{"id":7830,"date":"2020-02-17T12:35:23","date_gmt":"2020-02-17T11:35:23","guid":{"rendered":"https:\/\/www.imex-revista.com\/xvii-segundo-febrero\/"},"modified":"2021-06-01T12:06:11","modified_gmt":"2021-06-01T11:06:11","slug":"xvii-segundo-febrero","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xvii-segundo-febrero\/","title":{"rendered":"Laura Varela \u2013 Segundo de Febrero"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; 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text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Segundo de Febrero in San Antonio, Texas (pp. 180-199; DOI: 10.23692\/iMex.17.12)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F11_LV_Segundo-de-febrero_iMex17.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/11_LV_Segundo-de-febrero_iMex17.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Laura Varela<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7117 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Varela_iMex.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Laura Varela is a documentary filmmaker whose work is shaped by her roots growing up on the US\/Mexico border in El Paso, TX. Her work crosses cultural, linguistic and physical borders through the use of film and contemporary art installations.\u00a0She now resides in San Antonio, TX where she works as a filmmaker and artist.\u00a0<em>Varelafilm<\/em> recently merged with <em>Xica Media<\/em>, a mission driven creative agency and digital networks.\u00a0Varela\u2019s documentary, <em>As Long as I Remember: American Veteranos<\/em> was broadcast on PBS from 2010 to 2016. She is currently producing and directing the documentary, <em>raul salinas: The Poetry of Liberation<\/em> for PBS. She is a recipient of awards from The National Association of Latino Arts and Culture, Humanities Texas, Latino Public Broadcasting\u2019s Public Media Content Fund, ITVS and Best Director Award from the San Antonio Film Festival.<\/span><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"IjjUNTcPf6\"><p><a href=\"https:\/\/varelafilm.org\/segundo-de-febrero\/\">Segundo De Febrero (documentary short)On-Line Premiere<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"&#8220;Segundo De Febrero (documentary short)On-Line Premiere&#8221; &#8212; Varela Film\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/varelafilm.org\/segundo-de-febrero\/embed\/#?secret=IjjUNTcPf6\" data-secret=\"IjjUNTcPf6\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][vc_gallery type=&#8221;flickity_style&#8221; images=&#8221;7421,7423,7425,7427,7429,7431,7435,7437,7381,7383,7385,7387,7389,7391,7393,7395,7397,7399,7401,7403,7405,7407,7409,7411,7413,7415,7417,7419&#8243; flickity_controls=&#8221;pagination&#8221; flickity_desktop_columns=&#8221;1&#8243; flickity_small_desktop_columns=&#8221;1&#8243; flickity_tablet_columns=&#8221;1&#8243; flickity_box_shadow=&#8221;none&#8221; onclick=&#8221;link_no&#8221;][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">El Paso Native Laura Varela discusses her work as a filmmaker and artist.\u00a0Her first person essay examines the influences and awareness of the world when growing up on the U.S.-Mexican border. <em>Segundo de Febrero<\/em> is a short documentary she directed from her home base in San Antonio, TX. \u00a0It was filmed in 2017 at Christ the King Church, a historic Catholic parish deep in the West Side of San Antonio, a historic and predominantly Mexican American area of the city. Native and Mexican spiritual and cultural traditions continue to find a way. There is a unique <em>mezcla<\/em>, a mixture of cultures that emerges from populations resisting the mainstream narrative and returning or retaining traditional practices. The heart and soul of this city, of this region, derives from those who have crossed borders and who continue to cross them on a material and spiritual level. Mexican American culture has created a confluence of cultures and has shaped who we are to create something new.\u00a0 Following is a photo essay presenting some of the essential images of the documentary, presenting part of the film&#8217;s transcript together with the photos.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Laura Varela, nativa de El Paso, habla sobre su trabajo como cineasta y artista. Su ensayo en primera persona examina las influencias y la conciencia del mundo al crecer en la frontera entre Estados Unidos y M\u00e9xico.\u00a0<em>Segundo de Febrero<\/em>\u00a0es un documental corto que dirigi\u00f3 desde su base de operaciones en San Antonio, TX. Fue filmado en 2017 en la Iglesia de Cristo Rey, una hist\u00f3rica parroquia cat\u00f3lica en el lado oeste de San Antonio, un \u00e1rea hist\u00f3rico y predominantemente mexicano-americano de la ciudad. La espiritualidad y las tradiciones culturales nativas y mexicanas contin\u00faan encontrando un camino. Hay una mezcla \u00fanica, una mezcla de culturas que emerge de poblaciones que se resisten a la narrativa dominante y que se regresan a y retienen las pr\u00e1cticas tradicionales. El coraz\u00f3n y el alma de esta ciudad, de esta regi\u00f3n, se deriva de aquellos que han cruzado fronteras y que contin\u00faan cruzando en un nivel material y espiritual. La cultura mexicana-americana ha creado una confluencia de culturas y ha moldeado qui\u00e9nes somos para crear algo nuevo. El siguiente ensayo fotogr\u00e1fico presenta algunas de las im\u00e1genes esenciales del documental, presentando parte de la transcripci\u00f3n de la pel\u00edcula junto con las fotos.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b017 | Transborder Matters&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Romana Radlwimmer \u2013 Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Articles<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-borderlands-revisited\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span> Anja Bandau \u2013 Borderlands revisited <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-action-as-deferment\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Marisa Belausteguigoitia \u2013 Action as deferment<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-pantelions-transborderscapes\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Heidi Denzel de Tirado \u2013 Pantelion\u2019s Transborderscapes<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-poetry-space-inbetween\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Wolfgang M\u00fcller-Funk \u2013 Poetry of the Space in Between<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-fenomenologia-cruce\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Romana Radlwimmer \u2013 Fenomenolog\u00eda del cruce<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-chicano-marxist-catholic\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniel Schreiner\u2013 Chicano Marxist and Catholic Thought<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-wet-minds\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mar\u00eda Socorro Tabuenca C\u00f3rdoba \u2013 Wet Minds<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-transborder-narrating-identity\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Maria Wiehe \u2013 Transborder Way of Narrating Identity<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #ffffff;\"><strong>Impressions<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-invasorix-guerx\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>INVASORIX \u2013 Me duele la cara por ser tan g\u00fcerx<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-nepantleras-fotografiando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Verena Melgarejo Weinandt \u2013 Nepantleras fotografiando<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-segundo-febrero\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Laura Varela \u2013 Segundo de Febrero<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvii-resenas\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1558],"tags":[1486,1487],"class_list":["post-7830","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xvii-transborder-matters-en","tag-cruzar-fronteras","tag-tradicion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laura Varela \u2013 Segundo de Febrero - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XVII. 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