{"id":4126,"date":"2016-10-04T11:48:29","date_gmt":"2016-10-04T10:48:29","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4126"},"modified":"2021-06-01T12:09:20","modified_gmt":"2021-06-01T11:09:20","slug":"x-dialectica-negativa-en-el-apando","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/","title":{"rendered":"X. Dial\u00e9ctica negativa en “El apando”"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

La traici\u00f3n como una s\u00edntesis dial\u00e9ctica negativa en El apando<\/em> de Jos\u00e9 Revueltas y Felipe Cazals (pp. 117-129)
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Yunuen G\u00f3mez Ocampo
\n<\/span><\/strong><\/span><\/h3>\n

<\/a><\/p>\n

Yunuen G\u00f3mez Ocampo estudia el Doctorado en Literatura Hisp\u00e1nica en el Departamento de Espa\u00f1ol y Portugu\u00e9s en la Universidad de California, Santa B\u00e1rbara. Obtuvo la Maestr\u00eda en Producci\u00f3n Editorial y Licenciatura en Letras Hisp\u00e1nicas por la Universidad Aut\u00f3noma de Morelos. Desde hace algunos a\u00f1os colabora en distintos proyectos de edici\u00f3n acad\u00e9mica. En 2012 public\u00f3 una edici\u00f3n anotada del poemario La vida entera<\/em>, del cubano Virgilio Pi\u00f1era, y actualmente coordina la revista electr\u00f3nica Estudios del Discurso. Su \u00e1rea de investigaci\u00f3n es principalmente la represi\u00f3n pol\u00edtica como representaci\u00f3n literaria en obras de escritores de Am\u00e9rica Latina del siglo XX.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1458141266438-94770-7811″ tab_id=”1472472825754-2″][vc_column_text]\n

La novela corta El apando<\/em>, de Jos\u00e9 Revueltas, y su adaptaci\u00f3n al cine, de Felipe Cazals, comparten de forma estrecha propuestas est\u00e9ticas y \u00e9ticas. La primera es base de s\u00edntesis y condensaci\u00f3n para la segunda; la segunda es necesidad visual y explosiva de la primera. Ambas obras dialogan de forma natural expresando la angustia de la existencia humana. En este trabajo se analizan dos elementos simb\u00f3licos, fuertemente visuales, que van creciendo en la narraci\u00f3n a la par de las profundas contradicciones que hay entre los personajes. En estas relaciones humanas se da un movimiento dial\u00e9ctico, una s\u00edntesis no progresiva, dado que abundan la inversi\u00f3n del orden, la deslealtad y la traici\u00f3n.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” id=”1458143705926-0″ tab_id=”1472472826511-2″][vc_column_text]\n

The short novel El Apando by Mexican writer Jos\u00e9 Revueltas, and its film adaptation by Felipe Cazals, very closely share aesthetic and ethical stances. The former serves as the plot basis for the latter, while the latter is the visual and explosive representation of the former. Both works communicate with each other naturally, expressing the anxiety of human existence. In this paper, I analyze two symbolic elements \u2013strongly visual\u2013 that, through the plot, grow hand in hand along with the profound contradictions between the characters. A dialectical tension is present in these human relationships, and the result is a negative synthesis as a consequence of disloyalty and treason.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”iMex N\u00b010″ tab_id=”1472472826140-0″ id=”1475498040309-1″][vc_column_text]\n

Vittoria Bors\u00f2- Editorial<\/span><\/i><\/a>\nArmando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><\/i><\/a><\/span><\/p>\n

Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n

\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><\/i><\/a>\nSara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><\/i><\/a>\nBerit Callsen \u2013 Entrever y escribir<\/span><\/i><\/a>\nFriedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><\/i><\/a>\nTanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><\/i><\/a><\/span><\/p>\n

Octavio Paz – Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n

Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><\/i><\/a>\nGesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><\/i><\/a><\/span><\/p>\n

Jos\u00e9 Revueltas – Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n

Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en El apando<\/em><\/span><\/i><\/a>\nOswaldo Estrada \u2012 Aventureras y medio putas<\/span><\/i><\/a>\nEdith Negr\u00edn \u2013 Estampas alemanas<\/span><\/i><\/a>\nJos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><\/i><\/a>\nVittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><\/i><\/a>\n<\/span><\/span><\/p>\n

Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n

Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] La traici\u00f3n como una s\u00edntesis…<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[],"class_list":["post-4126","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas"],"yoast_head":"\nX. Dial\u00e9ctica negativa en "El apando" - iMex Revista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"X. Dial\u00e9ctica negativa en "El apando" - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] La traici\u00f3n como una s\u00edntesis...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-04T10:48:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:09:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"797\" \/>\n\t<meta property=\"og:image:height\" content=\"743\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"X. Dial\u00e9ctica negativa en “El apando”\",\"datePublished\":\"2016-10-04T10:48:29+00:00\",\"dateModified\":\"2021-06-01T11:09:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/\"},\"wordCount\":1177,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-10.webp\",\"articleSection\":[\"Issues\",\"X. Octavio Paz and Jos\u00e9 Revueltas\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/\",\"name\":\"X. Dial\u00e9ctica negativa en \\\"El apando\\\" - iMex Revista\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-10.webp\",\"datePublished\":\"2016-10-04T10:48:29+00:00\",\"dateModified\":\"2021-06-01T11:09:20+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-10.webp\",\"contentUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-10.webp\",\"width\":797,\"height\":743},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/x-dialectica-negativa-en-el-apando\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/imex\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"X. Dial\u00e9ctica negativa en \u00abEl apando\u00bb\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/\",\"name\":\"iMex Revista\",\"description\":\"iMex Revista\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.imex-revista.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\",\"name\":\"iMex Revista\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/author\\\/temelli\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"X. Dial\u00e9ctica negativa en \"El apando\" - iMex Revista","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/","og_locale":"en_US","og_type":"article","og_title":"X. Dial\u00e9ctica negativa en \"El apando\" - iMex Revista","og_description":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] La traici\u00f3n como una s\u00edntesis...","og_url":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/","og_site_name":"iMex Revista","article_published_time":"2016-10-04T10:48:29+00:00","article_modified_time":"2021-06-01T11:09:20+00:00","og_image":[{"width":797,"height":743,"url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp","type":"image\/webp"}],"author":"iMex Revista","twitter_card":"summary_large_image","twitter_misc":{"Written by":"iMex Revista","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#article","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/"},"author":{"name":"iMex Revista","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f"},"headline":"X. Dial\u00e9ctica negativa en “El apando”","datePublished":"2016-10-04T10:48:29+00:00","dateModified":"2021-06-01T11:09:20+00:00","mainEntityOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/"},"wordCount":1177,"commentCount":0,"image":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp","articleSection":["Issues","X. Octavio Paz and Jos\u00e9 Revueltas"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/","url":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/","name":"X. Dial\u00e9ctica negativa en \"El apando\" - iMex Revista","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#primaryimage"},"image":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp","datePublished":"2016-10-04T10:48:29+00:00","dateModified":"2021-06-01T11:09:20+00:00","author":{"@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f"},"breadcrumb":{"@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#primaryimage","url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp","contentUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-10.webp","width":797,"height":743},{"@type":"BreadcrumbList","@id":"https:\/\/www.imex-revista.com\/en\/x-dialectica-negativa-en-el-apando\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.imex-revista.com\/en\/imex\/"},{"@type":"ListItem","position":2,"name":"X. Dial\u00e9ctica negativa en \u00abEl apando\u00bb"}]},{"@type":"WebSite","@id":"https:\/\/www.imex-revista.com\/#website","url":"https:\/\/www.imex-revista.com\/","name":"iMex Revista","description":"iMex Revista","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.imex-revista.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/b06ca09ee30633a9bca5919aad53cd1f","name":"iMex Revista","url":"https:\/\/www.imex-revista.com\/en\/author\/temelli\/"}]}},"_links":{"self":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/4126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/comments?post=4126"}],"version-history":[{"count":1,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/4126\/revisions"}],"predecessor-version":[{"id":4134,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/4126\/revisions\/4134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media\/13205"}],"wp:attachment":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media?parent=4126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/categories?post=4126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/tags?post=4126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}