{"id":4142,"date":"2016-10-04T11:56:10","date_gmt":"2016-10-04T10:56:10","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4142"},"modified":"2021-06-01T12:09:17","modified_gmt":"2021-06-01T11:09:17","slug":"x-estimulo","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-estimulo\/","title":{"rendered":"X. Est\u00edmulo"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Edici\u00f3n_Completa_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1Est\u00edmulo_Gonz\u00e1lez-Torres_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Est\u00edmulo X<\/span><\/strong><\/h3>\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Octavio Paz y Jos\u00e9 Revueltas: dos repuestas al dilema pol\u00edtica-literatura (pp. 21-27)<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Armando Gonz\u00e1lez Torres<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Armando-Gonzalez-Torres.png\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3979 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Armando-Gonzalez-Torres.png\" alt=\"Gonz\u00e1lez Torres\" width=\"200\" height=\"265\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Poeta y ensayista. Estudi\u00f3 en El Colegio de M\u00e9xico. Publica en diversas revistas y suplementos del pa\u00eds y del extranjero. Ha ganado diversos premios nacionales como el &#8220;Gilberto Owen&#8221; de poes\u00eda y el &#8220;Alfonso Reyes&#8221; y &#8220;Jos\u00e9 Revueltas&#8221; de ensayo.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Es autor, entre otros, de cinco libros de poes\u00eda, de los ensayos &#8220;\u00a1Que se mueran los intelectuales!&#8221; y &#8220;Las guerras culturales de Octavio Paz&#8221; (reci\u00e9n reeditado por el COLMEX) y de los libros de aforismos <em>Sobreperdonar<\/em> y <em>Salvar al buitre<\/em>.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;Resumen&#8221; id=&#8221;1458141266438-94337-d470&#8243; tab_id=&#8221;1473150984205-8&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Octavio Paz y Jos\u00e9 Revueltas son dos rostros de M\u00e9xico pero no tan antag\u00f3nicos como se creer\u00eda.\u00a0 Ambos enfrentan dilemas muy similares y tienen que dar una respuesta pol\u00edtica y est\u00e9tica a las mismas circunstancias. Este texto busca abordar la manera en que estos dos grandes escritores, se sumaron y, a la vez, subvirtieron, la corriente hegem\u00f3nica de la \u00e9poca, que propugnaba por una literatura realista, pedag\u00f3gica y pragm\u00e1tica, que privilegiaba los temas sociales y la necesidad de forjar patria. Frente a la tendencia a hacer de la literatura un instrumento pedag\u00f3gico, al servicio de las causas pol\u00edticas correctas, ambos\u00a0 practicaron una literatura personal y con alta conciencia de su autonom\u00eda. Por supuesto, ambos deploran la satanizada noci\u00f3n del artista inmerso en la torre de marfil y buscan un arte significativo, que cambie al individuo y contribuya a la transformaci\u00f3n social; sin embargo, con distintos matices, ambos cultivan una literatura cr\u00edtica que en poco se adapta a las ortodoxias ideol\u00f3gicas a las que, en alg\u00fan momento, son cercanos.<br \/>\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;Abstract&#8221; id=&#8221;1458143705926-0&#8243; tab_id=&#8221;1473150985116-8&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Octavio Paz and Jos\u00e9 Revueltas are two faces of M\u00e9xico but not as antagonistic as could be believed.\u00a0 Both face similar dilemmas and they have to give a political and aesthetic response to similar circumstances. This text seeks to address the way in which these two great writers, joined and, at the same time, subverted the hegemonic notion of the era, which advocated for a realistic, pragmatic, and educational literature. In response to the trend to make literature a pedagogical tool in the service of the correct political causes, both practiced a literature personal and with high awareness of their autonomy. Of course, both deplore the demonized notion of the artist immersed in the ivory tower and seek a significant art, that change to the individual and contributes to the social transformation. However, both cultivate with different shades a critical literature that rejects the ideological ortodoxy.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;iMex N\u00b010&#8243; tab_id=&#8221;1473150984650-5&#8243; id=&#8221;1475488674940-8&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2- Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estimulo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Armando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-cartografia-de-la-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-coincidencias-y-no-coincidencias\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-entrever-y-escribir\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Berit Callsen \u2013 Entrever y escribir<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estetica-y-politica\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Friedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dos-formas-de-relacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz &#8211; <em>Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-octavio-paz-en-barcelona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-correspondencia-unseld-paz\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Gesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Jos\u00e9 Revueltas &#8211; Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dialectica-negativa-en-el-apando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en <em>El apando<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-aventureras-y-medio-putas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Oswaldo Estrada \u2012 Aventureras y medio putas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estampas-alemanas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Edith Negr\u00edn \u2013 Estampas alemanas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-pasajes-entre-revueltas-y-goethe\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-jose-revueltas-un-intelectual-contestatario\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-el-poema-critico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; 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