{"id":5346,"date":"2018-02-14T13:03:24","date_gmt":"2018-02-14T12:03:24","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=5346"},"modified":"2021-06-01T12:07:14","modified_gmt":"2021-06-01T11:07:14","slug":"xiii-estimulo-3","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiii-estimulo-3\/","title":{"rendered":"XIII. Impression: The Date – Cristina Rivera Garza"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Issue<\/span><\/i><\/a> Download Article<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Impression: Cristina Rivera Garza – The Date (pp. 25-27)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Dr. Cristina Rivera Garza
\n<\/span><\/strong><\/span><\/h3>\n

\"\"<\/a>Cristina Rivera Garza is the award-winning author of six novels, three collections of short stories, five collections of poetry and three non-fiction books. Originally written in Spanish, these works have been translated into multiple languages, including English, French, Italian, Portuguese, and Korean. The recipient of the Roger Caillois Award for Latin American Literature (Paris, 2013); as well as the Anna Seghers (Berlin, 2005), she is the only author who has won the International Sor Juana In\u00e9s de la Cruz Prize twice, in 2001 for her novel Nadie me ver\u00e1 llorar<\/em> (translated into English by Andrew Hurley as No One Will See Me Cry<\/em> ) and again in 2009 for her novel La muerte me da. She has translated, from English into Spanish, Notes on Conceptualisms<\/em> by Vanessa Place and Robet Fitterman; and, from Spanish into English, “Nine Mexican Poets edited by Cristina Rivera Garza,” in New American Writing 31. She was the Breeden Eminent Scholar at Auburn University in Fall 2015 and a fellow at the UCSD Center for Humanities 2015-2016. She received a Senate Grant from UCSD and the prestigious three-year Sistema Nacional de Creadores grant from Mexico.<\/span><\/p>\n

La imaginaci\u00f3n p\u00fablica\/ Public Imagination<\/em> (Conaculta Press, 2015) is her most recent published work. She has developed cross-genre collaborative projects with artists and composers in De Mirabilis Auscultationibus, Arist\u00f3tles, o alguien que se hace pasar por Arist\u00f3tles, cuenta de las maravillas escuchadas por casualidad acerca de Tac\u00e1mbaro De Mirabilis Auscultationibus, Arist\u00f3tles, o someone passing as Aristotle, tells about the marvelous things overheard about Tac\u00e1mbaro<\/em>], bilingual edition (Mexico: Acapulco Press, 2015), with artist Artemio Rodr\u00edguez; VIAJE – Azione Drammatica Musicale per quattro voci e quattro strumenti (Milan Italy: Sugar Music, 2014), with composer Javier Torres Maldonado; Ah\u00ed te comer\u00e1n las turicatas<\/em> [You will be eaten by turicatas there<\/em>] (Mexico: Caja de Cerillos, 2013).<\/span><\/p>\n

Los muertos ind\u00f3ciles. Necroescrituras y desapropiaci\u00f3n<\/em>, her most recent book of criticism, comparatively explores the contemporary discussions surrounding conceptualist writing in the United States, post-exoticism in France, as well as communally-based writing throughout the Americas.<\/span><\/p>\n

She was born in Mexico (Matamoros, Tamaulipas, 1964), and has lived in the United States since 1989. She studied urban sociology at the National Autonomous University of Mexico and received her PhD in Latin American history from the University of Houston. She has written extensively on the social history of mental illness in early twentieth-century Mexico, and published academic articles in journals and edited volumes in the United States, England, Argentina and Mexico. She received a Doctorate in Humane Letters Honoris Causa from the University of Houston in 2012.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][vc_column_text]\n

Sarah Booker MA. (Translator)
\n<\/span><\/strong><\/span><\/h3>\n

<\/a><\/p>\n

Born in Durham, North Carolina, Sarah Booker is a Spanish-to-English translator and PhD student at the University of North Carolina, Chapel Hill. Her research revolves around contemporary Latin American narratives and translation studies. She has translated texts by Cristina Rivera Garza, Ricardo Piglia, Amparo D\u00e1vila, Margarita Garc\u00eda Robayo, and Gabriela Wiener. Her translation of Rivera Garza\u2019s The Iliac Crest was published with the Feminist Press in October 2017<\/a>. She is the assistant editor for The Mercurian and an assistant blog editor for Asymptote. She is currently serving as a visiting lecturer in the English Literature department at the Universidad de Sevilla. <\/span><\/p>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”About the short story” tab_id=”1515063729061-8″ id=”1515067231231-2″][vc_column_text]\n

This short story is a translation of “La cita”, which is a shortened story of “La ciudad de los hombres”, published in\u00a0La frontera m\u00e1s<\/em> distante<\/a>.
\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Links” tab_id=”1515065619491-5″ id=”1515067231304-0″][vc_column_text]Related article
\n<\/strong><\/span><\/p>\nAlejandra M\u00e1rquez - Traces of Lesbianism<\/span><\/i><\/a>\n

Website<\/strong><\/span><\/p>\nBlog - Cristina Rivera Garza<\/span><\/i><\/a>[\/vc_column_text][\/tab][tab icon_family=”none” title=”iMex N\u00b013 Gender and Sexuality” id=”1513086651055-1″ tab_id=”1515063729215-10″][vc_column_text]\n

Oswaldo Estrada - Editorial<\/span><\/i><\/a>\nAna Clavel - Est\u00edmulo: Dos cuerpos del deseo <\/span><\/i><\/a>\nAdriana Gonz\u00e1lez Mateos - Est\u00edmulo: Family Values <\/span><\/i><\/a>\nCristina Rivera Garza - Est\u00edmulo: The Date<\/span><\/i><\/a>\nIgnacio Ruiz P\u00e9rez - Cuerpo, sexualidad y usos amorosos<\/span><\/i><\/a>\nTamara R. Williams - Todo lo perdido regresa travestido<\/span><\/i><\/a>\nAlejandra M\u00e1rquez - Traces of Lesbianism<\/span><\/i><\/a>\nChristian Gr\u00fcnnagel - G\u00e9nero(s) y sadomasoquismo<\/span><\/i><\/a>\nAnca Koczkas - L\u00edmites del deseo: incesto y familia<\/span><\/i><\/a>\nAdrienne Erazo - The Politics of Female Identity<\/span><\/i><\/a>\nEtna \u00c1valos - Discapacidad y construcciones de g\u00e9nero<\/span><\/i><\/a>\nCarmen Patricia Tovar - En busca de una nueva masculinidad<\/span><\/i><\/a>\nVinodh Venkatesh - Notes on a Queer (Mexican) Literature<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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