{"id":15662,"date":"2024-12-13T14:01:09","date_gmt":"2024-12-13T13:01:09","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxvi-briceida-cuevas-cob-una-poetica-en-tension\/"},"modified":"2025-01-30T11:48:58","modified_gmt":"2025-01-30T10:48:58","slug":"xxvi-briceida-cuevas-cob-una-poetica-en-tension","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxvi-briceida-cuevas-cob-una-poetica-en-tension\/","title":{"rendered":"XXVI. Briceida Cuevas Cob: una po\u00e9tica en tensi\u00f3n &#8211; A. Palma Castro \/ S. C. Leirana Alcocer"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/XXVI_Yucatan-desde-los-discursos-literarios.-Cultura-y-representacion.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_APC-SCLA_Cuevas-Cob-Poetica-en-tension.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Briceida Cuevas Cob: una po\u00e9tica en tensi\u00f3n<br \/>\n(pp. 60-94; DOI: 10.23692\/iMex.26.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_APC-SCLA_Cuevas-Cob-Poetica-en-tension.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_APC-SCLA_Cuevas-Cob-Poetica-en-tension.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Alejandro Palma Castro<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15550 alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Palma-Castro-286x300.webp\" alt=\"\" width=\"205\" height=\"215\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Palma-Castro-286x300.webp 286w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Palma-Castro.webp 355w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Profesor Investigador de la Licenciatura en Ling\u00fc\u00edstica y Literatura Hisp\u00e1nica y el Posgrado en Literatura Hispanoamericana de la Benem\u00e9rita Universidad Aut\u00f3noma de M\u00e9xico. Trabaja la poes\u00eda hispanoamericana del s. XX y la experimentaci\u00f3n po\u00e9tica as\u00ed como a la teor\u00eda y cr\u00edtica del discurso po\u00e9tico. Tambi\u00e9n se dedica a estudiar documentos de la literatura escrita en Puebla de los siglos XIX al XX, principalmente. Algunas de sus \u00faltimas publicaciones son: <em>Deconstrucci\u00f3n del espacio literario en Am\u00e9rica Latina 1996-2016<\/em> (\u00c9ditions des archives contemporaines, 2019), \u201cPoes\u00eda al margen 1970-2012. La diversidad po\u00e9tica\u201d en <em>Historia de las literaturas en M\u00e9xico. Siglos XIX y XX<\/em> (UNAM, 2019). Es responsable t\u00e9cnico del proyecto grupal financiado por CONAHYT, \u201cLa cr\u00edtica literaria transcultural como formaci\u00f3n de ciudadan\u00eda: ideas, teor\u00edas y pr\u00e1cticas culturales\u201d (CF2019\/ 137703). Actualmente dirige <em>Amoxcalli. Revista de teor\u00eda y cr\u00edtica de la literatura hispanoamericana<\/em>.<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Silvina Cristina Leirana Alcocer<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15548 alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Leirana-223x300.webp\" alt=\"\" width=\"190\" height=\"256\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Leirana-223x300.webp 223w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Leirana-762x1024.webp 762w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Leirana-1142x1536.webp 1142w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Leirana.webp 1149w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Profesora-investigadora de la Facultad de Ciencias Antropol\u00f3gicas de la UADY; responsable del Cuerpo Acad\u00e9mico \u201cEstudios Literarios\u201d y coordinadora acad\u00e9mica del Programa Institucional de Estudios del Pueblo y la Cultura Maya.<br \/>\nDesde 2008 dirige el proyecto de vinculaci\u00f3n<em> Visibilizaci\u00f3n de las Autoras Yucatecas<\/em>, del cual deriva su proyecto de investigaci\u00f3n Autoras de la intercultura literaria de la Pen\u00ednsula de Yucat\u00e1n.<br \/>\nHa sido coeditora, con Celia Esperanza Rosado Avil\u00e9s, de los libros <em>Interacci\u00f3n social en las representaciones literarias y culturales de Yucat\u00e1n y el Caribe<\/em> (UADY, 2011) y <em>M\u00faltiples voces diversos di\u00e1logos<\/em> (UADY\/UAC\/Arenas Blancas, 2017).<br \/>\nCon \u00d3scar Ortega, ha coeditado los libros <em>Memoria cultural, identidad y g\u00e9nero en las literaturas de Am\u00e9rica<\/em> (UADY, 2016) y <em>El goce est\u00e9tico en la nueva normalidad. Una aproximaci\u00f3n al an\u00e1lisis literario desde el confinamiento<\/em>, (Bogota: C\u00e1tedra Pedag\u00f3gica, 2022). En enero de 2024, en coautor\u00eda con Alejandro Palma Castro public\u00f3 \u201cBriceida Cuevas Cob, una cr\u00edtica transcultural a su poes\u00eda\u201d (<em>El Pez y la Flecha. Revista de Investigaciones Literarias<\/em>, Vol. 4, n\u00fam. 8: 53-75).<br \/>\n<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1734432853244-4&#8243; tab_id=&#8221;1734432853245-3&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">In this article we study the tension that exists in the poetry of Briceida Cuevas Cob from its status as \u201cindigenous literature\u201d. These tensions are manifested in language and culture from an otherness that has been created in order to deny the formation of speakers of native languages in Mexico, such as Mayan. From the analysis and interpretation of three poems from U<em> yok&#8217;ol auat pek&#8217; ti kuxtal pek&#8217; \/ El quejido del perro en su existencia<\/em> and the poem \u201cYaan a bin xook \/ Ir\u00e1s a la escuela\u201d we show diverse elements that propose in their reading a reconsideration of violence against dogs in street situations and against Mayan women. This case study allows us to demonstrate the diversity of approaches to current issues from a particular Mayan cosmovision that is in tension between a subject and his community as well as in the field of national policies of inclusion of the indigenous in the Mexican national panorama. We appeal to an approach based on transcultural criticism that allows a more situated reading of these poems and of much of the literature in native languages that is currently being written. <\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1734432853274-5&#8243; tab_id=&#8221;1734432853275-1&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">En este art\u00edculo estudiamos la tensi\u00f3n que existe en algunos poemas de Briceida Cuevas Cob a partir de su estatuto biling\u00fce maya-espa\u00f1ol. Estas tensiones manifiestas en lo ling\u00fc\u00edstico, aunque tambi\u00e9n en lo cultural, apelan al desarrollo de una cr\u00edtica transcultural capaz de mirar estas contradicciones como un reflejo de la situaci\u00f3n que las culturas ind\u00edgenas en M\u00e9xico guardan en la actualidad. A partir del trabajo de an\u00e1lisis e interpretaci\u00f3n de tres poemas de <em>U yok\u2019ol auat pek\u2019 ti kuxtal pek\u2019 \/ El quejido del perro en su existencia<\/em> y del poema \u201cYaan a bin xook \/ Ir\u00e1s a la escuela\u201d mostramos diversos elementos de tensi\u00f3n que proponen en su lectura una reconsideraci\u00f3n de la violencia de los perros en situaci\u00f3n de calle y de la mujer maya. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b026 | Yucat\u00e1n desde los discursos literarios&#8221; id=&#8221;1734432853303-2&#8243; tab_id=&#8221;1734432853304-3&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Pr\u00f3logo<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-introduccion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Art\u00edculos <\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Vadillo Buenfil \u2013 Resonancias rom\u00e1nticas y modernistas en La cuna de piedra<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-peninsula-peninsula-metaficcion-historiografica-y-descolonizacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Kenia Aubry \u2013 Pen\u00ednsula, Pen\u00ednsula: metaficci\u00f3n historiogr\u00e1fica y descolonizaci\u00f3n <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-cuerpo-materialidad-y-objetos-de-la-memoria-en-la-poesia-de-irma-torregrosa\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>David Lor\u00eda Araujo \u2013 Cuerpo, materialidad y objetos de la memoria en la poes\u00eda de Irma Torregrosa<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-briceida-cuevas-cob-una-poetica-en-tension\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>A. Palma Castro \/ S. C. Leirana Alcocer \u2013 Briceida Cuevas Cob: una po\u00e9tica en tensi\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mar\u00eda In\u00e9s Canto - La intuici\u00f3n en la poes\u00eda de Nadia Escalante Andrade<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-prostitucion-en-la-mestiza-de-eligio-ancona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 La prostituci\u00f3n en <em>La mestiza<\/em> de Eligio Ancona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":15545,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[135,2516,2518],"tags":[],"class_list":["post-15662","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ediciones","category-xxvi-yucatan-desde-los-discursos-literarios","category-xxvi-yucatan-desde-los-discursos-literarios-issues"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXVI. 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