{"id":4125,"date":"2016-10-04T11:47:58","date_gmt":"2016-10-04T10:47:58","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4125"},"modified":"2021-06-01T12:09:21","modified_gmt":"2021-06-01T11:09:21","slug":"x-aventureras-y-medio-putas","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-aventureras-y-medio-putas\/","title":{"rendered":"X. Aventureras y ‘medio putas’"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Aventureras y ‘medio putas’ en la narrativa breve del \u00faltimo Jos\u00e9 Revueltas (pp. 130-142)
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Prof. Dr. Oswaldo Estrada
\n<\/span><\/strong><\/span><\/h3>\n

<\/a><\/p>\n

Oswaldo Estrada es profesor de literatura latinoamericana en The University of North Carolina at Chapel Hill, y editor de Romance Notes<\/em>. Centr\u00e1ndose en las literaturas de M\u00e9xico y el Per\u00fa ha escrito numerosos art\u00edculos en torno al g\u00e9nero y la identidad, la memoria hist\u00f3rica y diversas representaciones de la otredad. Es autor de La imaginaci\u00f3n novelesca. Bernal D\u00edaz entre g\u00e9neros y \u00e9pocas<\/em> (Iberoamericana \/ Vervuert, 2009) y de Ser mujer y estar presente. Disidencias de g\u00e9nero en la literatura mexicana contempor\u00e1nea<\/em> (UNAM, 2014). Es co-autor y editor de Cristina Rivera Garza. Ning\u00fan cr\u00edtico cuenta esto\u2026<\/em> (E\u00f3n \/ UNC-Chapel Hill \/ UC-Mexicanistas, 2010), Colonial Itineraries of Contemporary Mexico. Literary and Cultural Inquiries<\/em> (con Anna M. Nogar, U of Arizona P, 2014) y Senderos de violencia. Latinoam\u00e9rica y sus narrativas armadas<\/em> (Albatros, 2015).<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1458141266438-9fa94-6015″ tab_id=”1472473525009-4″][vc_column_text]\n

Tomando en cuenta la novela El apando<\/em> (1969) y los \u00faltimos cuentos de Revueltas reunidos en Material de los sue\u00f1os<\/em> (1974), este ensayo analiza la manera en que el escritor mexicano manipula el perfil de las prostitutas, creando personajes femeninos que desestabilizan modelos heredados. Gracias a una serie giros inusuales, descripciones sorprendentes y transgresiones inesperadas, las prostitutas que encontramos en el \u00faltimo Revueltas muestran formas alternativas de ser mujer. Esta maniobra narrativa nos obliga a calibrar el perpetuo estigma de la prostituta y su lugar marginal en una cultura mexicana regida por una doble moral.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” id=”1458143705926-0″ tab_id=”1472473525794-10″][vc_column_text]\n

Taking into account the novel El apando<\/em> (1969) and the last short stories that Revueltas gathered in Material de los sue\u00f1os<\/em> (1974), this essay analyzes how the Mexican writer manipulates the profile of the prostitute, in order to create female characters that destabilize inherited models. Thanks to a set of unusual turns, innovative descriptions, and unexpected transgressions, the prostitutes that we find in Revueltas\u2019s last compositions show alternative ways of being a woman. This textual maneuver forces us to reconsider the stigmatization of prostitutes, as well as their marginal place within a Mexican culture that promotes a double standard.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”iMex N\u00b010″ tab_id=”1472473525401-8″ id=”1475497976592-7″][vc_column_text]\n

Vittoria Bors\u00f2- Editorial<\/span><\/i><\/a>\nArmando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><\/i><\/a><\/span><\/p>\n

Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n

\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><\/i><\/a>\nSara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><\/i><\/a>\nBerit Callsen \u2013 Entrever y escribir<\/span><\/i><\/a>\nFriedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><\/i><\/a>\nTanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><\/i><\/a><\/span><\/p>\n

Octavio Paz – Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n

Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><\/i><\/a>\nGesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><\/i><\/a><\/span><\/p>\n

Jos\u00e9 Revueltas – Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n

Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en El apando<\/em><\/span><\/i><\/a>\nOswaldo Estrada \u2012 Aventureras y medio putas<\/span><\/i><\/a>\nEdith Negr\u00edn \u2013 Estampas alemanas<\/span><\/i><\/a>\nJos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><\/i><\/a>\nVittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><\/i><\/a>\n<\/span><\/span><\/p>\n

Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n

Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Aventureras y ‘medio putas’ en…<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[755],"class_list":["post-4125","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas","tag-estrada"],"yoast_head":"\nX. 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