{"id":5666,"date":"2018-03-06T10:00:23","date_gmt":"2018-03-06T09:00:23","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=5666"},"modified":"2021-12-09T15:24:29","modified_gmt":"2021-12-09T14:24:29","slug":"perra-brava-de-orfa-alarcon","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/perra-brava-de-orfa-alarcon\/","title":{"rendered":"Perra brava de Orfa Alarc\u00f3n"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”0″ enable_gradient=”true” color_overlay=”#252525″ gradient_direction=”left_to_right” overlay_strength=”1″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Ilusi\u00f3n mim\u00e9tica y punto de vista femenino en Perra brava<\/em> de Orfa Alarc\u00f3n
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Prof. Dr. Elizabeth S\u00e1nchez Garay<\/span><\/strong><\/span><\/h3>\n

\"\"<\/a><\/p>\n

Elizabeth S\u00e1nchez Garay es doctora en literatura por la Universidad Complutense de Madrid, investigadora del Consejo Zacatecano de Ciencia, Tecnolog\u00eda e Innovaci\u00f3n y profesora del Doctorado en Artes y Humanidades del Centro de Investigaciones en Ciencias, Artes y Humanidades de Monterrey, A.C. Especializada en iron\u00eda y la relaci\u00f3n entre literatura y realidad, ha publicado Italo Calvino. Voluntad e iron\u00eda <\/i>(Fondo de Cultura Econ\u00f3mica, 2000), C\u00e1ndido o un sue\u00f1o en la tierra <\/i>(Plaza y Vald\u00e9s, 2003) e Iron\u00eda. Arte y pensamiento <\/i>(Plaza y Vald\u00e9s, 2010). En los \u00faltimos a\u00f1os, ha publicado ensayos en Espa\u00f1a, Alemania, Inglaterra, Brasil y M\u00e9xico, sobre literatura italiana, latinoamericana y mexicana. Actualmente pertenece al Sistema Nacional de Investigadores.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”Resumen” id=”1456514773666-609bc-a348″ tab_id=”1520260662814-4″][vc_column_text]\n

El objetivo del presente ensayo es analizar las estrategias realistas y el punto de vista femenino en la novela Perra brava<\/i> de la joven escritora regiomontana Orfa Alarc\u00f3n, la cual tiene como contexto la dif\u00edcil situaci\u00f3n social que se vive en M\u00e9xico, como resultado de la violencia producida por las redes de narcotr\u00e1fico que se extienden a lo largo del pa\u00eds. En especial, interesa indagar si este relato ofrece una lectura distinta de las explicaciones reduccionistas gestadas por los medios de comunicaci\u00f3n sobre la tem\u00e1tica y si contribuye a reflexionar sobre los motivos que llevan a personas del sexo femenino a introducirse en esta cultura de la muerte.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Abstract” id=”1520260939950-0-2″ tab_id=”1520260939957-7″][vc_column_text]\n

The objective of this paper is to analyze the realistic strategies and the female perspective on Perra brava<\/em>, by Orfa Alarc\u00f3n, a young writer from Monterrey, Mexico. The novel unfolds against a backdrop of social unrest that results from violence caused by drug trafficking networks that extend throughout the country. Special attention is paid to the extent to which her narrative offers a reading different to the reductionist explanations engendered by the media. The essay also inquires if the novel leads to reflect on the reasons that lead women to get into this culture of death.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”\u00cdndice” id=”1456514773815-609bc-a348″ tab_id=”1520260662969-3″][vc_column_text]\n

Lizette Jacinto \/ Frank Leinen - Editorial<\/span><\/i><\/a>\nAna Mar\u00eda Aragon\u00e9s Casta\u00f1eres - Est\u00edmulo<\/span><\/i><\/a>\nAlejandro Arteaga Mart\u00ednez - Mujer migrante en cuentos mexicanos<\/span><\/i><\/a>\nChristian Sperling - Tijuana: crimen y olvido<\/em><\/span><\/i><\/a>\nMariana Aguirre - Dispositivos Po\u00e9ticos<\/span><\/i><\/a>\nS. P. Izcara Palacios \/ K. L. Andrade Rubio - Los migrantes irregulares<\/span><\/i><\/a>\nMartin Baxmeyer - El fantasma de la frontera<\/span><\/i><\/a>\nRichard Mora \/ Mary Christianakis - Elite Discourse<\/span><\/i><\/a>\nElizabeth S\u00e1nchez Garay - Perra brava<\/em> de Orfa Alarc\u00f3n<\/span><\/i><\/a>\nSabine Pfleger \/ Joselin Barja Coria - Reterritorializaci\u00f3n de la frontera norte<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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