{"id":5307,"date":"2018-02-14T12:37:24","date_gmt":"2018-02-14T11:37:24","guid":{"rendered":"https:\/\/www.imex-revista.com\/?p=5307"},"modified":"2021-06-01T12:07:17","modified_gmt":"2021-06-01T11:07:17","slug":"xiii-nueva-masculinidad","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xiii-nueva-masculinidad\/","title":{"rendered":"XIII. En busca de una nueva masculinidad – Carmen Patricia Tovar"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Download Issue<\/span><\/i><\/a> Download Article<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Cuerpo n\u00e1ufrago<\/em> de Ana Clavel: en busca de una nueva masculinidad
\n(pp. 127-139; DOI: 10.23692\/iMex.13.9)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Dr. Carmen Patricia Tovar
\n<\/span><\/strong><\/span><\/h3>\n

<\/a>Carmen Patricia Tovar es Visiting Assistant Professor en el Departamento de Hispanic Studies de Oberlin College en Ohio. Su \u00e1rea de trabajo es la literatura contempor\u00e1nea mexicana. Su inter\u00e9s principal se centra en la conceptualizaci\u00f3n del espacio urbano y la construcci\u00f3n de la identidad personal a modo de explorar el proceso de formaci\u00f3n identitaria tomando en cuenta la interseccionalidad del individuo (g\u00e9nero, clase) as\u00ed como su posici\u00f3n espacio-temporal. Ha publicado art\u00edculos sobre Carlos Fuentes, Luis Gonz\u00e1lez de Alba, Hugo Hiriart, Mar\u00eda Luisa Puga, Ana Clavel y Gonzalo Celorio. Ha co-editado y colaborado en la compilaci\u00f3n de ensayos Mar\u00eda Luisa Puga y el espacio de la (re)construcci\u00f3n, en prensa con la Universidad Aut\u00f3noma Metropolitana de M\u00e9xico. Actualmente trabaja en el manuscrito de un libro sobre el crecimiento urbano y la construcci\u00f3n de la identidad en novelas de la Ciudad de M\u00e9xico. Es egresada de UC Irvine y miembro de UC-Mexicanistas. <\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left” spacing=”default” tab_color=”Accent-Color”][tab icon_family=”none” title=”Resumen” id=”44de5dc6-a3e5-9″ tab_id=”1515070081454-0″][vc_column_text]\n

La segunda novela de Ana Clavel,\u00a0Cuerpo n\u00e1ufrago<\/em> (2005), se centra en la crisis de identidad de Antonia, quien se despierta una ma\u00f1ana en un cuerpo de hombre y se pregunta si contin\u00faa siendo la misma o si su nuevo cuerpo la ha convertido en una persona diferente. A diferencia de las novelas que delimitan la identidad a partir de la exploraci\u00f3n del pasado, la b\u00fasqueda identitaria de Antonia gira en torno a sus actuales circunstancias f\u00edsicas, sociales y culturales. El presente estudio analiza las etapas de socializaci\u00f3n hacia la masculinidad de Antonia, quien intenta resolver la\u00a0discordancia entre su identidad de g\u00e9nero femenino y su nuevo sexo biol\u00f3gico. Durante su proceso de masculinizaci\u00f3n, Antonia imita el comportamiento masculino normativo y suprime las caracter\u00edsticas que la feminizan, lo cual posiciona su nueva identidad como un acto performativo. El objetivo del presente estudio, por ende, es discutir la manera en que Clavel sit\u00faa la masculinidad como una construcci\u00f3n social por medio del an\u00e1lisis del condicionamiento de la protagonista, quien activa y voluntariamente cultiva su hombr\u00eda para poder disfrutar de todos los privilegios destinados a la masculinidad hegem\u00f3nica.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”Abstract” id=”1513084525043-82eb1-09a7″ tab_id=”1515069154023-6″][vc_column_text]\n

Ana Clavel\u2019s second novel,\u00a0Shipwrecked Body<\/em> (2005), focuses on the identity crisis experienced by Antonia, who awakens one morning in a man\u2019s body and asks herself if she continues to be the same or if her new body has made her into a different person. In contrast to novels that chart identity through the exploration of the past, Antonia\u2019s search for selfhood gravitates around her current physical, social and cultural circumstances. The present study analyzes the stages of Antonia\u2019s masculine socialization as she attempts to resolve the discord between her female identity and her new biological sex. During the process of masculinization that she endures, Antonia imitates masculine normative behaviors and suppresses the characteristics that feminize her, which positions her new identity as a performative act. The objective of the present study, therefore, is to discuss the ways in which Clavel situates masculinity as a social construct through an examination of the protagonist\u2019s conditioning and her active and voluntary cultivation of manhood for the sake of enjoying the privileges afforded to men in a patriarchal society.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=”none” title=”iMex N\u00b013 Gender and Sexuality” id=”1513086651055-1″ tab_id=”1515069154193-5″][vc_column_text]\n

Oswaldo Estrada - Editorial<\/span><\/i><\/a>\nAna Clavel - Est\u00edmulo: Dos cuerpos del deseo <\/span><\/i><\/a>\nAdriana Gonz\u00e1lez Mateos - Est\u00edmulo: Family Values <\/span><\/i><\/a>\nCristina Rivera Garza - Est\u00edmulo: The Date<\/span><\/i><\/a>\nIgnacio Ruiz P\u00e9rez - Cuerpo, sexualidad y usos amorosos<\/span><\/i><\/a>\nTamara R. Williams - Todo lo perdido regresa travestido<\/span><\/i><\/a>\nAlejandra M\u00e1rquez - Traces of Lesbianism<\/span><\/i><\/a>\nChristian Gr\u00fcnnagel - G\u00e9nero(s) y sadomasoquismo<\/span><\/i><\/a>\nAnca Koczkas - L\u00edmites del deseo: incesto y familia<\/span><\/i><\/a>\nAdrienne Erazo - The Politics of Female Identity<\/span><\/i><\/a>\nEtna \u00c1valos - Discapacidad y construcciones de g\u00e9nero<\/span><\/i><\/a>\nCarmen Patricia Tovar - En busca de una nueva masculinidad<\/span><\/i><\/a>\nVinodh Venkatesh - Notes on a Queer (Mexican) Literature<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″ shape_divider_position=”bottom”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all”…<\/p>\n","protected":false},"author":2,"featured_media":13211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,1111],"tags":[910],"class_list":["post-5307","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xiii-gender-and-sexuality","tag-masculinidad"],"yoast_head":"\nXIII. 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