{"id":4123,"date":"2016-10-04T11:46:47","date_gmt":"2016-10-04T10:46:47","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4123"},"modified":"2021-06-01T12:09:21","modified_gmt":"2021-06-01T11:09:21","slug":"x-pasajes-entre-revueltas-y-goethe","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-pasajes-entre-revueltas-y-goethe\/","title":{"rendered":"X. Pasajes entre Revueltas y Goethe"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Edici\u00f3n_Completa_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/12Pasajes-entre-Revueltas-y-Goethe_Mateo_10.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Pasajes entre Jos\u00e9 Revueltas y Goethe (pp. 157-175)<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Jos\u00e9 Manuel Mateo<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jos\u00e9-Manuel_Mateo.jpg\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3953 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jos\u00e9-Manuel_Mateo.jpg\" width=\"200\" height=\"239\" \/><\/a><span style=\"color: #b0b0b0;\">Jos\u00e9 Manuel Mateo es doctor en Letras por la UNAM. Ha publicado <em>En el umbral de Ant\u00edgona: notas sobre la po\u00e9tica y la narrativa de Jos\u00e9 Revueltas<\/em> (Siglo XXI Editores, 2011), <em>Lectura y libertad: hacia una po\u00e9tica de Jos\u00e9 Revueltas<\/em> (El Colegio de San Luis, 2011), <em>Tiempo de Revueltas. Uno: la naci\u00f3n ausente [Jos\u00e9 Revueltas y Daniel Cos\u00edo Villegas]<\/em> (Obranegra: 2013). <em>Jos\u00e9 Revueltas. Iconograf\u00eda <\/em>(Fondo de Cultura Econ\u00f3mica, 2014). Ha preparado tambi\u00e9n la edici\u00f3n de los poemas de Jos\u00e9 Revueltas bajo el t\u00edtulo <em>El prop\u00f3sito ciego<\/em> y una antolog\u00eda con narrativa, ensayos y textos biogr\u00e1ficos del autor titulada <em>Ver en las tinieblas<\/em>, ambas publicadas por el Fondo de Cultura Econ\u00f3mica en 2014. Ha colaborado en vol\u00famenes colectivos dedicados a Jos\u00e9 Revueltas, Jos\u00e9 Emilio Pacheco y Carlos Fuentes, y publicado art\u00edculos sobre las literaturas populares novohispanas y del M\u00e9xico de los siglos XIX y XX. En 2011 obtuvo el Premio Internacional de Ensayo Siglo XXI Editores.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;Resumen&#8221; id=&#8221;1458141266438-9a24e-bd6c&#8221; tab_id=&#8221;1472647401348-3&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">En el presente art\u00edculo se hace un seguimiento de la frase &#8220;Gris es la teor\u00eda y verde es el \u00e1rbol de oro de la vida&#8221;, que Jos\u00e9 Revueltas tom\u00f3 como lema vital. Desde 1939 hasta 1975, poco antes de la muerte del autor mexicano, la frase aparece en cartas, apuntes y ensayos, as\u00ed como en los borradores de <em>Los d\u00edas terrenales, <\/em>una de las mayores novelas del autor. Adem\u00e1s de hacer un m\u00ednimo registro de las ocasiones en que estas palabras del Mefist\u00f3feles de Goethe aparecen en la vida y la obra literaria de Revueltas, se explora el papel que desempe\u00f1a el <em>Fausto <\/em>como sustrato de <em>Los d\u00edas terrenales <\/em>y se establecen algunos paralelos entre Goethe y Revueltas a prop\u00f3sito de la forma en que ambos autores concibieron la teor\u00eda en relaci\u00f3n con la vida.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;Abstract&#8221; id=&#8221;1458143705926-0&#8243; tab_id=&#8221;1472647402131-9&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">In this article is carried out a follow-up of the phrase &#8220;Gray is the theory and green is the tree of gold of life&#8221;, which Jos\u00e9 Revueltas took as vital watchword. From 1939 until 1975, shortly before the death of the Mexican author, the phrase appears in letters, notes, and essays, as well as drafts of <em>Los d\u00edas terrenales,<\/em> one of the greatest novels of the author. In addition to a minimum record of the occasions in which these words of the Goethe Mefist\u00f3feles appear in life and literary work of Revueltas, one explores the role that plays <em>Faust<\/em> as a substrate of <em>Los d\u00edas terrenales<\/em> and sets some parallels between Goethe and Revueltas with regard to the way in which both authors conceived the theory in relation to life.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;iMex N\u00b010&#8243; tab_id=&#8221;1472647401726-1&#8243; id=&#8221;1475497821676-7&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-editorial\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2- Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estimulo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Armando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-cartografia-de-la-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-coincidencias-y-no-coincidencias\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-entrever-y-escribir\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Berit Callsen \u2013 Entrever y escribir<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estetica-y-politica\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Friedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dos-formas-de-relacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Tanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz &#8211; <em>Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-octavio-paz-en-barcelona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-correspondencia-unseld-paz\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Gesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Jos\u00e9 Revueltas &#8211; Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-dialectica-negativa-en-el-apando\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en <em>El apando<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-aventureras-y-medio-putas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Oswaldo Estrada \u2012 Aventureras y medio putas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-estampas-alemanas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Edith Negr\u00edn \u2013 Estampas alemanas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-pasajes-entre-revueltas-y-goethe\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-jose-revueltas-un-intelectual-contestatario\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Vittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong>Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-el-poema-critico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/x-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] Pasajes entre Jos\u00e9 Revueltas y&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[301,804],"class_list":["post-4123","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas","tag-cultura-popular","tag-teoria"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>X. 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