{"id":6026,"date":"2018-07-31T11:48:25","date_gmt":"2018-07-31T10:48:25","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=6026"},"modified":"2021-06-01T12:07:11","modified_gmt":"2021-06-01T11:07:11","slug":"xiv-reviews","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiv-reviews\/","title":{"rendered":"XIV. Reviews"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5863\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Reviews (pp. 148-156)<\/span><span style=\"color: #b0b0b0;\"><br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F12_Rese%C3%B1as_Reviews_iMex14.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/12_Rese\u00f1as_Reviews_iMex14.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3 style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension1_iMex14.jpg\" rel=\"attachment wp-att-3317\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5841 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension1_iMex14.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/a>Anne Kraume<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Manuel P\u00e9rez \/ Claudia Parodi \/ Jimena Rodr\u00edguez (eds.) (2014): <em>No solo con las armas <\/em>\/ Non solum armis: <em>Cultura y poder en la Nueva Espa\u00f1a<\/em>. Frankfurt a. M. \/ Madrid: Vervuert \/ Iberoamericana, 216 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]\n[\/vc_column_text][divider line_type=&#8221;Full Width Line&#8221; line_thickness=&#8221;3&#8243; divider_color=&#8221;extra-color-3&#8243; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension2_iMex14.jpg\" rel=\"attachment wp-att-2515\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5844 size-full alignright\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension2_iMex14.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/a><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><span style=\"font-size: 18.72px;\"><b>Elisa Kriza<\/b><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Oliva Sol\u00eds Hern\u00e1ndez \/ Stefan Gandler (eds.) (2016): <em>Modernidad y violencia<\/em>.\u00a0Mexico: Miguel Angel Porrua. 247 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;Full Width Line&#8221; line_thickness=&#8221;3&#8243; divider_color=&#8221;extra-color-3&#8243; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension3_iMex14.jpg\" rel=\"attachment wp-att-2515\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5846 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rezension3_iMex14.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/a>Katrin Goldenstein<br \/>\n<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Bianca Morales Garc\u00eda (ed.) (2017):\u00a0<a href=\"https:\/\/www.imex-revista.com\/edicion-bilingue-algo-tan-trivial-sowas-ganz-banales-de-fausto-alzati-fernandez\/\"><em>Algo tan trivial<\/em><em>. Sowas ganz Banales.<\/em><\/a>\u00a0D\u00fcsseldorf: d\u00fcsseldorf university press, 251 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b014 | The Jewish Experience in Mexico&#8221; id=&#8221;1499692708008-6&#8243; tab_id=&#8221;1532690306931-3&#8243;][vc_column_text]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \/ Matthias Lehmann - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Procesos inquisitoriales novohispanos. Nuevas aproximaciones<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-proceso-contra-moreira\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Antonio Cortijo Oca\u00f1a - El proceso contra Margarita Moreira<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reimagining-luis-carvajal\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ronnie Perelis \u2013 Reimagining the life of Luis Carvajal<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-guillen-lamport\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alicia Gojman - Guill\u00e9n Lamport en la Nueva Espa\u00f1a<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Experiencias migratorias de los jud\u00edos sirios y paralelismos con los libaneses maronitas. <\/strong><strong>Perspectivas hist\u00f3ricas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-memoria-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Mart\u00ednez Assad - La memoria en la construcci\u00f3n de identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-narrativas-integracion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Liz Hamui - Narrativas de integraci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>La avidez de conocimiento universal en la literatura fundacional de tres escritoras judeo-mexicanas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-margo-glantz-razon-corazon\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera - Margo Glantz: raz\u00f3n y coraz\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-esther-seligson\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Leonardo Senkmann - Figuraciones y fulguraciones en Esther Seligson<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-semiotics-myriam-moscona\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Darrell B. Lockhart - Semiotics in Myriam Moscona<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Creation<\/strong><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <strong>Evocaciones del entorno sefard\u00ed<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-1\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Myriam Moscona - Los guantes negros<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-estimulo-2\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed -  En Estambol te vo a bushkar<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-entrevista\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed - Entrevista con Margo Glantz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><br \/>\n<span style=\"color: #b0b0b0;\"> <a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reviews\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Reviews<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1170],"tags":[901,1127],"class_list":["post-6026","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xiv-the-jewish-experience-in-mexico","tag-anne-kraume","tag-bianca-morales-garcia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XIV. Reviews - iMex Revista<\/title>\n<meta name=\"description\" content=\"iMex XIV | The Jewish Experience in Mexico | Reviews\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xiv-reviews\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XIV. 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