{"id":3453,"date":"2016-03-17T17:08:41","date_gmt":"2016-03-17T16:08:41","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=3453"},"modified":"2021-06-01T12:09:34","modified_gmt":"2021-06-01T11:09:34","slug":"transculturalidad-y-borderologia","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/transculturalidad-y-borderologia\/","title":{"rendered":"Transculturalidad y borderolog\u00eda"},"content":{"rendered":"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ enable_gradient=”true” color_overlay=”#252525″ gradient_direction=”left_to_right” overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text]\n

Download Edici\u00f3n<\/span><\/i><\/a> Download Art\u00edculo<\/span><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Transculturalidad y borderolog\u00eda<\/em>: El arte fronterizo de Guillermo G\u00f3mez-Pe\u00f1a
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Dr.\u00a0Andrea Gremels
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\"\"<\/a>Dr. Andrea Gremels estudi\u00f3 lenguas y literaturas rom\u00e1nicas (espa\u00f1ol, franc\u00e9s, portugu\u00e9s), sociolog\u00eda y american\u00edstica en la Johann Wolfgang Goethe-Universit\u00e4t, Fr\u00e1ncfort, donde trabaja en el departamento de Filolog\u00eda Rom\u00e1nica desde octubre 2008. Es colaboradora cient\u00edfica y docente en la c\u00e1tedra de literaturas latinoamericanas y franc\u00f3fonas (Prof. Dr. Roland Spiller). Sus campos de investigaci\u00f3n son las literaturas del Caribe, la teor\u00eda poscolonial y enfoques inter- y transmediales. Es co-editora de las actas del congreso Cuba: La revoluci\u00f3n revis(it)ada <\/em>(2010). En enero de 2014 se ha publicado su tesis de doctorado Kubanische Gegenwartsliteratur in Paris zwischen Exil und Transkulturalit\u00e4t <\/em>(Tubinga: Narr).<\/em><\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”No Line” custom_height=”50″][tabbed_section style=”default” alignment=”left”][tab title=”Resumen” id=”1456514773666-6266b-26dc” tab_id=”1458141266438-9″][vc_column_text]\n

La frontera entre M\u00e9xico y los Estados Unidos es el tema program\u00e1tico del arte performativo de Guillermo G\u00f3mez-Pe\u00f1a, un artista chicano quien emigr\u00f3 a los Estados Unidos a los 22 a\u00f1os. Autodenomin\u00e1ndose \u201cperformancero migrante\u201d y \u201cborder\u00f3logo\u201d (G\u00f3mez-Pe\u00f1a 2000: 9) el artista se dedica a poner la frontera en escena de manera l\u00fadica, subversiva y multic\u00e9ntrica. Su estilo se caracteriza por una est\u00e9tica experimental en que se mezclan expresiones de la cultura pop con declaraciones pol\u00edticas y una actitud did\u00e1ctica. Como \u201cborder\u00f3logo\u201d G\u00f3mez-Pe\u00f1a desaf\u00eda las fronteras mentales que predeterminan el contacto entre las culturas: En muchos de sus performances se auto-estiliza de manera exageradamente grotesca como delincuente, cuestionando as\u00ed la imagen estereot\u00edpica que existe del mexicano en los Estados Unidos.
\nEn mi contribuci\u00f3n analizar\u00e9 la din\u00e1mica entre las fronteras puestas y su transgresi\u00f3n que se manifiesta en la perspectiva fronteriza de G\u00f3mez-Pe\u00f1a a nivel cultural y nacional, simb\u00f3lico y ling\u00fc\u00edstico. Con los ejemplos de \u201cEl Psycho-Linguist\u201d y \u201cBorder Interrogation\u201d (del \u00e1lbum Ethno Techno, 2004) examinar\u00e9 la transculturalidad en su dimensi\u00f3n de concepto fronterizo. En el contexto de la identidad h\u00edbrida y la experiencia migratoria chicanas quiero operar con los t\u00e9rminos de exclusi\u00f3n, demarcaci\u00f3n y transculturaci\u00f3n (cf. Gremels 2014) para mostrar c\u00f3mo la borderolog\u00eda de G\u00f3mez-Pe\u00f1a se mueve entre fronteras puestas, marcadas y superadas.
\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”Abstract” tab_id=”1458141508043-8″ id=”1458143705926-0″][vc_column_text]\n

The border between Mexico and the United States is the programmatic topic in the performance art of Guillermo G\u00f3mez-Pe\u00f1a, a chicano artist who emigrated to the United States at the age of 22. By calling himself \u201cperformancero migrante\u201d y \u201cborder\u00f3logo\u201d the artist questions the border in a playful, subversive and polycentric way. His style is characterized by an experimental esthetics that combines expressions of pop culture with political claims and a didactic posture. As \u201cborder\u00f3logo\u201d G\u00f3mez-Pe\u00f1a challenges the mental boundaries that often predetermine cultural contacts: In many of his performances he portrays himself exaggeratedly and grotesquely as a Mexican delinquent, thus questioning the prevailing stereotype of Mexicans in the United States.<\/span><\/p>\n

My article analyzes the dynamics between fixed borders as well as their transgression, both of which G\u00f3mez-Pe\u00f1a sets up and subverts on a cultural and national, symbolic and linguistic level. Based on the examples \u201cEl Psycho-Linguist\u201d and \u201cBorder Interrogation\u201d (from the album Ethno Techno<\/em>, 2004), I will examine how borders enter into the concept of transculturality. In the context of the hybrid identities and the migratory experiences of chicanos in the United States, I will highlight moment of exclusion, demarcation and transculturation in order to illustrate in how far G\u00f3mez-Pe\u00f1a\u2019s borderolog\u00eda<\/em> moves between fixed, marked and exceeded borderlines.<\/span><\/p>\n[\/vc_column_text][\/tab][tab title=”iMex N\u00b09″ tab_id=”1458141266807-5″ id=”1458143744655-4″][vc_column_text]\n

Lizette Jacinto \/ Frank Leinen - Editorial<\/span><\/i><\/a>\nJ. A. Rojas Joo \/ Jennifer Rathbun - Selecci\u00f3n de poemas<\/span><\/i><\/a>\nAmrai Coen - No volver nunca m\u00e1s<\/span><\/i><\/a>\nRalf Modlich - Poblaciones fronterizas y cruces de l\u00edmites<\/span><\/i><\/a>\nSalvador C. Fern\u00e1ndez - Violencia e identidad fronteriza <\/span><\/i><\/a>\nJuan Armando Rojas Joo - G\u00e9nero e identidad<\/span><\/i><\/a>\nAna Gabriela Hern\u00e1ndez Gonz\u00e1lez - (Re)memoraci\u00f3n de las v\u00edctimas<\/span><\/i><\/a>\nAndrea Gremels - Transculturalidad y borderolog\u00eda<\/em><\/span><\/i><\/a>\nLizette Jacinto - Feminizaci\u00f3n de la transmigraci\u00f3n<\/span><\/i><\/a>\nSayak Valencia - Capitalismo Gore<\/span><\/i><\/a>\nRese\u00f1as<\/span><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ enable_gradient=”true” color_overlay=”#252525″ gradient_direction=”left_to_right” overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Transculturalidad y…<\/p>\n","protected":false},"author":2,"featured_media":13203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,685],"tags":[693,420],"class_list":["post-3453","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-ix-us-mexican-border-ii","tag-chicano","tag-migracion"],"yoast_head":"\nTransculturalidad y borderolog\u00eda - iMex Revista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/transculturalidad-y-borderologia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Transculturalidad y borderolog\u00eda - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=”full_width_background” bg_image=”31″ bg_position=”left top” bg_repeat=”no-repeat” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”0″ bottom_padding=”30″ enable_gradient=”true” color_overlay=”#252525″ gradient_direction=”left_to_right” overlay_strength=”1″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ width=”1\/1″][divider line_type=”No Line” custom_height=”30″][vc_column_text] Transculturalidad y...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/transculturalidad-y-borderologia\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-17T16:08:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-01T11:09:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/edicion-9.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"iMex Revista\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"iMex Revista\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/transculturalidad-y-borderologia\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/transculturalidad-y-borderologia\\\/\"},\"author\":{\"name\":\"iMex Revista\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/b06ca09ee30633a9bca5919aad53cd1f\"},\"headline\":\"Transculturalidad y borderolog\u00eda\",\"datePublished\":\"2016-03-17T16:08:41+00:00\",\"dateModified\":\"2021-06-01T11:09:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/transculturalidad-y-borderologia\\\/\"},\"wordCount\":1214,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/transculturalidad-y-borderologia\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/edicion-9.webp\",\"keywords\":[\"chicano\",\"migraci\u00f3n\"],\"articleSection\":[\"Issues\",\"IX. 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