{"id":3451,"date":"2016-03-17T17:07:27","date_gmt":"2016-03-17T16:07:27","guid":{"rendered":"http:\/\/p440994.mittwaldserver.info\/en\/?p=3451"},"modified":"2021-06-01T12:09:34","modified_gmt":"2021-06-01T11:09:34","slug":"ix-resenas","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/ix-resenas\/","title":{"rendered":"IX. Rese\u00f1as"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; enable_gradient=&#8221;true&#8221; color_overlay=&#8221;#252525&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/iMex_9_Frontera-Norte-II.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/10_Rese\u00f1as.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Rese\u00f1as<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3 style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Frauke_Gewecke.jpg\" rel=\"attachment wp-att-3317\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3317 size-full\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Frauke_Gewecke-e1458138619842.jpg\" alt=\"Frauke_Gewecke\" width=\"180\" height=\"262\" \/><\/a>Jenny Augustin<br \/>\n<\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><span lang=\"ES-PR\">Frauke Gewecke <\/span>(2013): <i>De islas, puentes y fronteras. Estudios sobre las literaturas del Caribe, de la Frontera Norte de M\u00e9xico y de los latinos en EE.UU.<\/i> Ed. por Andrea Pagni. Madrid \/ Frankfurt am Main: Iberoamericana \/ Vervuert, 470 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Amit_Thakkar-e1458139010108.jpg\" rel=\"attachment wp-att-2515\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3319 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Amit_Thakkar-e1458139010108.jpg\" alt=\"\" width=\"180\" height=\"274\" \/><\/a>Friedhelm Schmidt-Welle<\/strong><\/span><\/h3>\n<p><span style=\"color: #b0b0b0;\"><span lang=\"ES-PR\">Amit Thakkar <\/span>(2012): <i>The Fiction of Juan Rulfo. Irony, Revolution and Postcolonialism<\/i>. Woodbridge\/Rochester (NY): Tamesis, 181 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Eduardo_Tasis_Moratinos-e1458139170105.jpg\" rel=\"attachment wp-att-2516\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3320 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Eduardo_Tasis_Moratinos-e1458139170105.jpg\" alt=\"\" width=\"180\" height=\"270\" \/><\/a>Meryem \u0130\u00e7in<\/strong><\/span><\/h3>\n<p><span style=\"color: #b0b0b0;\"><span lang=\"ES-PR\">Eduardo Tasis Moratinos<\/span> (2014): <i>El exilio en la poes\u00eda de Tom\u00e1s Segovia y Angelina Mu\u00f1iz Huberman<\/i>. Oxford et al.: Peter Lang, 224 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][vc_column_text]\n<h3><span style=\"color: #b0b0b0;\"><strong><a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Verena_Dolle-e1458139304434.jpg\" rel=\"attachment wp-att-2516\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3318 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Verena_Dolle-e1458139304434.jpg\" alt=\"\" width=\"180\" height=\"272\" \/><\/a>Zaida Godoy Navarro<\/strong><\/span><\/h3>\n<p><span style=\"color: #b0b0b0;\"><span lang=\"ES-PR\">Verena Dolle<\/span> (ed.) (2014): <i>La representaci\u00f3n de la Conquista en el teatro latinoamericano de los siglos XX y XXI<\/i>. Hildesheim \/ Z\u00fcrich \/ New York: Olms, 370 p\u00e1ginas.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">[divider line_type=&#8221;No Line&#8221; custom_height=&#8221;150&#8243;]<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221;][tab title=&#8221;iMex N\u00b08&#8243; tab_id=&#8221;1456520683702-4&#8243; id=&#8221;1458138082028-2&#8243;][vc_column_text]\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/editorial8\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Lizette Jacinto \/ Frank Leinen - Editorial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/estimulo8\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Ana Mar\u00eda Aragon\u00e9s Casta\u00f1eres - Est\u00edmulo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/mujer-migrante-en-cuentos\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Arteaga Mart\u00ednez - Mujer migrante en cuentos mexicanos<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/tijuana-crimen-y-olvido\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Christian Sperling - <em>Tijuana: crimen y olvido<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/dispositivos-poeticos\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mariana Aguirre - Dispositivos Po\u00e9ticos<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/los-migrantes-irregulares\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>S. P. Izcara Palacios \/ K. L. Andrade Rubio - Los migrantes irregulares<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/el-fantasma-de-la-frontera\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Martin Baxmeyer - El fantasma de la frontera<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/elite-discourse\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Richard Mora \/ Mary Christianakis - Elite Discourse<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/perra-brava\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Elizabeth S\u00e1nchez Garay - <em>Perra brava<\/em> de Orfa Alarc\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/reterritorializacion-de-la-frontera-norte\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Sabine Pfleger \/ Joselin Barja Coria - Reterritorializaci\u00f3n de la frontera norte<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/resenas8\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Rese\u00f1as<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;no-repeat&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; enable_gradient=&#8221;true&#8221; color_overlay=&#8221;#252525&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][vc_column_text] [\/vc_column_text][vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text] Rese\u00f1as [\/vc_column_text][divider&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,685],"tags":[688,691],"class_list":["post-3451","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-ix-us-mexican-border-ii","tag-friedhelm-schmidt-welle","tag-zaida-godoy-navarro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IX. 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