{"id":6455,"date":"2019-01-15T13:54:26","date_gmt":"2019-01-15T12:54:26","guid":{"rendered":"https:\/\/www.imex-revista.com\/xv-resenas\/"},"modified":"2021-06-01T12:06:30","modified_gmt":"2021-06-01T11:06:30","slug":"xv-resenas","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xv-resenas\/","title":{"rendered":"XV. Reviews"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”repeat” parallax_bg=”true” parallax_bg_speed=”slow” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Issue<\/span><\/i><\/a> Download Reviews<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][\/vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Rese\u00f1as (pp. 152-168)<\/span>
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

\"\"<\/a>Stephen Trinder
\n<\/strong><\/span><\/h3>\n

Joseph Raab (ed.) (2014): New World Colors: Ethnicity, Belonging, and Difference in the Americas<\/em>. Trier: Wissenschaftlicher Verlag \/ Bilingual Press, 405 pages.<\/span><\/p>\n

[divider line_type=”No Line” custom_height=”150″]\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”80″][vc_column_text]\n

\"\"<\/a><\/strong><\/span><\/h3>\n

Friedrich Frosch
\n<\/b><\/span><\/span><\/p>\n

Martina Meidl (2015): Poes\u00eda, pensamiento y percepci\u00f3n. Una lectura de \u00c1rbol adentro de Octavio Paz<\/em>. Madrid \/ Frankfurt a. M.: Iberoamericana \/ Vervuert, 334 p\u00e1ginas<\/span><\/p>\n

[divider line_type=”No Line” custom_height=”150″]<\/span><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”iMex N\u00b015 | Sor Juana In\u00e9s de la Cruz” id=”1532690306931-318e4-640e” tab_id=”1547554641919-5″][vc_column_text]Claudia J\u00fcnke \/ Jutta Weiser - Editorial<\/span><\/i><\/a>\nSara Poot Herrera \u2013 Documentos alrededor de Sor Juana<\/span><\/i><\/a>\nBeatriz Colombi \u2013 Figuraciones del mecenazgo y la autor\u00eda<\/span><\/i><\/a>\nFrancisco Ram\u00edrez Santacruz \u2013 Las riquezas del Nuevo Mundo y el ingenio indiano <\/span><\/i><\/a>\nJutta Weiser \u2013 Discurso criollo y autor\u00eda implicita<\/span><\/i><\/a>\nClaudia J\u00fcnke \u2013 Identificaci\u00f3n y diferencia cultural<\/span><\/i><\/a>\nAgnieszka Komorowska \u2013 Construyendo el espacio teatral criollo<\/span><\/i><\/a>\nVer\u00f3nica Grossi \u2013 La transformaci\u00f3n del c\u00f3digo petrarquista<\/span><\/i><\/a>\nPatricia Saldarriaga \u2013 La geometrizaci\u00f3n del poder<\/span><\/i><\/a>\nKurt Hahn \u2013 La marginalidad puesta en el centro <\/span><\/i><\/a>\nReviews<\/span><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”repeat” parallax_bg=”true” parallax_bg_speed=”slow” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][\/vc_row_inner][vc_column_inner…<\/p>\n","protected":false},"author":2,"featured_media":13215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1260],"tags":[1210],"class_list":["post-6455","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xv-sor-juana-ines-de-la-cruz-en","tag-friedrich-frosch"],"yoast_head":"\nXV. 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