{"id":4140,"date":"2016-10-04T11:53:55","date_gmt":"2016-10-04T10:53:55","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4140"},"modified":"2021-06-01T12:09:18","modified_gmt":"2021-06-01T11:09:18","slug":"x-coincidencias-y-no-coincidencias","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-coincidencias-y-no-coincidencias\/","title":{"rendered":"X. Coincidencias y no coincidencias"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Coincidencias y no coincidencias: Octavio Paz, Efra\u00edn Huerta y Jos\u00e9 Revueltas en M\u00e9rida (pp. 38-46)
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Prof. Dr. Sarah Poot Herrera
\n<\/span><\/strong><\/span><\/h3>\n

<\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1458141266438-98009-8708″ tab_id=”1473150025516-9″][vc_column_text]\n

La frontera entre M\u00e9xico y los Estados Unidos es el tema program\u00e1tico del arte performativo de Guillermo G\u00f3mez-Pe\u00f1a, un artista chicano quien emigr\u00f3 a los Estados Unidos a los 22 a\u00f1os. Autodenomin\u00e1ndose \u201cperformancero migrante\u201d y \u201cborder\u00f3logo\u201d (G\u00f3mez-Pe\u00f1a 2000: 9) el artista se dedica a poner la frontera en escena de manera l\u00fadica, subversiva y multic\u00e9ntrica. Su estilo se caracteriza por una est\u00e9tica experimental en que se mezclan expresiones de la cultura pop con declaraciones pol\u00edticas y una actitud did\u00e1ctica. Como \u201cborder\u00f3logo\u201d G\u00f3mez-Pe\u00f1a desaf\u00eda las fronteras mentales que predeterminan el contacto entre las culturas: En muchos de sus performances se auto-estiliza de manera exageradamente grotesca como delincuente, cuestionando as\u00ed la imagen estereot\u00edpica que existe del mexicano en los Estados Unidos.
\nEn mi contribuci\u00f3n analizar\u00e9 la din\u00e1mica entre las fronteras puestas y su transgresi\u00f3n que se manifiesta en la perspectiva fronteriza de G\u00f3mez-Pe\u00f1a a nivel cultural y nacional, simb\u00f3lico y ling\u00fc\u00edstico. Con los ejemplos de \u201cEl Psycho-Linguist\u201d y \u201cBorder Interrogation\u201d (del \u00e1lbum Ethno Techno, 2004) examinar\u00e9 la transculturalidad en su dimensi\u00f3n de concepto fronterizo. En el contexto de la identidad h\u00edbrida y la experiencia migratoria chicanas quiero operar con los t\u00e9rminos de exclusi\u00f3n, demarcaci\u00f3n y transculturaci\u00f3n (cf. Gremels 2014) para mostrar c\u00f3mo la borderolog\u00eda de G\u00f3mez-Pe\u00f1a se mueve entre fronteras puestas, marcadas y superadas.
\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” id=”1458143705926-0″ tab_id=”1473150026402-8″][vc_column_text][\/vc_column_text][\/tab][tab title=”iMex N\u00b010″ tab_id=”1473150025954-9″ id=”1475498478320-2″][vc_column_text]\n

Vittoria Bors\u00f2- Editorial<\/span><\/i><\/a>\nArmando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><\/i><\/a><\/span><\/p>\n

Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n

\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><\/i><\/a>\nSara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><\/i><\/a>\nBerit Callsen \u2013 Entrever y escribir<\/span><\/i><\/a>\nFriedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><\/i><\/a>\nTanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><\/i><\/a><\/span><\/p>\n

Octavio Paz – Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n

Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><\/i><\/a>\nGesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><\/i><\/a><\/span><\/p>\n

Jos\u00e9 Revueltas – Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n

Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en El apando<\/em><\/span><\/i><\/a>\nOswaldo Estrada \u2012 Aventureras y medio putas<\/span><\/i><\/a>\nEdith Negr\u00edn \u2013 Estampas alemanas<\/span><\/i><\/a>\nJos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><\/i><\/a>\nVittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><\/i><\/a>\n<\/span><\/span><\/p>\n

Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n

Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Coincidencias y no coincidencias: Octavio…<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[],"class_list":["post-4140","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas"],"yoast_head":"\nX. Coincidencias y no coincidencias - iMex Revista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/x-coincidencias-y-no-coincidencias\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"X. Coincidencias y no coincidencias - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Coincidencias y no coincidencias: Octavio...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/x-coincidencias-y-no-coincidencias\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-04T10:53:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:09:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"797\" \/>\n\t<meta property=\"og:image:height\" content=\"743\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-coincidencias-y-no-coincidencias\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-coincidencias-y-no-coincidencias\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"X. 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