{"id":5328,"date":"2018-02-14T12:49:48","date_gmt":"2018-02-14T11:49:48","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=5328"},"modified":"2021-06-01T12:07:15","modified_gmt":"2021-06-01T11:07:15","slug":"xiii-generos-sadomasoquismo","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiii-generos-sadomasoquismo\/","title":{"rendered":"XIII. G\u00e9nero(s) y sadomasoquismo – Christian Gr\u00fcnnagel"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Issue<\/span><\/i><\/a> Download Article<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

G\u00e9nero(s) y sadomasoquismo: la novela Los esclavos<\/em> de Alberto Chimal (pp. 73-85; DOI: 10.23692\/iMex.13.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Prof. Dr. Christian Gr\u00fcnnagel
\n<\/span><\/strong><\/span><\/h3>\n

<\/a>Es profesor titular de filolog\u00eda rom\u00e1nica y did\u00e1ctica de la literatura en la Universidad de Bochum, Alemania. Obtuvo su doctorado en 2009 con una tesis sobre la est\u00e9tica del teatro franc\u00e9s y espa\u00f1ol del siglo XVII en la Universidad de Heidelberg. Es autor de art\u00edculos sobre el orientalismo literario en Espa\u00f1a (especialmente en la narrativa cervantina), las po\u00e9ticas del barroco y los castrati en la \u00f3pera, entre otros. En su tesis de “habilitaci\u00f3n” se dedic\u00f3 al an\u00e1lisis de masculinidades en las literaturas latinoamericanas del siglo XX y XXI (Hispanoam\u00e9rica y Brasil). Es (co-)editor de la revista de filolog\u00eda rom\u00e1nica HeLix<\/em><\/a> en Internet y (co-)organizador del Coloquio Anglogermano sobre Calder\u00f3n as\u00ed que (co-)editor del Archivum Calderonianum<\/em> junto con Hanno Ehrlicher, Universidad de Tubinga. Edit\u00f3 en cooperaci\u00f3n con profesores de la Universidad de Bremen una antolog\u00eda de interpretaciones de la obra lorquiana Bodas de sangre<\/em> en la editorial Reclam en 2016. Su proyecto actual se concentra en la construcci\u00f3n literario-cultural de la masculinidad premoderna a nivel europeo con dos centros de inter\u00e9s especiales: el Siglo de Oro espa\u00f1ol y la \u00f3pera barroca.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”Resumen” id=”4c85c245-b8dc-4″ tab_id=”1515076558368-8″][vc_column_text]\n

El art\u00edculo ofrece una interpretaci\u00f3n de la primera novela del autor mexicano Alberto Chimal, Los esclavos<\/em>, publicada en 2009 y dedicada al an\u00e1lisis de relaciones sexuales sadomasoquistas. En el centro de la acci\u00f3n se encuentran dos parejas, ambas homosexuales y viviendo varias pr\u00e1cticas \u2013 a veces extremas \u2013 de \u00edndole sadomasoquista: por un lado, dos mujeres, una ya mayor (Marlene), (supuestamente) directora de pel\u00edculas pornogr\u00e1ficas, y la otra, muy joven (Yuyis), mantienen una relaci\u00f3n de dominio y sumisi\u00f3n con la notable complicaci\u00f3n que Marlene puede ser hasta la madre de su “esclava”. La otra pareja se constituye por dos hombres: Golo, millonario decadente, y su “esclavo” apodado de “Mundo”, frecuentemente reducido a algo semejante a un perro o incluso una cosa inanimada. Toda la novela se construye a trav\u00e9s de varias secuencias que relatan lo que las dos parejas experimentan en su vida sexual hasta culminar en una ruptura final en ambos casos. Gracias a la estructura narrativa que deja plasmar que nosotros como lectores dependemos completamente de un unreliable narrator<\/em>, las atrocidades m\u00e1s brutales tienden a disiparse en la niebla de juegos probablemente ficticios que nos presentan el trampantojo de una narraci\u00f3n monstruosa de cr\u00edmenes sexuales en serie. Teniendo en cuenta esta estructura narrativa, la interpretaci\u00f3n aqu\u00ed propuesta hace hincapi\u00e9 en el car\u00e1cter l\u00fadico de los ‘juegos’ sadomasoquistas narrados a lo largo de la novela e intenta comprender lo que el sadomasoquismo significa como pr\u00e1ctica o identidad sexual y qu\u00e9 consecuencias se derivan de dichas pr\u00e1cticas para la construcci\u00f3n de los diversos g\u00e9neros (en el caso de la novela: masculino y femenino).<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Abstract” id=”1513084525043-8afee-159b” tab_id=”1515075979280-7″][vc_column_text]\n

The present article offers an interpretation of Alberto Chimal\u2019s first novel, The Slaves<\/em>, published by this Mexican author in 2009, a novel proposing an analysis of sadomasochistic sexual relations. In the center of the narration, we encounter two couples, both homosexual, acting out various sadomasochistic practices \u2013 some of them of an extreme nature \u2013: on the one hand, two women, one of them already older (Marlene) and (supposedly) the director of pornographic movies, and the other, almost still a girl (Yuyis) live a relation of dominance and submission with the noteworthy complication that Marlene could even be the mother of her “slave girl”. The second couple is formed by two men: Golo, a decadent millionaire, and his “slave” nicknamed “Mundo” (‘World’) who is frequently reduced to something like a dog or even an unanimated object. The whole novel consists of various sequences narrating what the two couples experience in their sex life until a final turning point is reached with the forced separation in both cases. Due to a narrative structure that makes as understand that we as readers depend completely on an unreliable narrator, even the most brutal atrocities tend to dissipate in the fog of probably fictitious games showing us the trompe-l’\u0153il of a monstrous storyline of\u00a0 serial sex crimes. With this peculiar narrative structure in mind, I emphasize the ‘ludic’ character of sadomasochistic ‘plays’ narrated all through the novel, trying to understand what ‘sadomasochism’ means as a sexual practice or identity and what consequences could be drawn from these practices with regard to the construction of different genders (in the case of this novel: masculine and feminine).<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”iMex N\u00b013 G\u00e9nero y Sexualidad” id=”1513086651055-1″ tab_id=”1515075979442-6″][vc_column_text]\n

Oswaldo Estrada - Editorial<\/span><\/i><\/a>\nAna Clavel - Est\u00edmulo: Dos cuerpos del deseo <\/span><\/i><\/a>\nAdriana Gonz\u00e1lez Mateos - Est\u00edmulo: Family Values <\/span><\/i><\/a>\nCristina Rivera Garza - Est\u00edmulo: The Date<\/span><\/i><\/a>\nIgnacio Ruiz P\u00e9rez - Cuerpo, sexualidad y usos amorosos<\/span><\/i><\/a>\nTamara R. Williams - Todo lo perdido regresa travestido<\/span><\/i><\/a>\nAlejandra M\u00e1rquez - Traces of Lesbianism<\/span><\/i><\/a>\nChristian Gr\u00fcnnagel - G\u00e9nero(s) y sadomasoquismo<\/span><\/i><\/a>\nAnca Koczkas - L\u00edmites del deseo: incesto y familia<\/span><\/i><\/a>\nAdrienne Erazo - The Politics of Female Identity<\/span><\/i><\/a>\nEtna \u00c1valos - Discapacidad y construcciones de g\u00e9nero<\/span><\/i><\/a>\nCarmen Patricia Tovar - En busca de una nueva masculinidad<\/span><\/i><\/a>\nVinodh Venkatesh - Notes on a Queer (Mexican) Literature<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all”…<\/p>\n","protected":false},"author":2,"featured_media":13211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1111],"tags":[],"class_list":["post-5328","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xiii-gender-and-sexuality"],"yoast_head":"\nXIII. 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