{"id":4121,"date":"2016-10-04T11:45:49","date_gmt":"2016-10-04T10:45:49","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=4121"},"modified":"2021-06-01T12:09:22","modified_gmt":"2021-06-01T11:09:22","slug":"x-el-poema-critico","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/x-el-poema-critico\/","title":{"rendered":"X. El poema cr\u00edtico"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

El poema cr\u00edtico: una secuela de Octavio Paz en cuatro poetas mexicanos contempor\u00e1neos (pp. 198-209)
\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”No Line” custom_height=”80″][vc_column_text]\n

Prof. Dr. Jacobo Sefam\u00ed
\n<\/span><\/strong><\/span><\/h3>\n

<\/a><\/p>\n

Jacobo Sefam\u00ed (Ciudad de M\u00e9xico, 1957) estudi\u00f3 la licenciatura en letras hisp\u00e1nicas en la Universidad Nacional Aut\u00f3noma de M\u00e9xico (ENEP Acatl\u00e1n) y el doctorado en la Universidad de Texas en Austin. Es profesor en la Universidad de California (Irvine) y Director de la Escuela de Espa\u00f1ol de verano de Middlebury College. Ha colaborado en m\u00faltiples revistas literarias, incluyendo Letras Libres, Cuadernos Hispanoamericanos, Revista Iberoamericana, Encuentro, Casa del Tiempo, Vuelta, Literatura Mexicana<\/em>, etc. Fue editor de la revista acad\u00e9mica Mexican Studies \/ Estudios Mexicanos<\/em>. Sus libros son los siguientes: El destierro apacible y otros ensayos <\/em>(1987), Contemporary Spanish American Poets<\/em> (1992), El espejo trizado: la poes\u00eda de Gonzalo Rojas <\/em>(1992), De la imaginaci\u00f3n po\u00e9tica<\/em>. Conversaciones con Gonzalo Rojas, Olga Orozco, \u00c1lvaro Mutis y Jos\u00e9 Kozer <\/em>(1996; edici\u00f3n aumentada, incluye tambi\u00e9n a los poetas Enrique Molina y David Huerta, 2013), Medusario. Muestra de poes\u00eda latinoamericana<\/em> (co-editor con Roberto Echavarren y Jos\u00e9 Kozer, 1996), La voracidad graf\u00f3mana: Jos\u00e9 Kozer<\/em> (editor, 2002) y Mi mejilla es el cielo estrellado. Antolog\u00eda <\/em>de Ra\u00fal Zurita (co-editor con Alejandro Tarrab, 2002). Tambi\u00e9n es autor de la novela Los dolientes<\/em> (2004, traducida y publicada en ingl\u00e9s en 2010), sobre rituales de luto en la comunidad jud\u00eda siria de M\u00e9xico, y compilador de la antolog\u00eda Vaquitas pintadas<\/em> (2004), con poemas, ensayos, fragmentos de novelas, cuentos y aforismos sobre vacas. Con Myriam Moscona public\u00f3 Por mi boka. Textos de la di\u00e1spora sefard\u00ed en ladino <\/em>(2013), una selecci\u00f3n de autores que escriben en judeo-espa\u00f1ol.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1458141266438-97f8a-7b24″ tab_id=”1472475913936-1″][vc_column_text]\n

Este art\u00edculo se concentra en el concepto del “poema critico”, seg\u00fan lo plantea Octavio Paz en relaci\u00f3n a sus lecturas de Mallarm\u00e9, en ‘Los signos en rotaci\u00f3n’, para examinar cuatro libros de poetas mexicanos contempor\u00e1neos que establecen un di\u00e1logo indirecto con la conciencia de la escritura, tan af\u00edn al N\u00f3bel mexicano: Cant\u00e1ridas<\/em>, de Elsa Cross; Negro marfil<\/em>, de Myriam Moscona; Basalto<\/em>, de Roc\u00edo Cer\u00f3n; y Wide Screen<\/em>, de V\u00edctor Cabrera.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” id=”1458143705926-0″ tab_id=”1472475914718-7″][vc_column_text]\n

This article focuses on the concept of\u00a0 “critical poem”, as analyzed by Octavio Paz, in relation to his readings of Mallarm\u00e9, in ‘Signs in Rotation’, to examine four books of Contemporary Mexican poets that establish an indirect dialogue with writing awareness, so akin to the Mexican Nobel: Cant\u00e1ridas<\/em>, by Elsa Cross; Negro marfil<\/em>, by Myriam Moscona; Basalto<\/em>, by Roc\u00edo Cer\u00f3n; and Wide Screen<\/em>, by V\u00edctor Cabrera.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”iMex N\u00b010″ tab_id=”1472475914333-8″ id=”1475497597055-7″][vc_column_text]\n

Vittoria Bors\u00f2- Editorial<\/span><\/i><\/a>\nArmando Gonz\u00e1lez Torres - Est\u00edmulo<\/span><\/i><\/a><\/span><\/p>\n

Paz y Revueltas: figuras indisolubles, pegadas a la realidad del siglo XX<\/strong><\/span><\/p>\n

\u00c1lvaro Ruiz Abreu \u2013 Cartograf\u00eda de la identidad<\/span><\/i><\/a>\nSara Poot Herrera \u2012 Coincidencias y no coincidencias<\/span><\/i><\/a>\nBerit Callsen \u2013 Entrever y escribir<\/span><\/i><\/a>\nFriedhelm Schmidt-Welle \u2013 Est\u00e9tica y pol\u00edtica<\/span><\/i><\/a>\nTanius Karam C\u00e1rdenas \u2013 Dos formas de relaci\u00f3n<\/span><\/i><\/a><\/span><\/p>\n

Octavio Paz – Polyhistor<\/em>: Transferencias entre Latinoam\u00e9rica y Europa<\/strong><\/span><\/p>\n

Judith Farr\u00e9 Vidal \u2013 Octavio Paz en Barcelona<\/span><\/i><\/a>\nGesine M\u00fcller \u2013 Correspondencia Unseld \u2012 Paz<\/span><\/i><\/a><\/span><\/p>\n

Jos\u00e9 Revueltas – Internacionalista proletario:\u00a0 De la \u201ctradici\u00f3n minoritaria\u201d a la \u201cliteratura menor\u201d<\/strong><\/span><\/p>\n

Yunuen G\u00f3mez Ocampo \u2013 Dial\u00e9ctica negative en El apando<\/em><\/span><\/i><\/a>\nOswaldo Estrada \u2012 Aventureras y medio putas<\/span><\/i><\/a>\nEdith Negr\u00edn \u2013 Estampas alemanas<\/span><\/i><\/a>\nJos\u00e9 Manuel Mateo \u2012 Pasajes entre Revueltas y Goethe<\/span><\/i><\/a>\nVittoria Bors\u00f2 \u2012 Jos\u00e9 Revueltas: un intelectual contestatario<\/span><\/i><\/a>\n<\/span><\/span><\/p>\n

Octavio Paz y la poes\u00eda mexicana contempor\u00e1nea<\/strong><\/span><\/p>\n

Jacobo Sefam\u00ed \u2012 El po\u00e9ma cr\u00edtico<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a><\/span><\/p>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] El poema cr\u00edtico: una secuela…<\/p>\n","protected":false},"author":2,"featured_media":13205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,837],"tags":[224],"class_list":["post-4121","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-x-octavio-paz-and-jose-revueltas","tag-myriam-moscona"],"yoast_head":"\nX. 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