{"id":6506,"date":"2019-01-25T17:02:10","date_gmt":"2019-01-25T16:02:10","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=6506"},"modified":"2021-06-01T12:06:23","modified_gmt":"2021-06-01T11:06:23","slug":"xv-editorial","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xv-editorial\/","title":{"rendered":"Claudia J\u00fcnke \/ Jutta Weiser \u2013 Editorial"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6412\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6438\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Editorial. Sor Juana In\u00e9s de la Cruz: identidad criolla y procesos de transculturaci\u00f3n<br \/>\n(pp. 8-12; DOI: 10.23692\/iMex.15.1)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F0_CL_JW_Editorial_iMex15.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/0_CL_JW_Editorial_iMex15.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Claudia J\u00fcnke<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Claudia-J\u00fcnke_iMex.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6328\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Claudia-J\u00fcnke_iMex.jpg\" alt=\"\" width=\"150\" height=\"200\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Claudia J\u00fcnke is Professor in Spanish and French literatures and cultures at the University of Innsbruck. Her research focusses on modern and contemporary literature and culture in France, Spain and Latin America, with a special interest in cultural memory of violent pasts, cultural identities, narratology and intermediality. She received her doctoral degree from the University of Cologne in 2002 and her postdoctoral degree (Habilitation) from the university of Bonn in 2009. She is the author of <em>Erinnerung \u2013 Mythos \u2013 Medialit\u00e4t. Die Darstellung des Spanischen B\u00fcrgerkriegs im aktuellen Roman und Spielfilm in Spanien<\/em> (Berlin 2012) and the co-editor of <em>La Movida revisitada. <\/em><em>Perspectivas actuales sobre un fen\u00f3meno cultural y transmedial<\/em> (W\u00fcrzburg 2014). Her articles have been publishes in a variety of international journals and books.<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">PD Dr. Jutta Weiser<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6339 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jutta-Weiser_iMex.jpg\" alt=\"\" width=\"180\" height=\"200\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Jutta Weiser teaches Romance Literatures at the University of Mannheim (Germany). Her research intereses are focussed on French, Spanish and Hispano-American Literatures and Cultures, with a special interest in the relationship between literature and medicine in the 19th and 20th centuries, transatlantic literary relations, postcolonial theory, literature and painting in the baroque era, as well as the history and theory of authorship. Her habilitation thesis <em>Poetik des Pathologischen. Medizin und Romanliteratur in Spanien (1880-1905)<\/em> was published in 2013. Her recent articles: \u201e,Tout voir, tout savoir, tout conqu\u00e9rir\u2018\u00a0\u2013 Zur Poetik des Naturalismus in Clar\u00edns <em>La Regenta<\/em>\u201d, in: <em>Archiv f\u00fcr das Studium der Neueren Sprachen und Literaturen<\/em> 255\/1 (2018), 123-149; \u201ePagane Mythen im <em>auto sacramental<\/em>: Zur transkulturellen Poetik in Sor Juanas <em>El divino Narciso<\/em> und seiner Loa (mit einem Seitenblick auf Calder\u00f3ns <em>El divino Orfeo<\/em>)\u201c, in: <em>Romanische Forschungen<\/em> 130\/1 (2018), 36-69; \u201eDel lugar infeccioso a la invasi\u00f3n de microbios: fantasmas coloniales entre geograf\u00eda m\u00e9dica y bacteriolog\u00eda\u201d, in: Christian von Tschilschke\/Jan-Henrik Witthaus (eds.): <em>El otro colonialismo. <\/em><em>Espa\u00f1a y \u00c1frica, entre imaginaci\u00f3n e historia<\/em>. Frankfurt a.M.\/Madrid: Vervuert 2017, 131-148.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b015 | Sor Juana In\u00e9s de la Cruz&#8221; id=&#8221;1547557827412-1117d-dd1d&#8221; tab_id=&#8221;1547575621432-5&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Claudia J\u00fcnke \/ Jutta Weiser - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-documentos-sor-juana\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2013 Documentos alrededor de Sor Juana<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-figuraciones-mecenazgo-autoria\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Beatriz Colombi \u2013 Figuraciones del mecenazgo y la autor\u00eda<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-riquezas-ingenio-indiano\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Francisco Ram\u00edrez Santacruz \u2013 Las riquezas del Nuevo Mundo y el ingenio indiano <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-discurso-criollo-autoria-implicita\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jutta Weiser \u2013 Discurso criollo y autor\u00eda implicita<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-identificacion-diferencia-cultural\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Claudia J\u00fcnke \u2013 Identificaci\u00f3n y diferencia cultural<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-espacio-teatral-criollo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Agnieszka Komorowska \u2013 Construyendo el espacio teatral criollo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-transformacion-codigo-petrarquista\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ver\u00f3nica Grossi \u2013 La transformaci\u00f3n del c\u00f3digo petrarquista<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-geometrizacion-del-poder\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Patricia Saldarriaga \u2013 La geometrizaci\u00f3n del poder<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-marginalidad-en-el-centro\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Kurt Hahn \u2013 La marginalidad puesta en el centro <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-resenas\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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