{"id":16189,"date":"2025-11-20T11:47:02","date_gmt":"2025-11-20T10:47:02","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxviii-introduccion\/"},"modified":"2025-11-20T11:47:02","modified_gmt":"2025-11-20T10:47:02","slug":"xxviii-introduccion","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxviii-introduccion\/","title":{"rendered":"XXVIII. Laura Nallely Hern\u00e1ndez Nieto \/ Jasmin Wrobel \u2013 Introducci\u00f3n"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Ausgabe-XXVIII_Final-2.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/00_Introduccion_Nieto-Wrobel.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][\/vc_row_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Introducci\u00f3n<br \/>\n(pp. 8-13; DOI: 10.23692\/iMex.28.1)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F00_Introduccion_Nieto-Wrobel.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/00_Introduccion_Nieto-Wrobel.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Laura Nallely Hern\u00e1ndez Nieto <\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15920 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322-267x300.webp\" alt=\"\" width=\"267\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322-267x300.webp 267w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322-913x1024.webp 913w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322-1370x1536.webp 1370w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322-1826x2048.webp 1826w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Laura-Nallely-Hernandez-Nieto-scaled-e1763636617322.webp 1860w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Laura Nallely Hern\u00e1ndez Nieto es especialista en historieta mexicana. Es doctora en Historia del Arte por la Universidad Nacional Aut\u00f3noma de M\u00e9xico. Se ha desempe\u00f1ado como curadora de exposiciones como &#8220;El arte de Rarotonga&#8221;, presentada en 2023 en el Museo de la Ciudad de M\u00e9xico y, en 2024, de &#8220;\u00a1P\u00e1sele, p\u00e1sele! Y \u00e9chele un vistazo a la historieta mexicana&#8221;, muestra exhibida en el Sal\u00f3n del C\u00f3mic de Valencia, en Espa\u00f1a. Es integrante de la Red Investigadora de Narrativa Gr\u00e1fica en Latinoam\u00e9rica (RING). Fue chair del Comic Art Working Group de la International Association for Media and Communication Research (IAMCR) por el periodo 2021-2025. Actualmente es docente de la licenciatura en Comunicaci\u00f3n Social de la Universidad Aut\u00f3noma Metropolitana, Unidad Xochimilco (UAM-X).<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n[\/vc_column_text][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Jasmin Wrobel<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15918 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Retrato_Jasmin-scaled-e1763636554161-258x300.webp\" alt=\"\" width=\"258\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Retrato_Jasmin-scaled-e1763636554161-258x300.webp 258w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Retrato_Jasmin-scaled-e1763636554161-880x1024.webp 880w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Retrato_Jasmin-scaled-e1763636554161.webp 1250w\" sizes=\"auto, (max-width: 258px) 100vw, 258px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Es profesora asistente (Juniorprofessorin) de estudios culturales latinoamericanos en la Ruhr-Universit\u00e4t Bochum. Doctora en estudios latinoamericanos por la Freie Universit\u00e4t Berlin, fue investigadora posdoctoral en el Cl\u00faster de Excelencia Temporal Communities: Doing Literature in a Global Perspective en la misma universidad entre 2019 y 2022, y becaria posdoctoral Marie Curie en la Universidad de Manchester de 2022 a 2023. Actualmente trabaja en una monograf\u00eda sobre agencias antipatriarcales en las historietas latinoamericanas.<br \/>\nSu investigaci\u00f3n se centra en el relato gr\u00e1fico en Am\u00e9rica Latina, el feminismo y las formas de resistencia est\u00e9tica, as\u00ed como en los discursos de la memoria abordados desde la literatura y los medios visuales. Le interesan tambi\u00e9n las perspectivas interamericanas, en particular los di\u00e1logos afro(latino)americanos, los movimientos de resistencia negra, la literatura Latinx y las relaciones literarias Sur-Sur. Otros de sus campos de estudio incluyen la poes\u00eda concreta, experimental y visual, el neobarroco y las conexiones entre literatura y cosmograf\u00eda.<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n[\/vc_column_text][divider line_type=&#8221;Full Width Line&#8221; line_thickness=&#8221;3&#8243; divider_color=&#8221;extra-color-2&#8243; custom_height=&#8221;80&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b028 | La Historieta en M\u00e9xico &#8211; Perspectivas interdisciplinares&#8221; id=&#8221;1770667265423-4&#8243; tab_id=&#8221;1770667265424-8&#8243;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Introducci\u00f3n<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-introduccion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Laura Nallely Hern\u00e1ndez Nieto \/ Jasmin Wrobel \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Art\u00edculos <\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-interpretaciones-del-68-en-la-historieta-el-ultimo-tramo-del-siglo-xx-en-mexico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. E. R. Espinosa Lucas \u2013 Interpretaciones del 68 en la historieta <em>El \u00faltimo tramo del siglo XX en M\u00e9xico<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-la-pervivencia-de-la-memoria-en-la-historieta\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Sarahi I. Castelli Olvera \u2013 La pervivencia de la memoria en la historieta mexicana: <em>El Trayecto<\/em> (2021)<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-appropriating-the-colonial-icon-befs-uncle-bill\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Mar\u00eda Porras S\u00e1nchez \u2013 Appropriating the (Colonial) Icon: BEF's <em>Uncle Bill<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-el-espacio-distopico-y-la-resistencia-en-ecatepunk-de-joshua-hernandez\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Alfredo Guzm\u00e1n Tinajero \u2013 El espacio dist\u00f3pico y la resistencia en <em>Ecatepunk<\/em> <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-neo-nagualismo-grafico\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Felipe G\u00f3mez Guti\u00e9rrez \u2013 Neo-nagualismo gr\u00e1fico<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p><span style=\"color: #b0b0b0;\"><strong>Entrevistas<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-entrevista-a-jose-luis-pescador\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Ignacio Ballester Pardo \u2013 Entrevista a Jos\u00e9 Luis Pescador<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxviii-entrevista-a-idalia-candelas\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXVIII. Laura Nallely Hern\u00e1ndez Nieto \u2013 Entrevista a Idalia Candelas<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":16021,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2540],"tags":[],"class_list":["post-16189","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xviii-la-historieta-en-mexico"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXVIII. 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