{"id":6081,"date":"2018-07-31T11:49:42","date_gmt":"2018-07-31T10:49:42","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=6081"},"modified":"2021-06-01T12:07:08","modified_gmt":"2021-06-01T11:07:08","slug":"xiv-entrevista","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiv-entrevista\/","title":{"rendered":"Jacobo Sefam\u00ed &#8211; Interview with Margo Glantz"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5862\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Una genealog\u00eda perif\u00e9rica: entrevista a Margo Glantz (pp. 134-146)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F11_JS_Entrevista-con-Margo-Glantz_iMex14.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/11_JS_Entrevista-con-Margo-Glantz_iMex14.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Margo Glantz<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Glantz_ByN_Alina_autores.jpg\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5868 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Glantz_ByN_Alina_autores.jpg\" alt=\"\" width=\"150\" height=\"207\" \/><\/a><span style=\"color: #b0b0b0;\">In 1958, she began her academic career with a teaching job at the UNAM. She was the founder and director of the magazine <em>Punto de Partida<\/em>, of UNAM, in 1966. From 1977 to 1985 Glantz was a collaborator of Radio Universidad and also of the newspaper <em>Unom\u00e1suno<\/em>. In the field of cultural production, she had several positions: director of the Mexican-Israeli Cultural Institute (1966-1970), the Center for Foreign Languages \u200b\u200bof the UNAM (1970-1971) and Literature at the National Institute of Fine Arts (INBA, 1983- 1986), among others. From 1986 to 1988 she was cultural attach\u00e9 of the Mexican embassy in London, England.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">From 1995 to date, she has been an active member of the Mexican Academy of Language, professor emerita of UNAM, columnist for the Mexican newspaper <em>La Jornada<\/em> and novelist.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Margo Glantz has received a large number of literary prizes and distinctions during her career as a writer and teacher, among them, she received the Sor Juana de la Cruz Prize for her novel <em>El rastro <\/em>(2004), the Xavier Villaurrutia Award for her novel <em>S\u00edndrome de naufragios<\/em> (1984), Magda Donato Prize for <em>Las genealog\u00edas<\/em> (1982) and the Premio Universidad Nacional (1991). She also received the Premio Nacional de Ciencias y Artes (National Prize of Sciences and Arts) in the area of \u200b\u200bLinguistics and Literature in 2004, and the Premio Internacional of FIL (International Book Fair of Guadalajara, before Juan Rulfo) in 2010. She was awarded the Guggenheim (2000) and the Rockefeller (1997) scholarships, and was a visiting professor at numerous universities, such as Harvard (2002), Berlin (2004), Berkeley (2000), Princeton (1997) and Yale (1993), among others.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b014 | The Jewish Experience in Mexico&#8221; id=&#8221;1513086651055-1&#8243; tab_id=&#8221;1532695898997-8&#8243;][vc_column_text]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \/ Matthias Lehmann - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Procesos inquisitoriales novohispanos. Nuevas aproximaciones<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-proceso-contra-moreira\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Antonio Cortijo Oca\u00f1a - El proceso contra Margarita Moreira<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reimagining-luis-carvajal\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ronnie Perelis \u2013 Reimagining the life of Luis Carvajal<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-guillen-lamport\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alicia Gojman - Guill\u00e9n Lamport en la Nueva Espa\u00f1a<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Experiencias migratorias de los jud\u00edos sirios y paralelismos con los libaneses maronitas. <\/strong><strong>Perspectivas hist\u00f3ricas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-memoria-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Mart\u00ednez Assad - La memoria en la construcci\u00f3n de identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-narrativas-integracion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Liz Hamui - Narrativas de integraci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>La avidez de conocimiento universal en la literatura fundacional de tres escritoras judeo-mexicanas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-margo-glantz-razon-corazon\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera - Margo Glantz: raz\u00f3n y coraz\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-esther-seligson\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Leonardo Senkmann - Figuraciones y fulguraciones en Esther Seligson<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-semiotics-myriam-moscona\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Darrell B. Lockhart - Semiotics in Myriam Moscona<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Creation<\/strong><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <strong>Evocaciones del entorno sefard\u00ed<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-1\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Myriam Moscona - Los guantes negros<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-2\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed - En Estambol te vo a bushkar<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-entrevista\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed - Entrevista con Margo Glantz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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