{"id":6484,"date":"2019-01-25T16:33:03","date_gmt":"2019-01-25T15:33:03","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=6484"},"modified":"2021-06-01T12:06:25","modified_gmt":"2021-06-01T11:06:25","slug":"xv-discurso-criollo-autoria-implicita","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xv-discurso-criollo-autoria-implicita\/","title":{"rendered":"Jutta Weiser \u2013 Discurso criollo y autor\u00eda implicita"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6412\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/6427\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">&#8220;<em>Plus ultra<\/em>! \u00a1M\u00e1s Mundos hay!&#8221; \u2013 Discurso criollo y autor\u00eda impl\u00edcita en las loas sacramentales de Sor Juana In\u00e9s de la Cruz<br \/>\n(pp. 57-68; DOI: 10.23692\/iMex.15.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_JW_Plus-ultra_Mas-Mundos-hay_iMex15.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_JW_Plus-ultra_Mas-Mundos-hay_iMex15.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">PD Dr. Jutta Weiser<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jutta-Weiser_iMex.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6338 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jutta-Weiser_iMex.jpg\" alt=\"\" width=\"180\" height=\"200\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Jutta Weiser teaches Romance Literatures at the University of Mannheim (Germany). Her research intereses are focussed on French, Spanish and Hispano-American Literatures and Cultures, with a special interest in the relationship between literature and medicine in the 19th and 20th centuries, transatlantic literary relations, postcolonial theory, literature and painting in the baroque era, as well as the history and theory of authorship. Her habilitation thesis <em>Poetik des Pathologischen. Medizin und Romanliteratur in Spanien (1880-1905)<\/em> was published in 2013. Her recent articles: \u201e,Tout voir, tout savoir, tout conqu\u00e9rir\u2018\u00a0\u2013 Zur Poetik des Naturalismus in Clar\u00edns <em>La Regenta<\/em>\u201d, in: <em>Archiv f\u00fcr das Studium der Neueren Sprachen und Literaturen<\/em> 255\/1 (2018), 123-149; \u201ePagane Mythen im <em>auto sacramental<\/em>: Zur transkulturellen Poetik in Sor Juanas <em>El divino Narciso<\/em> und seiner Loa (mit einem Seitenblick auf Calder\u00f3ns <em>El divino Orfeo<\/em>)\u201c, in: <em>Romanische Forschungen<\/em> 130\/1 (2018), 36-69; \u201eDel lugar infeccioso a la invasi\u00f3n de microbios: fantasmas coloniales entre geograf\u00eda m\u00e9dica y bacteriolog\u00eda\u201d, in: Christian von Tschilschke\/Jan-Henrik Witthaus (eds.): <em>El otro colonialismo. <\/em><em>Espa\u00f1a y \u00c1frica, entre imaginaci\u00f3n e historia<\/em>. Frankfurt a.M.\/Madrid: Vervuert 2017, 131-148.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1547557827370-1bd89-0f1b&#8221; tab_id=&#8221;1547572735953-2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">El presente art\u00edculo analiza la metateatralidad y la autoestilizaci\u00f3n de Sor Juana en las loas que preceden a los autos sacramentales <em>El M\u00e1rtir del Sacramento, San Hermenegildo<\/em> y <em>El<\/em> <em>Divino Narciso<\/em>, partiendo de la hip\u00f3tesis de que Sor Juana usa figuras autoriales para poner de relieve su autoridad como escritora criolla y mujer letrada en el Virreinato de Nueva Espa\u00f1a. Interpretado desde el \u00e1ngulo de la conciencia criolla, la autora impl\u00edcita se posiciona entre el nuevo y el viejo mundo conociendo ambos sistemas epistemol\u00f3gicos desde dentro. De este modo, intercede en favor de un pluralismo epistemol\u00f3gico, propio del discurso criollo que se caracteriza por su tendencia transculturadora y sus esfuerzos de mediar entre la cultura occidental y las tradiciones ind\u00edgenas de Am\u00e9rica.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1547557827331-10bd89-0f1b&#8221; tab_id=&#8221;1547572735915-5&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">The present article analyses Sor Juana&#8217;s metatheatrality and self-fashioning in the <em>loas<\/em> that precede the <em>autos sacramentales<\/em> <em>El M\u00e1rtir del Sacramento<\/em>,<em> San Hermenegildo<\/em> and <em>El<\/em> <em>Divino Narciso<\/em>, starting from the hypothesis that Sor Juana uses authorial figures to highlight her authority as Creole writer and educated woman in the Viceroyalty of New Spain. Interpreted from the angle of the Creole consciousness, the implied author positions herself between the new and the old world, knowing both epistemological systems from the inside. In this way, she intercedes in favour of an epistemological pluralism, which is typical of the Creole discourse characterized by its transcultural tendency and its efforts to mediate between the western culture and the indigenous traditions of America.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b015 | Sor Juana In\u00e9s de la Cruz&#8221; id=&#8221;1547557827412-1bd89-0f1b&#8221; tab_id=&#8221;1547572735995-1&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Claudia J\u00fcnke \/ Jutta Weiser - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-documentos-sor-juana\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2013 Documentos alrededor de Sor Juana<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-figuraciones-mecenazgo-autoria\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Beatriz Colombi \u2013 Figuraciones del mecenazgo y la autor\u00eda<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-riquezas-ingenio-indiano\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Francisco Ram\u00edrez Santacruz \u2013 Las riquezas del Nuevo Mundo y el ingenio indiano <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-discurso-criollo-autoria-implicita\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jutta Weiser \u2013 Discurso criollo y autor\u00eda implicita<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-identificacion-diferencia-cultural\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Claudia J\u00fcnke \u2013 Identificaci\u00f3n y diferencia cultural<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-espacio-teatral-criollo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Agnieszka Komorowska \u2013 Construyendo el espacio teatral criollo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-transformacion-codigo-petrarquista\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ver\u00f3nica Grossi \u2013 La transformaci\u00f3n del c\u00f3digo petrarquista<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-geometrizacion-del-poder\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Patricia Saldarriaga \u2013 La geometrizaci\u00f3n del poder<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-marginalidad-en-el-centro\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Kurt Hahn \u2013 La marginalidad puesta en el centro <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xv-resenas\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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