{"id":6031,"date":"2018-07-31T11:53:35","date_gmt":"2018-07-31T10:53:35","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=6031"},"modified":"2021-06-01T12:07:00","modified_gmt":"2021-06-01T11:07:00","slug":"xiv-esther-seligson","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiv-esther-seligson\/","title":{"rendered":"Leonardo Senkman &#8211; Figuraciones y fulguraciones en Esther Seligson"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5860\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Figuraciones y fulguraciones mexicanas en textos de Esther Seligson (pp. 100-109; DOI: 10.23692\/iMex.14.8)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F7_LS_Esther-Seligson_iMex14.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/7_LS_Esther-Seligson_iMex14.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Leonardo Senkman<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a style=\"color: #b0b0b0;\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Senkman_iMex14.jpg\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5883 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Senkman_iMex14.jpg\" alt=\"\" width=\"150\" height=\"200\" \/><\/a>Leonardo Senkman\u00a0(Parana, Argentina, 1941). PhD in History,\u00a0Universidad\u00a0de Buenos Aires, where he taught until he moved to Israel. He\u00a0lives\u00a0in Jerusalem\u00a0since 1985\u00a0and during thirty years\u00a0taught\u00a0Modern Latin America\u00a0History and Culture\u00a0at the Hebrew University\u00a0of Jerusalem;\u00a0he continues to research\u00a0as fellow of the Harry Truman Research Institute. He is also the director of academic programs in Latin America and Spain of the International Center\u00a0for University Teaching of Jewish Civilization, and\u00a0member representative in Israel of the National Academy of History of Argentina. He is author of many publications on history\u00a0of\u00a0immigration, refugees and exiles to and from the southern cone of Latin America\u00a0countries as well as of\u00a0essays on Jewish writers\u00a0in Argentina, Brazil and Mexico,\u00a0and on intellectual\u00a0history. He also does research on Contemporary Jewish\u00a0thought. Some of his books as editor or co-editor:\u00a0<em>Judaica Latinoamericana III<\/em>,\u00a0<em>Estudios hist\u00f3rico-sociales<\/em>, co-edited with Silvia Schenkolewski-Kroll (1999);\u00a0<em>Ensayos sobre C\u00e1bala y Misticismo Jud\u00edo, <\/em>co-edited with\u00a0Yom Tov Assis and Moshe Idel (2006);\u00a0<em>Identidades jud\u00edas, Modernidad y Globalizaci\u00f3n<\/em>, co-edited with\u00a0Paul Mendes Flohr and Yom Tov Assis (2007);\u00a0<em>Encuentros culturales de paganos, jud\u00edos, musulmanes y cristianos en la historia,\u00a0<\/em>co-edited\u00a0with\u00a0Yom Tov Assis and Cyril Aslanov (2008); <em>Fascismo y Nazismo en las letras argentinas<\/em>, co-authored with Sa\u00fal Sosnowski (2009); <em>Pertenencia y alteridad. Jud\u00edos en\/de Am\u00e9rica Latina<\/em>, co-edited with\u00a0Haim Avni, Judit Liwerant et al. (2011); M\u00e1ximo Jos\u00e9 Khan,\u00a0<em>Arte y Tor\u00e1<\/em>, co-edition with Mario Mart\u00edn Gij\u00f3n (2012); Alberto Gerchunoff,\u00a0<em>Entre R\u00edos, Mi Pa\u00eds<\/em> (2015); and\u00a0<em>Exile, Return, and Diaspora: Changing Cultural Landscapes in Argentina, Chile, Uruguay and Paraguay, <\/em>co-authored with Luis Roniger, Mario Sznajder, and Sa\u00fal Sosnowski<strong>.<\/strong> (2018).<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532698545139-100273-bd0c&#8221; tab_id=&#8221;1532705295616-5&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Figures and images of Colonia Condesa in <em>Todo aqu\u00ed es polvo<\/em> (2010), posthumous book of memories by Esther Seligson, as well as in other fiction texts where she recovers moments of her urban family life during childhood and adolescence, but without the intention of writing ethnic neighborhood literature, nor to compose a city-text of Mexico City. In the second part, the Seligsonian strategy of revealing a deep and open Mexico in a syncretic semantic field where narrative and lexical voices of the Nahuatl legacy, Talmudic Judaism and Kabbalist, as well as the sacred culture of Tibet and Hinduism, are analyzed.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532699881180-00273-bd0c&#8221; tab_id=&#8221;1532705295639-3&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Figuraciones e im\u00e1genes de la Colonia Condesa en <em>Todo aqu\u00ed es polvo<\/em> (2010), libro p\u00f3stumo de memorias de Esther Seligson, adem\u00e1s en otros textos de ficciones donde recupera momentos de su convivencia familiar urbana durante la infancia y adolescencia, pero sin intenci\u00f3n de escribir literatura barrial \u00e9tnica, ni tampoco componer una ciudad-texto de la Ciudad de M\u00e9xico. En la segunda parte se analiza la estrategia seligsoniana de revelar un M\u00e9xico profundo y abierto en un campo sem\u00e1ntico sincr\u00e9tico donde fulguran voces narrativas y lexicales del legado n\u00e1huatl, el juda\u00edsmo talm\u00fadico y el cabalista, adem\u00e1s de la cultura sagrada del Tibet y el hindu\u00edsmo.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b014 | The Jewish Experience in Mexico&#8221; id=&#8221;1532698545163-60273-bd0c&#8221; tab_id=&#8221;1532705295697-4&#8243;][vc_column_text]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \/ Matthias Lehmann - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Procesos inquisitoriales novohispanos. Nuevas aproximaciones<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-proceso-contra-moreira\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Antonio Cortijo Oca\u00f1a - El proceso contra Margarita Moreira<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reimagining-luis-carvajal\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ronnie Perelis \u2013 Reimagining the life of Luis Carvajal<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-guillen-lamport\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alicia Gojman - Guill\u00e9n Lamport en la Nueva Espa\u00f1a<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Experiencias migratorias de los jud\u00edos sirios y paralelismos con los libaneses maronitas. <\/strong><strong>Perspectivas hist\u00f3ricas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-memoria-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Mart\u00ednez Assad - La memoria en la construcci\u00f3n de identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-narrativas-integracion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Liz Hamui - Narrativas de integraci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>La avidez de conocimiento universal en la literatura fundacional de tres escritoras judeo-mexicanas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-margo-glantz-razon-corazon\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera - Margo Glantz: raz\u00f3n y coraz\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-esther-seligson\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Leonardo Senkmann - Figuraciones y fulguraciones en Esther Seligson<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-semiotics-myriam-moscona\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Darrell B. Lockhart - Semiotics in Myriam Moscona<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Creation<\/strong><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <strong>Evocaciones del entorno sefard\u00ed<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-1\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Myriam Moscona - Los guantes negros<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-2\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed - En Estambol te vo a bushkar<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-entrevista\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed - Entrevista con Margo Glantz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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