{"id":4136,"date":"2016-10-04T11:50:47","date_gmt":"2016-10-04T10:50:47","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4136"},"modified":"2021-06-01T12:09:20","modified_gmt":"2021-06-01T11:09:20","slug":"x-octavio-paz-en-barcelona","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-octavio-paz-en-barcelona\/","title":{"rendered":"X. Octavio Paz en Barcelona"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Edici\u00f3n_Completa_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/7Octavio-Paz-en-Barcelona_Farre\u0301-Vidal_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\"><em>La escritura indeleble del incendio<\/em>: Octavio Paz en Barcelona (pp. 97-106)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Judith Farr\u00e9 Vidal<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Judith_Farr\u00e9-Vidal.png\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3970 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Judith_Farr\u00e9-Vidal.png\" width=\"200\" height=\"248\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Realiz\u00f3 su investigaci\u00f3n doctoral sobre teatro en la corte espa\u00f1ola durante la segunda mitad del siglo XVII, el reinado de Carlos II,\u00a0 y en el a\u00f1o 2002 public\u00f3 dos vol\u00famenes sobre <em>Dramaturgia y espect\u00e1culo del elogio. Loas completas de Agust\u00edn de Salazar y Torres<\/em> (Kassel, Reichenberger). Tras una estancia posdoctoral en la Universidad Aut\u00f3noma de Barcelona, fue profesora titular en el Instituto Tecnol\u00f3gico de Monterrey en M\u00e9xico y miembro del Sistema Nacional de Investigadores de CONACYT de 2003 a 2008. En esos a\u00f1os, dirigi\u00f3 dos proyectos de investigaci\u00f3n de CONACYT sobre teatro y poder en la corte novohispana durante el reinado de Carlos II.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">De 2009 a 2013 fue investigadora del programa Ram\u00f3n y Cajal del Ministerio de Educaci\u00f3n y Ciencia espa\u00f1ol en el Consejo Superior de Investigaciones Cient\u00edficas (CSIC-CCHS). Desde 2014 es Cient\u00edfica titular del Consejo Superior de Investigaciones Cient\u00edficas y dirige un proyecto de investigaci\u00f3n del MICINN sobre Antonio de Sol\u00eds y el teatro breve de finales del siglo XVII.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Sus l\u00edneas de investigaci\u00f3n tratan sobre Barroco hisp\u00e1nico \u2013 Teatro siglos XVII-XVIII \u2013 Fiestas cortesanas en Espa\u00f1a y Am\u00e9rica -Or\u00edgenes de la modernidad &#8211; Mecenazgo y configuraci\u00f3n de la conciencia autorial.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Libros m\u00e1s recientes:<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Judith Farr\u00e9 Vidal (ed.), <em>Teatro y poder en la \u00e9poca de Carlos II. Fiestas en torno a reyes y virreyes, <\/em>Madrid, Iberoamericana-Vervuert-Universidad de Navarra, 2007.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Judith Farr\u00e9 Vidal (ed.),<em> Dramaturgia y espect\u00e1culo teatral en la \u00e9poca de los Austrias, <\/em>Madrid- Frankfurt, Iberoamericana-Vervuert-Universidad de Navarra, 2009.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Judith Farr\u00e9 Vidal (ed.), <em>Fest\u00edn plausible con que el convento de Santa Clara celebr\u00f3 en su felice entrada a la Ex.ma D. Mar\u00eda Luisa, condesa de Paredes, marquesa de La Laguna y Virreina de esta Nueva Espa\u00f1a. Edici\u00f3n, estudio y notas de Judith Farr\u00e9<\/em>, M\u00e9xico, El Colegio de M\u00e9xico (Colecci\u00f3n Anejos de la Biblioteca Novohispana, 5), 2009.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Judith Farr\u00e9 Vidal, <em>Espacio y tiempo de fiesta en Nueva Espa\u00f1a (1665-1766)<\/em>, Madrid- Frankfurt, Iberoamericana-Vervuert, 2013.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;Resumen&#8221; id=&#8221;1458141266438-98335-dfea&#8221; tab_id=&#8221;1472651071933-5&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">En este trabajo se repasa la correspondencia entre Octavio Paz y Pere Gimferrer, que muestra la larga relaci\u00f3n que Paz mantuvo con Barcelona, s\u00edmbolo de toda una etapa vital, y con otros intelectuales como T\u00e0pies.<\/span><br \/>\n<span style=\"color: #b0b0b0;\"> Las cartas abordan temas filos\u00f3ficos, po\u00e9ticos o pol\u00edticos. Aunque, por encima de todo, lo que destaca es la complicidad y la sinton\u00eda intelectual entre ambos. Debido al car\u00e1cter miscel\u00e1neo del epistolario, el an\u00e1lisis se centra en dos apartados: La relaci\u00f3n con Barcelona, la cultura catalana y los intelectuales del momento y El proceso de escritura: Paz y Sor Juana.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;Abstract&#8221; id=&#8221;1458143705926-0&#8243; tab_id=&#8221;1472651072703-9&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This work revises the letters exchanged between Octavio Paz and Pere Ginferrer, which show the long relationship that Paz had with Barcelona as well as with other intellectuals like T\u00e0pies. The letters deal with philosofical, poetic or political issues. However, above all, the features that stand out are the complicity and intellectual understanding between both writers. Due to the wide-ranging character of the collection of letters, the analysis focuses on two aspects: on the one hand, his relationship with Barcelona, the Catalan culture and the intellectuals at that time, and on the other, the writing process: Paz and Sor Juana.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;iMex N\u00b010&#8243; tab_id=&#8221;1472651072313-2&#8243; id=&#8221;1475498206466-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2- Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estimulo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Armando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-cartografia-de-la-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-coincidencias-y-no-coincidencias\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-entrever-y-escribir\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Berit Callsen \u2013 Entrever y escribir<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estetica-y-politica\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Friedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dos-formas-de-relacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz &#8211; <em>Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-octavio-paz-en-barcelona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-correspondencia-unseld-paz\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Gesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Jos\u00e9 Revueltas &#8211; Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dialectica-negativa-en-el-apando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en <em>El apando<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-aventureras-y-medio-putas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Oswaldo Estrada \u2012 Aventureras y medio putas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estampas-alemanas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Edith Negr\u00edn \u2013 Estampas alemanas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-pasajes-entre-revueltas-y-goethe\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-jose-revueltas-un-intelectual-contestatario\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-el-poema-critico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] La escritura indeleble del incendio:&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[186],"class_list":["post-4136","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas","tag-literatura-mexicana"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>X. 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