{"id":3472,"date":"2016-03-17T17:10:26","date_gmt":"2016-03-17T16:10:26","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=3472"},"modified":"2021-06-01T12:09:33","modified_gmt":"2021-06-01T11:09:33","slug":"genero-e-identidad","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/genero-e-identidad\/","title":{"rendered":"G\u00e9nero e identidad"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; enable_gradient=&#8221;true&#8221; color_overlay=&#8221;#252525&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/iMex_9_Frontera-Norte-II.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/05_Genero-e-identidad_Rojas-Joo.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">G\u00e9nero e identidad, elementos en la poes\u00eda comprometida de tres poetas chihuahuenses: Armin\u00e9 Arjona, Susana Ch\u00e1vez y Micaela Sol\u00eds<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Prof. Dr. Juan Armando Rojas Joo<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rojas-Joo-e1458224091682.jpg\" rel=\"attachment wp-att-1036\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3388 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Rojas-Joo-e1458224091682.jpg\" alt=\"\" width=\"200\" height=\"219\" \/><\/a><span style=\"color: #b0b0b0;\">Poeta transfronterizo, narrador y ensayista, ha publicado siete poemarios, entre ellos <em>Vertebral River \/ R\u00edo vertebral (2009, 2002), <\/em>y<em> Santuarios desierto mar \/ Sanctuaries desert sea (2004, 2015). <\/em>Coedit\u00f3 las antolog\u00edas <em>Sangre m\u00eda \/ Blood of Mine: Poes\u00eda de la frontera: violencia, g\u00e9nero e identidad en Ciudad Ju\u00e1rez<\/em> y <em>Canto a una ciudad en el desierto, <\/em>denuncias po\u00e9ticas en contra del feminicidio y la violencia en Ciudad Ju\u00e1rez. En 2011 fue honrado por la Universidade de Coimbra, Portugal, como poeta residente. Recibi\u00f3 licenciatura y maestr\u00eda en letras latinoamericanas por la Universidad de Texas en El Paso y doctorado por la Universidad de Arizona. En 2002, fue becario post-doctoral Mellon Fellow en Amherst College, Massachusetts. Actualmente es profesor y jefe del Departamento de Lenguas Modernas Extranjeras en Ohio Wesleyan University.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;Resumen&#8221; id=&#8221;1458141266438-9ede9-5fac&#8221; tab_id=&#8221;1458223807618-4&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">A finales del siglo veinte, con la culminaci\u00f3n del crecimiento acelerado de las ciudades mexicanas de la frontera M\u00e9xico-Estados Unidos, a la par se ha observado una creciente denuncia po\u00e9tica que se preocupa por construir un debate art\u00edstico y literario que sea a la vez intelectual, socio-pol\u00edtico y sensible, y adem\u00e1s aporte representaci\u00f3n e identidad a la mujer juarense. Esta denuncia literaria aporta elementos a la cultura actual de la frontera y coincide con un periodo de violencia en el que cientos de mujeres han resultado violadas y asesinadas en Ciudad Ju\u00e1rez. La obra po\u00e9tica de las autoras chihuahuenses Armin\u00e9 Arjona, Susana Ch\u00e1vez y Micaela Sol\u00eds obtienen valor literario por su desarrollo po\u00e9tico, mas tambi\u00e9n representa tenazmente la respuesta po\u00e9tica comprometida en contra de la violencia y el feminicidio en la frontera M\u00e9xico-Estados Unidos. Textos de estas tres autoras abordan asuntos esenciales en el desarrollo de una literatura de la frontera como lo son los conceptos de identidad y g\u00e9nero.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;Abstract&#8221; id=&#8221;1458143705926-0&#8243; tab_id=&#8221;1458223807686-2&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">By the end of the twentieth century the Mexican border cities experienced an accelerated industrial growth, simultaneously there has been a growing poetic denouncement against feminicide, particularly by female poets. One of the objectives of the artistic, intellectual and artistic collective protest has been to create a sensible debate on social-political border issues, and give a voice, representation and identity, to the <em>juarenses<\/em> women. The poetic denouncement offers creative representation elements to the current US\/Mexico border culture as it coincides with a brutally violent period where hundreds of women have been systematically raped and murdered in Ciudad Ju\u00e1rez. The poetic work of Chihuahua\u2019s female poets such as Armin\u00e9 Arjona, Susana Ch\u00e1vez and Micaela Sol\u00eds, convey literary importance due to the active poetic development, as for the solid representation against violence and feminicide in the US\/Mexico border. Poems by the three aforementioned authors are used in order to illustrate essential border literary matters such as genre and identity.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=&#8221;iMex N\u00b09&#8243; id=&#8221;1458143744655-4&#8243; tab_id=&#8221;1458223807652-5&#8243;][vc_column_text]\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/editorial9\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Lizette Jacinto \/ Frank Leinen - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/poemas9\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>J. A. Rojas Joo \/ Jennifer Rathbun - Selecci\u00f3n de poemas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/estimulo9\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Amrai Coen - No volver nunca m\u00e1s<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/poblaciones-fronterizas-y-cruces-de-limites\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ralf Modlich - Poblaciones fronterizas y cruces de l\u00edmites<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/violencia-e-identidad-fronteriza\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Salvador C. Fern\u00e1ndez - Violencia e identidad fronteriza <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/genero-e-identidad\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Juan Armando Rojas Joo - G\u00e9nero e identidad<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/rememoracion-de-las-victimas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ana Gabriela Hern\u00e1ndez Gonz\u00e1lez - (Re)memoraci\u00f3n de las v\u00edctimas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/transculturalidad-y-borderologia\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Andrea Gremels - Transculturalidad y <em>borderolog\u00eda<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/feminizacion-de-la-transmigracion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Lizette Jacinto - Feminizaci\u00f3n de la transmigraci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/capitalismo-gore\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sayak Valencia - Capitalismo Gore<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/ix-resenas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; enable_gradient=&#8221;true&#8221; color_overlay=&#8221;#252525&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] G\u00e9nero e&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,685],"tags":[1446,715,671],"class_list":["post-3472","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-ix-us-mexican-border-ii","tag-feminicidio-en","tag-identidad","tag-juan-armando-rojas-joo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>G\u00e9nero e identidad - iMex Revista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/genero-e-identidad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"G\u00e9nero e identidad - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; enable_gradient=&#8221;true&#8221; color_overlay=&#8221;#252525&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] G\u00e9nero e...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/genero-e-identidad\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-17T16:10:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:09:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-9.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/genero-e-identidad\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/genero-e-identidad\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"G\u00e9nero e identidad\",\"datePublished\":\"2016-03-17T16:10:26+00:00\",\"dateModified\":\"2021-06-01T11:09:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/genero-e-identidad\\\/\"},\"wordCount\":1121,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/genero-e-identidad\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-9.webp\",\"keywords\":[\"Feminicidio\",\"identidad\",\"Juan Armando Rojas Joo\"],\"articleSection\":[\"Issues\",\"IX. 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