{"id":5330,"date":"2018-02-14T12:54:44","date_gmt":"2018-02-14T11:54:44","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=5330"},"modified":"2021-06-01T12:07:15","modified_gmt":"2021-06-01T11:07:15","slug":"xiii-todo-lo-perdido-regresa-travestido","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiii-todo-lo-perdido-regresa-travestido\/","title":{"rendered":"XIII. Todo lo perdido regresa travestido &#8211; Tamara R. Williams"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5407\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5418\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\"> &#8220;Todo lo perdido regresa travestido&#8221;: los anexos de <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> de Luis Felipe Fabre<\/span><br \/>\n<span style=\"color: #b0b0b0;\">(pp. 46-59; DOI: 10.23692\/iMex.13.3)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Tamara R. Williams<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Williams_iMex.jpg\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5111 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Williams_iMex.jpg\" width=\"150\" height=\"186\" \/><\/a><span style=\"color: #b0b0b0;\">Tamara R. Williams es profesora de estudios hisp\u00e1nicos y Directora Ejecutiva del Centro de Estudios Globales en Pacific Lutheran University. Fue coordinadora, en Indiana University Press, de la edici\u00f3n biling\u00fce de <em>El estrecho dudoso<\/em> de Ernesto Cardenal. Coedit\u00f3, con Leopoldo Bernucci (UC Davis), <em>La literatura a ciencia cierta: Homenaje a Cedomil Goic <\/em>(2010); y con Sarah Pollack (CUNY Staten Island) <em>Los oficios del n\u00f3mada: Fabio Mor\u00e1bito ante la cr\u00edtica <\/em>(2015). Es autora de varios art\u00edculos sobre la poes\u00eda narrativa latinoamericana (Cardenal, Neruda, Guill\u00e9n, Cisneros, entre otros) y sobre el tema de las masculinidades exploradas en la literatura mexicana reciente. Actualmente, su trabajo se enfoca en el poema largo en la literatura contempor\u00e1nea mexicana con \u00e9nfasis en la obra de Ricardo C\u00e1zares, Luis Felipe Fabre, Marisela Guerrero, Juli\u00e1n Herbert, Mar\u00eda Rivera y Sara Uribe, entre otros.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;aa3679b9-ce62-10&#8243; tab_id=&#8221;1515077613756-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00bfC\u00f3mo re-memorar las historias de aquellos cuyo sexo ha sido negado por la Historia, por representar, en palabras de Judith Butler, &#8220;el sexo impensable, una ausencia ling\u00fc\u00edstica, una opacidad&#8221;? (<em>Gender <\/em>13) Este ensayo explora esta pregunta en dos poemas del poeta mexicano Luis Felipe Fabre, incorporados a <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> (2010): &#8220;Villancicos del Sto. Ni\u00f1o de las Quemaduras&#8221; y &#8220;El monumento f\u00fanebre a Ger\u00f3nimo Calbo&#8221;. En particular demuestra como, por medio de una combinaci\u00f3n de la parodia intertextual y la escritura ekfr\u00e1stica, los dos textos activan una reflexi\u00f3n anti-heteronormativa, transgresora, irreverente, pero a la vez profundamente conmovedora, en torno a la condena mortal de catorce personas por el pecado de sodom\u00eda en la Ciudad de M\u00e9xico el 6 de noviembre de 1658. La recuperaci\u00f3n de esta historia de persecuci\u00f3n en el M\u00e9xico colonial nos invita a reflexionar sobre la persistencia en el presente de las mismas fuerzas heteronormativas represivas que determinaron los horrores del pasado.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1513084525043-8ebc3-d55c&#8221; tab_id=&#8221;1515077262805-5&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">How does one re-member the histories of those whose sex has been denied by History, or, in the words of Judith Butler, &#8220;the sex that cannot be thought, a linguistic absence and opacity&#8221; (<em>Gender <\/em>13)? This essay explores this question in the two poems annexed to &#8220;El retablo de sodomitas novohispanos&#8221; and incorporated into <em>La sodom\u00eda en la Nueva Espa\u00f1a<\/em> (2010) by the Mexican poet, Luis Felipe Fabre: &#8220;Villancicos del Sto. Ni\u00f1o de las Quemaduras&#8221; and &#8220;El monumento f\u00fanebre a Ger\u00f3nimo Calbo&#8221;. More specifically it demonstrates how, through a combination of intertextual parody and ekphrastic writing, the two texts activate an anti-heteronormative, transgressive, irreverant, and simultaneously poignant reflection focused on the burning at the stake of fourteen persons for the sin of sodomy in Mexico City on the 6th of November of 1658. Through this story of persecution from the era of Colonial Mexico, finally, the essay argues, the poems invite consideration of the persistence of the same repressive heteronormative powers in the present that determined the horrors of the past.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b013 Gender and Sexuality&#8221; id=&#8221;1513086651055-1&#8243; tab_id=&#8221;1515077262963-4&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Oswaldo Estrada - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-estimulo-1\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ana Clavel - Est\u00edmulo: Dos cuerpos del deseo <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-estimulo-2\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Adriana Gonz\u00e1lez Mateos - Est\u00edmulo: Family Values <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-estimulo-3\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Cristina Rivera Garza - Est\u00edmulo: The Date<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-cuerpo-sexualidad-usos-amorosos\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ignacio Ruiz P\u00e9rez - Cuerpo, sexualidad y usos amorosos<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-todo-lo-perdido-regresa-travestido\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tamara R. Williams - Todo lo perdido regresa travestido<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-traces-lesbianism\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandra M\u00e1rquez - Traces of Lesbianism<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-generos-sadomasoquismo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Christian Gr\u00fcnnagel - G\u00e9nero(s) y sadomasoquismo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-limites-deseo-incesto-familia\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Anca Koczkas - L\u00edmites del deseo: incesto y familia<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-politics-female-identity\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Adrienne Erazo - The Politics of Female Identity<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-discapacidad-construcciones-de-genero\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Etna \u00c1valos - Discapacidad y construcciones de g\u00e9nero<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-nueva-masculinidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carmen Patricia Tovar - En busca de una nueva masculinidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-notes-queer-mexican-literature\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vinodh Venkatesh - Notes on a Queer (Mexican) Literature<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xiii-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1111],"tags":[1094],"class_list":["post-5330","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xiii-gender-and-sexuality","tag-luis-felipe-fabre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XIII. 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