{"id":16200,"date":"2025-07-23T12:06:46","date_gmt":"2025-07-23T11:06:46","guid":{"rendered":"https:\/\/www.imex-revista.com\/articulos-imex-5-el-mar-bajo-la-tierra\/"},"modified":"2025-07-23T12:06:46","modified_gmt":"2025-07-23T11:06:46","slug":"articulos-imex-5-el-mar-bajo-la-tierra","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/articulos-imex-5-el-mar-bajo-la-tierra\/","title":{"rendered":"Daniela Barquero Matamoros \/ Jose Pablo Valerio Arce | Los grandes relatos en El mar bajo la tierra"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; 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column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_RMVA_Grandes-relatos_iMex-Articulos_5.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\"><br \/>\nLos grandes relatos y la subjetividad posmoderna en <em>El mar bajo la tierra<\/em> (1967), de Juan Tovar<br \/>\n(pp. 1-18; DOI: 10.5281\/zenodo.14566476)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F1_RMVA_Grandes-relatos_iMex-Articulos_5.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_RMVA_Grandes-relatos_iMex-Articulos_5.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15831 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Daniela-Barquero-Matamoros-252x300.jpg\" alt=\"\" width=\"252\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Daniela-Barquero-Matamoros-252x300.jpg 252w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Daniela-Barquero-Matamoros.jpg 630w\" sizes=\"auto, (max-width: 252px) 100vw, 252px\" \/>Daniela Barquero Matamoros<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Bachiller en Literatura y Ling\u00fc\u00edstica con \u00e9nfasis en Espa\u00f1ol por la Universidad Nacional, Heredia, Costa Rica. Actualmente, estudiante de la Licenciatura en Literatura y Ling\u00fc\u00edstica, as\u00ed como de la Maestr\u00eda en Estudios de Cultura Centroamericana con \u00e9nfasis en Literatura, ambas en curso en la ya citada casa de estudios. Investigadora independiente, sus l\u00edneas de investigaci\u00f3n son la literatura centroamericana e hispanoamericana en general. Sus principales publicaciones son los art\u00edculos &#8220;Polifon\u00eda de lo inhumano: <em>Delirio<\/em>, de Laura Restrepo&#8221; (revista <em>LETRAS<\/em>, 2021) y &#8220;El sujeto femenino en el relato modernista salvadore\u00f1o: lectura de su construcci\u00f3n e implicaciones culturales&#8221; (revista Yul\u00f6k, 2021).<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15833 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jose-Pablo-Valerio-Arce-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jose-Pablo-Valerio-Arce-255x300.jpg 255w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Jose-Pablo-Valerio-Arce.jpg 591w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/>Jose Pablo Valerio Arce<\/span><\/strong><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Bachiller en Literatura y Ling\u00fc\u00edstica con \u00e9nfasis en Espa\u00f1ol, bachiller en Ense\u00f1anza del Espa\u00f1ol y Magister Litterarum en Estudios de Cultura Centroamericana con \u00e9nfasis en Literatura, todos por la Universidad Nacional, Heredia, Costa Rica. Actualmente, estudiante de la Licenciatura en Literatura y Ling\u00fc\u00edstica, en curso en la ya citada casa de estudios. Investigador independiente, sus l\u00edneas de investigaci\u00f3n son la literatura centroamericana e hispanoamericana en general. Sus principales publicaciones son los art\u00edculos &#8220;Polifon\u00eda de lo inhumano: Delirio, de Laura Restrepo&#8221; (revista LETRAS, Universidad Nacional, Costa Rica, 2021), &#8220;El sujeto femenino en el relato modernista salvadore\u00f1o: lectura de su construcci\u00f3n e implicaciones culturales&#8221; (revista Yul\u00f6k, Universidad T\u00e9cnica Nacional, Costa Rica, 2021), &#8220;La integraci\u00f3n cultural del Istmo: Editorial Universitaria Centroamericana (EDUCA)&#8221; (revista Istmo, 2021), &#8220;Reelaboraciones metaficcionales en la poes\u00eda contempor\u00e1nea centroamericana&#8221; (Revista Lengua y Literatura, Universidad Nacional Aut\u00f3noma de Nicaragua, 2024) e &#8220;Indigno de ser humano: cr\u00f3nica de John Roach en Nicaragua&#8221; (revista Moenia, Universidade de Santiago de Compostela, Espa\u00f1a, 2024).<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1753346851345-4&#8243; tab_id=&#8221;1753346851345-6&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This paper proposes the analysis of the novel <em>El mar bajo la tierra<\/em> (1967) by Juan Tovar, a text omitted from the Hispano-American and even the Mexican canon. The study is based on the definition of the subject shown in the narrative and on the relationship it has with the metanarratives in the text, thanks to the examination of its representation, as well as the scrutiny of the decline of metanarratives in the diegesis, through a semiotic approach. The results propose an ideologically fragmented postmodern subject, fed up with his reality, non-believer or confessor of non-traditional religiosity, creator of his own questionable ethics, disenchanted, nihilistic and even an orphan socially speaking. In addition, the fall of the great stories of the family and marriage as social institutions, of the Christian religion, of education and science, as well as of progress and Marxism, all delegitimized throughout the plot, is appreciated.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1753346851351-5&#8243; tab_id=&#8221;1753346851352-3&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Se propone el an\u00e1lisis de la novela <em>El mar bajo la tierra<\/em> (1967) de Juan Tovar, texto omitido del canon hispanoamericano e incluso del mexicano. El estudio se basa en la definici\u00f3n del sujeto mostrado en la narraci\u00f3n y en la relaci\u00f3n que posee con los metarrelatos en el texto, esto gracias al examen de su representaci\u00f3n, as\u00ed como del escrutinio del declive de las metanarrativas en la di\u00e9gesis, mediante un abordaje semi\u00f3tico. Los resultados proponen un sujeto posmoderno fragmentado ideol\u00f3gicamente, hastiado de su realidad, no creyente o confesor de religiosidades no tradicionales, creador de \u00e9ticas propias cuestionables, desencantado, nihilista e incluso hu\u00e9rfano socialmente hablando. Adem\u00e1s, se aprecia la ca\u00edda de los grandes relatos de la familia y el matrimonio como instituciones sociales, de la religi\u00f3n cristiana, de la educaci\u00f3n y la ciencia, as\u00ed como del progreso y del marxismo, todos deslegitimados a lo largo de la trama.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;2025 Art\u00edculos iMex vol. 5&#8243; id=&#8221;1753346851358-8&#8243; tab_id=&#8221;1753346851358-0&#8243;][vc_column_text text_direction=&#8221;default&#8221;]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/articulos-imex-5-el-mar-bajo-la-tierra\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Daniela Barquero Matamoros \/ Jose Pablo Valerio Arce | Los grandes relatos y la subjetividad posmoderna en El mar bajo la tierra<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":13091,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1995],"tags":[],"class_list":["post-16200","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos-imex-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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