{"id":4139,"date":"2016-10-04T11:53:25","date_gmt":"2016-10-04T10:53:25","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4139"},"modified":"2021-06-01T12:09:18","modified_gmt":"2021-06-01T11:09:18","slug":"x-entrever-y-escribir","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-entrever-y-escribir\/","title":{"rendered":"X. Entrever y escribir"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Entrever y escribir: La cr\u00edtica de arte en Paz, Revueltas y Garc\u00eda Ponce (pp. 47-62)
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Dr. Berit Callsen
\n<\/span><\/strong><\/span><\/h3>\n

<\/a>Berit Callsen se doctor\u00f3 en la Universidad Humboldt de Berl\u00edn. \u00c1reas de investigaci\u00f3n: la visualidad literaria y f\u00edlmica en una perspectiva interdisciplinar, las literaturas urbanas del siglo XX en Europa y Am\u00e9rica Latina y po\u00e9ticas del sujeto en la literatura espa\u00f1ola (1875-1936). Publicaciones recientes: Mit anderen Augen sehen. Aisthetische Poetiken in der franz\u00f6sischen und mexikanischen Literatur des 20. Jahrhunderts (1963-1984)<\/em> (Fink, 2014) y Bilder-Texte-Bewegungen: Interdisziplin\u00e4re Perspektiven auf Visualit\u00e4t <\/em>(K\u00f6nighsausen&Neumann 2016, edici\u00f3n con Sandra Hettmann y Yolanda Melgar Pern\u00edas)<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1458141266438-9f802-162c” tab_id=”1472648349586-7″][vc_column_text]\n

Como cr\u00edticos de arte Octavio Paz, Jos\u00e9 Revueltas y Juan Garc\u00eda Ponce se han desempe\u00f1ado, seg\u00fan dec\u00edan algunos de ellos, en tanto “observadores intuitivos”.<\/span><\/p>\n

En sus intuiciones visuales todos, y esta ser\u00eda la hip\u00f3tesis que queda por verificar a lo largo del ensayo, operan con una noci\u00f3n productiva que descubren en el arte visual, si bien la direcci\u00f3n y finalidad argumentativas var\u00edan. A trav\u00e9s de un an\u00e1lisis comparativo que re\u00fane fragmentos de cr\u00edtica de arte hasta ahora poco estudiados que Paz, Revueltas y Garc\u00eda Ponce conciben en torno a los pintores de la “Ruptura” y sus precursores se examinar\u00e1n, por consiguiente, tanto convergencias como divergencias en los modos de acceder a y dar cuenta de la visualidad est\u00e9tica en el M\u00e9xico del “medio siglo”.
\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” id=”1458143705926-0″ tab_id=”1472648350341-4″][vc_column_text]\n

Art criticism is seen by Octavio Paz, Jos\u00e9 Revueltas y Juan Garc\u00eda Ponce as a part of “<\/span>intuitive observation”. In their visual intuitions, and this is the hypothesis this article seeks to discuss, all of them deal with a productive notion they discover in visual arts, although their arguments differ.<\/span><\/p>\n

By a comparative analysis this essay focuses on critical texts which nearly haven\u2019t been studied until now searching for similarity and differences in the art critique Paz, Revueltas and Garc\u00eda Ponce wrote in the 1960s. Comparing their texts about “Ruptura” painters and their precursors the article will point out different modes of studying aesthetic visuality in Mexico.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”iMex N\u00b010″ tab_id=”1472648349963-2″ id=”1475498423769-8″][vc_column_text]\n

Vittoria Bors\u00f2- Editorial<\/span><\/i><\/a>\nArmando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><\/i><\/a><\/span><\/p>\n

Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n

\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><\/i><\/a>\nSara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><\/i><\/a>\nBerit Callsen \u2013 Entrever y escribir<\/span><\/i><\/a>\nFriedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><\/i><\/a>\nTanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><\/i><\/a><\/span><\/p>\n

Octavio Paz – Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n

Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><\/i><\/a>\nGesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><\/i><\/a><\/span><\/p>\n

Jos\u00e9 Revueltas – Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n

Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en El apando<\/em><\/span><\/i><\/a>\nOswaldo Estrada \u2012 Aventureras y medio putas<\/span><\/i><\/a>\nEdith Negr\u00edn \u2013 Estampas alemanas<\/span><\/i><\/a>\nJos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><\/i><\/a>\nVittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><\/i><\/a>\n<\/span><\/span><\/p>\n

Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n

Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Entrever y escribir: La cr\u00edtica…<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[],"class_list":["post-4139","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas"],"yoast_head":"\nX. 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