{"id":15656,"date":"2024-12-13T14:04:51","date_gmt":"2024-12-13T13:04:51","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra\/"},"modified":"2025-01-30T11:47:51","modified_gmt":"2025-01-30T10:47:51","slug":"xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra\/","title":{"rendered":"XXVI. Resonancias rom\u00e1nticas y modernistas en La cuna de piedra &#8211; Carlos Vadillo Buenfil"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; 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column_border_style=&#8221;solid&#8221;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/XXVI_Yucatan-desde-los-discursos-literarios.-Cultura-y-representacion.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_CVB_La-cuna-de-piedra.pdf\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; text_align=&#8221;left&#8221; row_position=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; pointer_events=&#8221;all&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Resonancias rom\u00e1nticas y modernistas en <em>La cuna de piedra<\/em>, novela breve de Jos\u00e9 Felipe Castellot<br \/>\n(pp. 13-29; DOI: 10.23692\/iMex.26.2)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F1_CVB_La-cuna-de-piedra.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/1_CVB_La-cuna-de-piedra.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Carlos Vadillo Buenfil<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15536 alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Vadillo-Buenfil-230x300.webp\" alt=\"\" width=\"182\" height=\"237\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Vadillo-Buenfil-230x300.webp 230w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Vadillo-Buenfil.webp 549w\" sizes=\"auto, (max-width: 182px) 100vw, 182px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Maestro en Letras Espa\u00f1olas por la Universidad Nacional Aut\u00f3noma de M\u00e9xico y Doctor en Literaturas Hisp\u00e1nicas por la Universidad Aut\u00f3noma de Madrid.<br \/>\nProfesor Investigador de Tiempo Completo en la licenciatura en Literatura de la Facultad de Humanidades de la Universidad Aut\u00f3noma de Campeche. Desde 2019 es miembro del Sistema Nacional de Investigadores del CONAHCYT.<br \/>\nSus l\u00edneas de investigaci\u00f3n se centran en la narrativa espa\u00f1ola de los siglos XX-XXI y en la narrativa del sureste mexicano.<\/span><\/p>\n<p>&nbsp;<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; tab_change_animation=&#8221;fade&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221; vs_content_animation=&#8221;fade&#8221; vs_link_animation=&#8221;opacity&#8221; vs_navigation_alignment=&#8221;left&#8221; vs_navigation_width_2=&#8221;25%&#8221; vs_navigation_func=&#8221;default&#8221; vs_navigation_width=&#8221;regular&#8221; vs_navigation_spacing=&#8221;15px&#8221; vs_navigation_mobile_display=&#8221;visible&#8221; vs_tab_spacing=&#8221;5%&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1734432382323-2&#8243; tab_id=&#8221;1734432382325-10&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><em>La cuna de piedra<\/em> (1903), by Jos\u00e9 Felipe Castellot, was the first novel published in the State of Campeche, and is the only narrative made known by its author, recognized more as a poet and playwright. This article analyzes the plot, character configuration, heterodiegetic voice disengagements and lyrical construction deployed in the short novel La cuna de piedra.<br \/>\nOur objective is to highlight the artistic and ideological presuppositions of a late Latin American romanticism interwoven with modernist elements in the aforementioned story: a story set in the pre-Hispanic Mayan civilization, that is, a temporality remote from the author&#8217;s present; a population without free will, subjugated by a tyrant ruler; a sentimental relationship spoiled by the extinction of the protagonists; idealization of the values practiced by the heroic Mayan couple; lyrical exaltation of the tropical jungle, as well as the introduction of a lilting and precious language attached to sensory perceptions.<br \/>\n<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1734432382373-7&#8243; tab_id=&#8221;1734432382374-7&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\"><em>La cuna de piedra<\/em> (1903), de Jos\u00e9 Felipe Castellot, fue la primera novela publicada en el Estado de Campeche, y es la \u00fanica narraci\u00f3n dada a conocer por su autor, reconocido m\u00e1s como poeta y dramaturgo.<br \/>\nEste art\u00edculo analiza la trama, la configuraci\u00f3n de los personajes, los desembragues de la voz heterodieg\u00e9tica y la construcci\u00f3n l\u00edrica desplegados en la novela corta La cuna de piedra. Nuestro objetivo es destacar los presupuestos art\u00edsticos e ideol\u00f3gicos de un tard\u00edo romanticismo latinoamericano entreverado a elementos modernistas volcados en el relato citado: historia ambientada en la civilizaci\u00f3n maya prehisp\u00e1nica, es decir, una temporalidad remota al presente del autor; una poblaci\u00f3n sin libre albedr\u00edo, sojuzgada por un gobernante tirano; una relaci\u00f3n sentimental malograda por la extinci\u00f3n de los protagonistas; idealizaci\u00f3n de los valores practicados por la heroica pareja maya; exaltaci\u00f3n l\u00edrica de la selva tropical, as\u00ed como la introducci\u00f3n de un lenguaje cadencioso y preciosista apegado a las percepciones sensoriales.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b026 | Yucat\u00e1n desde los discursos literarios&#8221; id=&#8221;1734432382412-1&#8243; tab_id=&#8221;1734432382413-7&#8243;][vc_column_text text_direction=&#8221;default&#8221;]\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Pr\u00f3logo<\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-introduccion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Art\u00edculos <\/strong><\/span><\/p>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-resonancias-romanticas-y-modernistas-en-la-cuna-de-piedra\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Carlos Vadillo Buenfil \u2013 Resonancias rom\u00e1nticas y modernistas en La cuna de piedra<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-peninsula-peninsula-metaficcion-historiografica-y-descolonizacion\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Kenia Aubry \u2013 Pen\u00ednsula, Pen\u00ednsula: metaficci\u00f3n historiogr\u00e1fica y descolonizaci\u00f3n <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-cuerpo-materialidad-y-objetos-de-la-memoria-en-la-poesia-de-irma-torregrosa\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>David Lor\u00eda Araujo \u2013 Cuerpo, materialidad y objetos de la memoria en la poes\u00eda de Irma Torregrosa<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-briceida-cuevas-cob-una-poetica-en-tension\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>A. Palma Castro \/ S. C. Leirana Alcocer \u2013 Briceida Cuevas Cob: una po\u00e9tica en tensi\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-intuicion-en-la-poesia-de-nadia-escalante-andrade\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Mar\u00eda In\u00e9s Canto - La intuici\u00f3n en la poes\u00eda de Nadia Escalante Andrade<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/xxvi-la-prostitucion-en-la-mestiza-de-eligio-ancona\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Alejandro Loeza Zald\u00edvar \u2013 La prostituci\u00f3n en <em>La mestiza<\/em> de Eligio Ancona<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; background_image_loading=&#8221;default&#8221; bg_repeat=&#8221;repeat&#8221; scene_position=&#8221;center&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;1&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":15545,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[135,2516,2518],"tags":[],"class_list":["post-15656","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ediciones","category-xxvi-yucatan-desde-los-discursos-literarios","category-xxvi-yucatan-desde-los-discursos-literarios-issues"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXVI. 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