{"id":4138,"date":"2016-10-04T11:52:48","date_gmt":"2016-10-04T10:52:48","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4138"},"modified":"2021-06-01T12:09:19","modified_gmt":"2021-06-01T11:09:19","slug":"x-estetica-y-politica","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-estetica-y-politica\/","title":{"rendered":"X. Est\u00e9tica y pol\u00edtica"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Edici\u00f3n_Completa_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/5Est\u00e9tica-y-pol\u00edtica_SchmidtWelle_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Est\u00e9tica y pol\u00edtica en las conmemoraciones de Paz y Revueltas (pp. 63-80)<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Friedhelm Schmidt-Welle<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Schmidt-Welle.gif\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3919 size-thumbnail alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Schmidt-Welle-150x150.gif\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Schmidt-Welle-150x150.gif 150w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Schmidt-Welle-50x50.gif 50w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Schmidt-Welle-100x100.gif 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><span style=\"color: #b0b0b0;\">Friedhelm Schmidt-Welle se desempe\u00f1a como investigador en Literatura y Estudios Culturales en el Instituto Ibero-Americano de Berl\u00edn. Ha ense\u00f1ado Literatura Latinoamericana, Literatura Comparada y Literatura Alemana en universidades de Alemania, Chile y M\u00e9xico. Entre 2008 y 2010 ocup\u00f3 la C\u00e1tedra Extraordinaria Guillermo y Alejandro de Humboldt en El Colegio de M\u00e9xico y la Universidad Nacional Aut\u00f3noma de M\u00e9xico, y en verano de 2010 ha sido Harris Dinstinguished Visiting Professor en el Dartmouth College, EE.UU. Es miembro de los consejos editoriales de las series <em>Nexos y Diferencias<\/em> y <em>Bibliotheca Ibero-Americana<\/em> de la editorial Iberoamericana\/Vervuert, de la serie <em>Hispano-Americana. Geschichte, Sprache, Literatur<\/em> de la editorial Peter Lang, y forma parte de los consejos cient\u00edficos de las revistas <em>Cuadernos de Literatura<\/em>, <em>Latinoam\u00e9rica. Revista de Estudios Latinoamericanos<\/em> e <em>iMex M\u00e9xico Interdisciplinario<\/em>. Es autor o editor de 19 libros sobre culturas y literaturas latinoamericanas y europeas. Entre los m\u00e1s recientes est\u00e1n: <em>Mexiko als Metapher. Inszenierungen des Fremden in Literatur und Massenmedien<\/em> (2011); <em>Multiculturalismo, transculturaci\u00f3n, heterogeneidad, poscolonialismo. Hacia una cr\u00edtica de la interculturalidad<\/em> (2011); <em>Culturas de la memoria. Teor\u00eda, historia y praxis simb\u00f3lica<\/em> (2012); <em>La historia intelectual como historia literaria<\/em> (2014); <em>Transformationen der Erinnerung und der Wirklichkeit in der Literatur<\/em> (2014, con Olivia D\u00edaz, Florian Gr\u00e4fe y Juliana P\u00e9rez); y <em>Nationbuilding en el cine mexicano desde la \u00c9poca de Oro hasta el presente<\/em> (2015, con Christian Wehr)<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;Resumen&#8221; id=&#8221;1458141266438-9ab84-1d32&#8243; tab_id=&#8221;1472470549285-7&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">En el presente art\u00edculo, se analizan los homenajes oficiales a Octavio Paz y Jos\u00e9 Revueltas, y sobre todo la presencia de sus centenarios en el <em>world wide web<\/em> (p\u00e1ginas oficiales y redes sociales). Mientras que en esos medios, Paz se construye como un intelectual universal, el \u00e9nfasis en el homenaje a Revueltas queda en su funci\u00f3n como intelectual comprometido. Eso incluye el \u00e9nfasis en los aspectos est\u00e9ticos en el caso de Paz y las posturas ideol\u00f3gicas, en el de Revueltas. A diferencia del intento o quiz\u00e1 el comienzo del proceso de una mera reivindicaci\u00f3n y canonizaci\u00f3n de la obra literaria de Revueltas a nivel nacional, el proceso de consagraci\u00f3n que sufre Paz podr\u00eda verse como una manera de borrar, para la recepci\u00f3n oficial y la conciencia p\u00fablica, pr\u00e1cticamente todas las contradicciones \u2013tanto las del individuo escritor como las sociales y pol\u00edticas.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;Abstract&#8221; id=&#8221;1458143705926-0&#8243; tab_id=&#8221;1472470550035-4&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">In this article, I will analyze the official homages to Octavio Paz and Jos\u00e9 Revueltas, particularly the presence of their centennials in the world wide web (official pages and social networks). While Paz is represented in these media as a universal intellectual, the homage to Revueltas underlines his function as a committed writer. These characterizations include the emphasis on aesthetic aspects, in the case of Paz, as well as ideological positions, in that of Revueltas. While we can observe an intention or perhaps the beginning of a mere revindication or canonization of the literary works of Revueltas on a national level, the process of consecration which Paz suffers can be seen as a way of erasing nearly all the contradictions (those of the writer as individual as well as the social and political ones) within the official perception and public consciousness towards the author.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;iMex N\u00b010&#8243; tab_id=&#8221;1472470549659-3&#8243; id=&#8221;1475493884979-6&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2- Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estimulo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Armando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-cartografia-de-la-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-coincidencias-y-no-coincidencias\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-entrever-y-escribir\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Berit Callsen \u2013 Entrever y escribir<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estetica-y-politica\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Friedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dos-formas-de-relacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz &#8211; <em>Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-octavio-paz-en-barcelona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-correspondencia-unseld-paz\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Gesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Jos\u00e9 Revueltas &#8211; Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dialectica-negativa-en-el-apando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en <em>El apando<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-aventureras-y-medio-putas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Oswaldo Estrada \u2012 Aventureras y medio putas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estampas-alemanas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Edith Negr\u00edn \u2013 Estampas alemanas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-pasajes-entre-revueltas-y-goethe\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-jose-revueltas-un-intelectual-contestatario\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-el-poema-critico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] Est\u00e9tica y pol\u00edtica en las&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[],"class_list":["post-4138","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>X. 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