{"id":7723,"date":"2020-02-17T12:34:46","date_gmt":"2020-02-17T11:34:46","guid":{"rendered":"https:\/\/www.imex-revista.com\/xvii-resenas\/"},"modified":"2021-06-01T12:06:12","modified_gmt":"2021-06-01T11:06:12","slug":"xvii-resenas","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xvii-resenas\/","title":{"rendered":"XVII. Reviews"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”repeat” parallax_bg=”true” parallax_bg_speed=”slow” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Issue<\/span><\/i><\/a> Download Article<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][\/vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Rese\u00f1as (pp. 201-207)<\/span>
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

\"\"Christian Sperling
\n<\/strong><\/span><\/h3>\n

Oswaldo Estrada (ed.) (2014): Senderos de violencia. Latinoam\u00e9rica y sus narrativas armadas<\/em>. Valencia: albatros Ediciones, 376 pages.<\/span><\/p>\n

[divider line_type=”No Line” custom_height=”150″]\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”80″][vc_column_text]\n

\"\"<\/span>Diana Hern\u00e1ndez<\/span><\/strong><\/h3>\n

Fran\u00e7oise Perus (2012): Juan Rulfo, el arte de narrar<\/em>. Mexico: Fundaci\u00f3n Juan Rulfo \/ Editorial RM \/ CIALC-UNAM \/ Universidad Aut\u00f3noma de Guerrero \/ Universidad Nacional de Colombia. 247 pages.<\/span><\/p>\n

[divider line_type=”No Line” custom_height=”150″]<\/span><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”iMex N\u00b017 | Transborder Matters” id=”1532690306931-3e90a-8ea4″ tab_id=”1580123564363-2″][vc_column_text]Romana Radlwimmer \u2013 Editorial<\/span><\/i><\/a>\n

Articles<\/strong><\/span><\/p>\n Anja Bandau \u2013 Borderlands revisited <\/span><\/i><\/a>\nMarisa Belausteguigoitia \u2013 Action as deferment<\/span><\/i><\/a>\nHeidi Denzel de Tirado \u2013 Pantelion\u2019s Transborderscapes<\/span><\/i><\/a>\nWolfgang M\u00fcller-Funk \u2013 Poetry of the Space in Between<\/span><\/i><\/a>\nRomana Radlwimmer \u2013 Fenomenolog\u00eda del cruce<\/span><\/i><\/a>\nDaniel Schreiner\u2013 Chicano Marxist and Catholic Thought<\/span><\/i><\/a>\nMar\u00eda Socorro Tabuenca C\u00f3rdoba \u2013 Wet Minds<\/span><\/i><\/a>\nMaria Wiehe \u2013 Transborder Way of Narrating Identity<\/span><\/i><\/a>\n

Impressions<\/strong><\/span><\/p>\nINVASORIX \u2013 Me duele la cara por ser tan g\u00fcerx<\/span><\/i><\/a>\nVerena Melgarejo Weinandt \u2013 Nepantleras fotografiando<\/span><\/i><\/a>\nLaura Varela \u2013 Segundo de Febrero<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”repeat” parallax_bg=”true” parallax_bg_speed=”slow” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][\/vc_row_inner][vc_column_inner…<\/p>\n","protected":false},"author":2,"featured_media":13219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1558],"tags":[488,1482],"class_list":["post-7723","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xvii-transborder-matters-en","tag-christian-sperling","tag-francois-perus"],"yoast_head":"\nXVII. 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