{"id":16194,"date":"2025-11-20T11:42:37","date_gmt":"2025-11-20T10:42:37","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxviii-neo-nagualismo-grafico\/"},"modified":"2025-11-20T11:42:37","modified_gmt":"2025-11-20T10:42:37","slug":"xxviii-neo-nagualismo-grafico","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/","title":{"rendered":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Ausgabe-XXVIII_Final-2.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/05_Neo-Nagualismo_Gomez-Gutierrez-1.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][\/vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Neo-nagualismo gr\u00e1fico: arquetipos de resistencia interespecie, decolonial y ecocr\u00edtica en c\u00f3mics mexicanos contempor\u00e1neos<br \/>\n(pp. 102-124; DOI: 10.23692\/iMex.28.6)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F05_Neo-Nagualismo_Gomez-Gutierrez-1.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/05_Neo-Nagualismo_Gomez-Gutierrez-1.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Felipe G\u00f3mez Guti\u00e9rrez <\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15924 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Gomez-Gutierrez_foto-scaled-e1763636931197-229x300.webp\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Gomez-Gutierrez_foto-scaled-e1763636931197-229x300.webp 229w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Gomez-Gutierrez_foto-scaled-e1763636931197.webp 623w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Felipe G\u00f3mez Guti\u00e9rrez es profesor de Estudios Hisp\u00e1nicos en Carnegie Mellon University (Pittsburgh, PA, EE. UU.), donde coordina el programa de pregrado y dirige el Latin American Comics Archive (LACA). Sus investigaciones se centran en productos culturales latinoamericanos del siglo XX y XXI, con \u00e9nfasis en el c\u00f3mic, los estudios culturales, y las pedagog\u00edas cr\u00edticas. Se especializa en narrativas visuales, estrategias de ense\u00f1anza centradas en la creatividad y la justicia social, y ha publicado ampliamente sobre c\u00f3mics, cine y literatura, memoria y resistencias anticoloniales. Actualmente investiga representaciones de brujer\u00eda, nahualismo y ecolog\u00edas alternativas en la narrativa gr\u00e1fica latinoamericana contempor\u00e1nea.<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n[\/vc_column_text][divider line_type=&#8221;Full Width Line&#8221; line_thickness=&#8221;3&#8243; divider_color=&#8221;extra-color-2&#8243; custom_height=&#8221;80&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1770658965702-9&#8243; tab_id=&#8221;1770658965703-0&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]<span style=\"color: #999999;\">This article examines the representation of nagualism in Mexican comics through an interdisciplinary lens that brings together colonial history, gender studies, comics theory, and ecocriticism. It explores how these figures \u2014once demonized in colonial archives\u2014 are resignified as emblems of anticolonial, feminist, and ecological resistance. The study contrasts the pre-Hispanic vision and its colonial-era stigmatization with contemporary interpretations by Edgar Cl\u00e9ment and In\u00e9s Estrada. It argues that naguales and nagualas, historically linked to boundary-transgression and interspecies communion, emerge in these works as agents of transformation and social critique. Through cultural hybridity, they merge visual resources from Amerindian and Western traditions to challenge power structures and explore new forms of female and communal agency. By analyzing <em>Operaci\u00f3n Bol\u00edvar, Los perros salvajes<\/em>, and various fanzines by Cl\u00e9ment, as well as Impatience and <em>Alienation<\/em> by Estrada, the study investigates intersections among the human, the animal, the environmental, and the technological. The article concludes that this re-signification goes beyond cultural critique: it proposes visions of more sustainable and just futures, enriching interdisciplinary dialogue on historical memory, ecology, and feminism in contemporary, dynamic, and vibrant graphic narratives.<\/span>[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1770658965761-2&#8243; tab_id=&#8221;1770658965761-2&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]<span style=\"color: #999999;\">Este art\u00edculo analiza la representaci\u00f3n del nagualismo en el c\u00f3mic mexicano desde un enfoque interdisciplinario que articula historia colonial, estudios de g\u00e9nero, teor\u00eda del c\u00f3mic y ecocr\u00edtica. Investiga c\u00f3mo estas figuras, demonizadas en archivos coloniales, son resignificadas hoy como emblemas de resistencia anticolonial, feminista y ecol\u00f3gica. El estudio contrasta la visi\u00f3n prehisp\u00e1nica y su estigmatizaci\u00f3n durante la colonia con las lecturas contempor\u00e1neas de Edgar Cl\u00e9ment e In\u00e9s Estrada. Plantea que naguales y nagualas, asociados hist\u00f3ricamente con la transgresi\u00f3n de l\u00edmites y la comuni\u00f3n interespecies, emergen en estas obras como agentes de transformaci\u00f3n y cr\u00edtica social. A trav\u00e9s de la hibridez cultural, combinan recursos visuales de tradiciones amerindias y occidentales para cuestionar estructuras de poder y explorar nuevas formas de agencia femenina y comunitaria. Mediante el an\u00e1lisis de Operaci\u00f3n Bol\u00edvar, Los perros salvajes y varios fanzines de Cl\u00e9ment, as\u00ed como Impatience y Alienation de Estrada, se exploran las intersecciones entre lo humano, lo animal, lo ambiental y lo tecnol\u00f3gico. El art\u00edculo concluye que la resignificaci\u00f3n de estas figuras va m\u00e1s all\u00e1 de la cr\u00edtica cultural: propone visiones de futuros m\u00e1s sostenibles y justos, enriqueciendo el di\u00e1logo interdisciplinario sobre memoria hist\u00f3rica, ecolog\u00eda y feminismo en la narrativa gr\u00e1fica contempor\u00e1nea.<\/span>[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b028 | La Historieta en M\u00e9xico &#8211; Perspectivas interdisciplinares&#8221; id=&#8221;1770658965813-3&#8243; tab_id=&#8221;1770658965813-8&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Introducci\u00f3n<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-introduccion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Laura Nallely Hern\u00e1ndez Nieto \/ Jasmin Wrobel \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Art\u00edculos <\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-interpretaciones-del-68-en-la-historieta-el-ultimo-tramo-del-siglo-xx-en-mexico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. E. R. Espinosa Lucas \u2013 Interpretaciones del 68 en la historieta <em>El \u00faltimo tramo del siglo XX en M\u00e9xico<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-la-pervivencia-de-la-memoria-en-la-historieta\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Sarahi I. Castelli Olvera \u2013 La pervivencia de la memoria en la historieta mexicana: <em>El Trayecto<\/em> (2021)<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-appropriating-the-colonial-icon-befs-uncle-bill\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Mar\u00eda Porras S\u00e1nchez \u2013 Appropriating the (Colonial) Icon: BEF's <em>Uncle Bill<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-el-espacio-distopico-y-la-resistencia-en-ecatepunk-de-joshua-hernandez\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Alfredo Guzm\u00e1n Tinajero \u2013 El espacio dist\u00f3pico y la resistencia en <em>Ecatepunk<\/em> <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-neo-nagualismo-grafico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #b0b0b0;\"><strong>Entrevistas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-entrevista-a-jose-luis-pescador\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Ignacio Ballester Pardo \u2013 Entrevista a Jos\u00e9 Luis Pescador<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-entrevista-a-idalia-candelas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Laura Nallely Hern\u00e1ndez Nieto \u2013 Entrevista a Idalia Candelas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":16021,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2540],"tags":[],"class_list":["post-16194","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xviii-la-historieta-en-mexico"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-20T10:42:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Gomez-Gutierrez_foto-scaled-e1763636931197-229x300.webp\" \/>\n<meta name=\"author\" content=\"Emiliano Garcilazo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Emiliano Garcilazo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/\"},\"author\":{\"name\":\"Emiliano Garcilazo\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\"},\"headline\":\"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico\",\"datePublished\":\"2025-11-20T10:42:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/\"},\"wordCount\":1480,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Imagen-Idalia-Candelas.webp\",\"articleSection\":[\"Issues\",\"XXVIII. La Historieta en M\u00e9xico\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/\",\"name\":\"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Imagen-Idalia-Candelas.webp\",\"datePublished\":\"2025-11-20T10:42:37+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Imagen-Idalia-Candelas.webp\",\"contentUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Imagen-Idalia-Candelas.webp\",\"width\":900,\"height\":1200},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxviii-neo-nagualismo-grafico\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/imex\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/\",\"name\":\"iMex Revista\",\"description\":\"iMex Revista\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.imex-revista.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\",\"name\":\"Emiliano Garcilazo\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/author\\\/emiliano\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/","og_locale":"en_US","og_type":"article","og_title":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista","og_description":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;...","og_url":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/","og_site_name":"iMex Revista","article_published_time":"2025-11-20T10:42:37+00:00","og_image":[{"url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Gomez-Gutierrez_foto-scaled-e1763636931197-229x300.webp","type":"","width":"","height":""}],"author":"Emiliano Garcilazo","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Emiliano Garcilazo","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#article","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/"},"author":{"name":"Emiliano Garcilazo","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8"},"headline":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico","datePublished":"2025-11-20T10:42:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/"},"wordCount":1480,"image":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Imagen-Idalia-Candelas.webp","articleSection":["Issues","XXVIII. La Historieta en M\u00e9xico"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/","url":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/","name":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico - iMex Revista","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#primaryimage"},"image":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Imagen-Idalia-Candelas.webp","datePublished":"2025-11-20T10:42:37+00:00","author":{"@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8"},"breadcrumb":{"@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#primaryimage","url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Imagen-Idalia-Candelas.webp","contentUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Imagen-Idalia-Candelas.webp","width":900,"height":1200},{"@type":"BreadcrumbList","@id":"https:\/\/www.imex-revista.com\/en\/xxviii-neo-nagualismo-grafico\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.imex-revista.com\/en\/imex\/"},{"@type":"ListItem","position":2,"name":"XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico"}]},{"@type":"WebSite","@id":"https:\/\/www.imex-revista.com\/#website","url":"https:\/\/www.imex-revista.com\/","name":"iMex Revista","description":"iMex Revista","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.imex-revista.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8","name":"Emiliano Garcilazo","url":"https:\/\/www.imex-revista.com\/en\/author\/emiliano\/"}]}},"_links":{"self":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/16194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/comments?post=16194"}],"version-history":[{"count":0,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/16194\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media\/16021"}],"wp:attachment":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media?parent=16194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/categories?post=16194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/tags?post=16194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}