{"id":6879,"date":"2019-07-31T13:27:48","date_gmt":"2019-07-31T12:27:48","guid":{"rendered":"https:\/\/www.imex-revista.com\/xvi-necroescrituras-fantologicas\/"},"modified":"2021-06-01T12:06:18","modified_gmt":"2021-06-01T11:06:18","slug":"xvi-necroescrituras-fantologicas","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xvi-necroescrituras-fantologicas\/","title":{"rendered":"XVI. Roberto Cruz Arzabal \u2013 Necroescrituras fantol\u00f3gicas"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6754\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6799\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><span style=\"color: #b0b0b0;\"><strong>Necroescrituras fantol\u00f3gicas: espectros y materialidad en <\/strong><\/span><strong><span style=\"color: #b0b0b0;\"><em>Ant\u00edgona Gonz\u00e1lez<\/em> y <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> (pp. 68-83; DOI: 10.23692\/iMex.16.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_RCA_Necroescrituras-fantologicas_iMex16.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_RCA_Necroescrituras-fantologicas_iMex16.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Roberto Cruz Arzabal<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6703\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Cruz-Arzabal_iMex16.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/span><span style=\"color: #b0b0b0;\">Roberto Cruz Arzabal is PhD in Literature from the Universidad Nacional Aut\u00f3noma de M\u00e9xico. He teaches mexican literature and literary theory in the UNAM and in the Universidad Iberoamericana, Ciudad de M\u00e9xico.\u00a0His research focuses on contemporary mexican literature and visual studies, as well as materialities of literature and intermediality. He is co-editor with Miguel Rodr\u00edguez Lozano and M\u00f3nica Quijano of the sixth volume of the\u00a0<em>Historia de las literaturas en M\u00e9xico. <\/em><em>Hacia un nuevo siglo 1968-2010 <\/em>(UNAM In Press), and editor of the volume<em>\u00a0Aqu\u00ed se esconde un par\u00e9ntesis. Lecturas cr\u00edticas sobre Cristina Rivera Garza <\/em>(UNAM,2018).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-59657-6df5&#8243; tab_id=&#8221;1547557827331-10&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This paper examines Luis Felipe Fabre\u2019s <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> (Pre-Textos 2010) and Sara Uribe\u2019s <em>Ant\u00edgona Gonz\u00e1lez<\/em> (Surplus 2012) from the perspective of spectrality that Jacques Derrida outlined in Spectres of Marx. In order to situate both works in their context of production two main concepts are revised: Josefina Ludmer\u2019s idea of postautonomous literatures (Aqu\u00ed Am\u00e9rica Latina) and Cristina Rivera Garza\u2019s necrowriting (Los muertos ind\u00f3ciles). In the intersection between both theories I propose the term &#8220;hauntological necrowriting&#8221; to describe the relationship between texts that are produced in conditions of extreme mortality and that, through the work with documental and literary materiality, conjure the spectres of modernity.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-39657-6df5&#8243; tab_id=&#8221;1547557827370-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">En este art\u00edculo estudio las obras <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> (Pre-Textos 2010) de Luis Felipe Fabre (M\u00e9xico, 1974) y <em>Ant\u00edgona Gonz\u00e1lez<\/em> (Surplus 2012) de Sara Uribe (Quer\u00e9taro, 1978) a partir de la aparici\u00f3n de la espectralidad como fuera teorizada por Jacques Derrida en Espectros de Marx;\u00a0 para situar las obras en su contexto de producci\u00f3n contempor\u00e1neo recurro a los conceptos literaturas posaut\u00f3nomas de Josefina Ludmer (Aqu\u00ed Am\u00e9rica Latina) y al de necroescrituras de Cristina Rivera Garza (Los muertos ind\u00f3ciles). Como una intersecci\u00f3n entre estas perspectivas te\u00f3ricas para el an\u00e1lisis de la escritura contempor\u00e1nea propongo el t\u00e9rmino de necroescrituras fantol\u00f3gicas, como la relaci\u00f3n entre escrituras producidas en condiciones de extrema mortandad que, mediante el trabajo con la materialidad documental y literaria, conjuran la espectralidad de los muertos en la modernidad.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b016 | M\u00e9xico espectral&#8221; id=&#8221;1532705295697-49657-6df5&#8243; tab_id=&#8221;1547557827412-1&#8243;][vc_column_text]\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alberto Ribas-Casasayas - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-breaking-silences-revealing-ghosts\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Amanda Petersen \u2013 Breaking Silences and Revealing Ghosts<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-haunted-bodies-female-migrant\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Olivia Cosentino \u2013 Haunted Bodies<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-espectros-feminicidio\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Elizabeth Villalobos \u2013 Espectros del feminicidio<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-necroescrituras-fantologicas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Roberto Cruz Arzabal \u2013 Necroescrituras fantol\u00f3gicas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-espectralidad-cibernetica\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>David Dalton \u2013 Una espectralidad cibern\u00e9tica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-darknetworks-pathogens\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carmen Serrano \u2013 Dark Networks and Pathogens<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-existencia-sobrenatural-difuntos\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alma Barbosa S\u00e1nchez \u2013 La existencia sobrenatural de los difuntos<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-convergencia-voces-hnahnu\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Milvet Alonso \u2013 Convergencia de voces h\u00f1\u00e4h\u00f1u<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-jewish-belonging-mourning\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Charlotte Gartenberg \u2013 Jewish Belonging and Mourning<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xvi-resenas\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; 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