221; starts to be interrupted, disseminated. In the act of crossing, the Border is, ambiguously, division and unity, regional and superregional entity, violence and healing.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">La perspectiva sobre la frontera mexicana-estadounidense se modifica si se la mira como <em>frontera norte<\/em> o como <em>Southern Border<\/em>. En esta enorme l\u00ednea de divisi\u00f3n, la traves\u00eda de personas o mercanc\u00edas entre dos entidades geopol\u00edticas distintas se posibilita o se inhibe. Es una zona emblem\u00e1tica para concebir el fen\u00f3meno del cruce. La literatura, el cine y el arte contempor\u00e1neos reflejan un enfoque en los desplazamientos; esta tendencia actual se deja comprender como el movimiento hacia <em>lo transfronterizo<\/em>. \u00bfCu\u00e1les son los fen\u00f3menos de cruce entre M\u00e9xico y los E.E.U.U., y c\u00f3mo se inventan y se describen en los textos e im\u00e1genes desde y sobre la frontera norte\/sur? Lo transfronterizo aparece como categor\u00eda inherente de los conceptos m\u00e1s conocidos de la frontera a finales del siglo XX (Anzald\u00faa, Canclini, Mignolo, entre otros). Este art\u00edculo sondea c\u00f3mo la traves\u00eda aparece en las manifestaciones contempor\u00e1neas de escritoras, artistas y te\u00f3ricos\/as de la frontera (como de Laura Varela, Norma Cant\u00fa, Mayra Martell, Perla de la Rosa, <em>Puro Borde<\/em>, Azzul Monraz y Aldo Guerra, Guillermo G\u00f3mez Pe\u00f1a). As\u00ed se revela el esbozo de una fenomenolog\u00eda del cruce que se caracteriza por la presencia doble de cruzar y no cruzar, de la diferencia y la similitud, de la experienca vulnerable y su transformaci\u00f3n. El entendimiento de &#8220;los dos lados&#8221; comienza a interrumpirse y diseminarse; en el cruce, la frontera es, ambiguamente, divisi\u00f3n y unidad, regional y supraregional, violenca y sanaci\u00f3n.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b017 | Transborder Matters&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Romana Radlwimmer \u2013 Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Articles<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-borderlands-revisited\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span> Anja Bandau \u2013 Borderlands revisited <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-action-as-deferment\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Marisa Belausteguigoitia \u2013 Action as deferment<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-pantelions-transborderscapes\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Heidi Denzel de Tirado \u2013 Pantelion\u2019s Transborderscapes<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-poetry-space-inbetween\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Wolfgang M\u00fcller-Funk \u2013 Poetry of the Space in Between<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-fenomenologia-cruce\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-chicano-marxist-catholic\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniel Schreiner\u2013 Chicano Marxist and Catholic Thought<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-wet-minds\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mar\u00eda Socorro Tabuenca C\u00f3rdoba \u2013 Wet Minds<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-transborder-narrating-identity\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Maria Wiehe \u2013 Transborder Way of Narrating Identity<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Impressions<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-invasorix-guerx\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>INVASORIX \u2013 Me duele la cara por ser tan g\u00fcerx<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-nepantleras-fotografiando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Verena Melgarejo Weinandt \u2013 Nepantleras fotografiando<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-segundo-febrero\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Laura Varela \u2013 Segundo de Febrero<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-resenas\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1558],"tags":[1517,1521],"class_list":["post-7858","post","type-post","status-publish","format-standard","category-issues","category-xvii-transborder-matters-en","tag-arte","tag-fenomenologia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XVII. Transborder Matters | Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce | DOI: 10.23692\/iMex.17.6\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-fenomenologia-cruce\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"iMex XVII. Transborder Matters | Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce | DOI: 10.23692\/iMex.17.6\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/xvii-fenomenologia-cruce\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-17T11:40:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:06:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/R.-Radlwimmer_iMex17.jpg\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xvii-fenomenologia-cruce\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xvii-fenomenologia-cruce\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce\",\"datePublished\":\"2020-02-17T11:40:17+00:00\",\"dateModified\":\"2021-06-01T11:06:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xvii-fenomenologia-cruce\\\/\"},\"wordCount\":1441,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xvii-fenomenologia-cruce\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/R.-Radlwimmer_iMex17.jpg\",\"keywords\":[\"arte\",\"fenomenolog\u00eda\"],\"articleSection\":[\"Issues\",\"XVII. 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