{"id":15664,"date":"2024-12-13T14:00:33","date_gmt":"2024-12-13T13:00:33","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade\/"},"modified":"2025-01-30T11:49:17","modified_gmt":"2025-01-30T10:49:17","slug":"xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade\/","title":{"rendered":"XXVI. La intuici\u00f3n en la poes\u00eda de Nadia Escalante Andrade &#8211; Mar\u00eda In\u00e9s Canto"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; 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column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/XXVI_Yucatan-desde-los-discursos-literarios.-Cultura-y-representacion.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/5_MIC_La-intuicion-en-la-poesia-de-Nadia-Escalante-Andrade-1.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">La intuici\u00f3n en la poes\u00eda de Nadia Escalante Andrade<br \/>\n(pp. 78-94; DOI: 10.23692\/iMex.26.6)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F5_MIC_La-intuicion-en-la-poesia-de-Nadia-Escalante-Andrade-1.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/5_MIC_La-intuicion-en-la-poesia-de-Nadia-Escalante-Andrade-1.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Mar\u00eda In\u00e9s Canto<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15542 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Maria-ines-canto-carrillo-201x300.webp\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Maria-ines-canto-carrillo-201x300.webp 201w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Maria-ines-canto-carrillo.webp 410w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Mar\u00eda In\u00e9s Canto (M\u00e9rida, Yucat\u00e1n, 1981) es profesora asistente de literatura y cultura mexicana en el Departamento de Lenguas, Literaturas y Culturas de Colorado State University. Se gradu\u00f3 del doctorado en Lenguas y Literaturas Hisp\u00e1nicas (2016) y de la maestr\u00eda en Literaturas Portuguesa y Brasile\u00f1a (2015) en la Universidad de California, Santa Barbara. Actualmente, investiga la producci\u00f3n contempor\u00e1nea de dos grupos de teatro que recuperan la historia pol\u00edtica e ind\u00edgena de las mujeres del estado de Yucat\u00e1n durante los siglos XIX y XX. <\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1736236114647-8&#8243; tab_id=&#8221;1736236114648-0&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Nadia Escalante Andrade (M\u00e9rida, Yucat\u00e1n 1982), the winner of the 2013 Ciudad de M\u00e9rida Intentional Poetry Prize, is a Yucatecan poet interested in the theater of the body, philosophy, photography, astrology, and botany. In this essay, I analyze the concept of intuition and the representation of space in her four collections of poems:<em> Adentro no se abre el silencio<\/em> (Tierra Adentro, 2010), <em>Octubre. Hay un cielo que baja y es el cielo<\/em> (Textofilia, 2013), <em>Sopa de tortuga falsa. Y otras historias<\/em> (Editorial Montea, 2019) and <em>La ra\u00edz negra de los astros<\/em>\u00a0(UNAM 2023), to show the relational dynamics between the terrestrial and extraterrestrial elements of his poetic production to open ethical, aesthetic, and metapoetic questions. <\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1736236114663-2&#8243; tab_id=&#8221;1736236114663-10&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Nadia Escalante Andrade (M\u00e9rida, Yucat\u00e1n 1982), ganadora del Premio Intencional de Poes\u00eda Ciudad de M\u00e9rida 2013, es una poeta yucateca interesada en el teatro del cuerpo, la filosof\u00eda, la fotograf\u00eda, la astrolog\u00eda y la bot\u00e1nica. En este ensayo analizo el concepto de la intuici\u00f3n y la representaci\u00f3n del espacio en sus cuatro poemarios: <em>Adentro no se abre el silencio<\/em> (Tierra Adentro, 2010), <em>Octubre. Hay un cielo que baja y es el cielo<\/em> (Textofilia, 2013), S<em>opa de tortuga falsa. Y otras historias<\/em> (Editorial Montea, 2019) y <em>La ra\u00edz negra de los astros<\/em>, (UNAM 2023), con el fin de mostrar la din\u00e1mica relacional entre los elementos terrestres y extraterrestres de su producci\u00f3n po\u00e9tica para abrir cuestionamientos de car\u00e1cter \u00e9tico, est\u00e9tico y metapo\u00e9tico<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b026 | Yucat\u00e1n desde los discursos literarios&#8221; id=&#8221;1736236114670-3&#8243; tab_id=&#8221;1736236114670-6&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Pr\u00f3logo<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-introduccion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Art\u00edculos <\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Vadillo Buenfil \u2013 Resonancias rom\u00e1nticas y modernistas en La cuna de piedra<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-peninsula-peninsula-metaficcion-historiografica-y-descolonizacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Kenia Aubry \u2013 Pen\u00ednsula, Pen\u00ednsula: metaficci\u00f3n historiogr\u00e1fica y descolonizaci\u00f3n <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-cuerpo-materialidad-y-objetos-de-la-memoria-en-la-poesia-de-irma-torregrosa\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>David Lor\u00eda Araujo \u2013 Cuerpo, materialidad y objetos de la memoria en la poes\u00eda de Irma Torregrosa<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-briceida-cuevas-cob-una-poetica-en-tension\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>A. Palma Castro \/ S. C. Leirana Alcocer \u2013 Briceida Cuevas Cob: una po\u00e9tica en tensi\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mar\u00eda In\u00e9s Canto - La intuici\u00f3n en la poes\u00eda de Nadia Escalante Andrade<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-prostitucion-en-la-mestiza-de-eligio-ancona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 La prostituci\u00f3n en <em>La mestiza<\/em> de Eligio Ancona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":15545,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[135,2516,2518],"tags":[],"class_list":["post-15664","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ediciones","category-xxvi-yucatan-desde-los-discursos-literarios","category-xxvi-yucatan-desde-los-discursos-literarios-issues"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXVI. 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