{"id":12579,"date":"2022-06-24T09:35:36","date_gmt":"2022-06-24T08:35:36","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxii-narrating-urban-change\/"},"modified":"2022-08-24T12:00:43","modified_gmt":"2022-08-24T11:00:43","slug":"xxii-narrating-urban-change","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/","title":{"rendered":"XXII. M. Moreno Carranco &#8211; Narrating urban change"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/11940\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Narrating Change: urban transformations in the Roma-Condesa, Mexico City<br \/>\n(pp. 110-121; DOI: 10.23692\/iMex.22.9)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F11940%2F&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F11940%2F&#038;hl=en\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Mar\u00eda Moreno Carranco<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11932 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/M.M.Carranco-1-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/M.M.Carranco-1-221x300.jpg 221w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/M.M.Carranco-1.jpg 439w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Mar\u00eda Moreno Carranco holds a PhD in Architecture from UC Berkeley; she is a professor at the Department of Social Sciences at UAM-Cuajimalpa, where she teaches graduate and undergraduate courses in urban studies. Her recent publications include a coedited book called Spaces of Fear: bodies, walls, cities (2021) that was motivated by an interest in exploring the ways in which emotions and the materiality of the built environment intersect and transform each other. She also coauthored a book with sociologist Rocio Guadarrama called Mundos Habitados: espacios de arquitectura, dise\u00f1o y m\u00fasica (2020) which departs from established frameworks for studying the creative city, proposing a more situated analysis that considers urban history, the particularities of the place, and the role of everyday practices in urban life.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1532705295616-53d7d-8e03&#8243; tab_id=&#8221;1580125134478-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">This paper focuses on innovative ways of producing urban history. I seek to explore how places, objects, and environments are constructed subjectively and how this subjectivity is cut across by affective relations. Looking to advance the idea of Mexico City as a discrepant city to common frames of reference such as the global city or the megacity models. This work examines the correlation between the urban and material world and the affective dynamics produced by it. This is done by analyzing four spaces \u2013a park, an empty plot of land, an ice cream store, and a fashion boutique\u2013 in the Roma-Condesa area in Mexico City in connection to three affective relations: charm, fear, and melancholy.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1532705295639-33d7d-8e03&#8243; tab_id=&#8221;1580125134518-1&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas. Buscando avanzar la idea de la Ciudad de M\u00e9xico como ciudad discrepante a marcos de referencia comunes como son el de ciudad global o el de megaciudad. Este trabajo examina la correlaci\u00f3n entre el mundo urbano y el material y las din\u00e1micas afectivas que ambos producen. A partir del an\u00e1lisis de cuatro espacios \u2013un parque, un terreno bald\u00edo, una helader\u00eda y una boutique de moda\u2013 en la zona Roma-Condesa de la Ciudad de M\u00e9xico en conexi\u00f3n con tres relaciones afectivas: encanto, miedo y melancol\u00eda.[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b022 | La Ciudad de M\u00e9xico, Palimpsesto&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<span style=\"color: #b0b0b0;\"><strong>Introduction<\/strong><\/span><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-introduction\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. J. R. Ruis\u00e1nchez \/ M. Moreno Carranco \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-interview-with-palou\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Brian Price \u2013 Entrevista con Pedro \u00c1ngel Palou<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Articles <\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-cambio-de-tiempo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jorge P. Uribe Llamas \u2013 Cambio de tiempo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-avisos-del-diario-y-mensajes-de-whatsapp\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Colectivo Maltip\u00fa \u2013 Avisos del Diario de M\u00e9xico y mensajes de Whatsapp<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-postales-de-lo-infraordinario\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. V\u00edctor S\u00e1nchez Villareal \u2013 Postales de lo infraordinario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-los-cines-donde-vi-mi-cine\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Y. Rodr\u00edguez Gonz\u00e1lez \u2013 Los cines donde vi mi cine<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-gueros-y-museo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Georgina Cebey - <em>G\u00fceros<\/em> y <em>Museo<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-la-cdmx-en-los-anos-veinte\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII.  Y. Hadatty Mora \u2013 La Ciudad de M\u00e9xico en los a\u00f1os veinte<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. M. Moreno Carranco  \u2013 Narrating urban change<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-chapultepec\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jos\u00e9 R. Ruis\u00e1nchez  \u2013 Chapultepec<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":12117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2403],"tags":[2419,2390],"class_list":["post-12579","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xxii-la-ciudad-de-mexico-palimpsesto-en","tag-ciudad-de-mexico-en","tag-palimpsesto"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXII. M. Moreno Carranco - Narrating urban change - iMex Revista<\/title>\n<meta name=\"description\" content=\"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XXII. M. Moreno Carranco - Narrating urban change - iMex Revista\" \/>\n<meta property=\"og:description\" content=\"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/\" \/>\n<meta property=\"og:site_name\" content=\"iMex Revista\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-24T08:35:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-24T11:00:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2-1024x979.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"979\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Emiliano Garcilazo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Emiliano Garcilazo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/\"},\"author\":{\"name\":\"Emiliano Garcilazo\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\"},\"headline\":\"XXII. M. Moreno Carranco &#8211; Narrating urban change\",\"datePublished\":\"2022-06-24T08:35:36+00:00\",\"dateModified\":\"2022-08-24T11:00:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/\"},\"wordCount\":1103,\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Portada-imex-2.jpg\",\"keywords\":[\"Ciudad de M\u00e9xico\",\"Palimpsesto\"],\"articleSection\":[\"Issues\",\"XXII. La Ciudad de M\u00e9xico, Palimpsesto\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/\",\"name\":\"XXII. M. Moreno Carranco - Narrating urban change - iMex Revista\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Portada-imex-2.jpg\",\"datePublished\":\"2022-06-24T08:35:36+00:00\",\"dateModified\":\"2022-08-24T11:00:43+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\"},\"description\":\"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Portada-imex-2.jpg\",\"contentUrl\":\"https:\\\/\\\/www.imex-revista.com\\\/wp-content\\\/uploads\\\/Portada-imex-2.jpg\",\"width\":2048,\"height\":1958},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/xxii-narrating-urban-change\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/imex\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"XXII. M. Moreno Carranco &#8211; Narrating urban change\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#website\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/\",\"name\":\"iMex Revista\",\"description\":\"iMex Revista\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.imex-revista.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.imex-revista.com\\\/#\\\/schema\\\/person\\\/c3db84d6ab5222fa47482c22e63f1fd8\",\"name\":\"Emiliano Garcilazo\",\"url\":\"https:\\\/\\\/www.imex-revista.com\\\/en\\\/author\\\/emiliano\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"XXII. M. Moreno Carranco - Narrating urban change - iMex Revista","description":"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/","og_locale":"en_US","og_type":"article","og_title":"XXII. M. Moreno Carranco - Narrating urban change - iMex Revista","og_description":"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.","og_url":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/","og_site_name":"iMex Revista","article_published_time":"2022-06-24T08:35:36+00:00","article_modified_time":"2022-08-24T11:00:43+00:00","og_image":[{"width":1024,"height":979,"url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2-1024x979.jpg","type":"image\/jpeg"}],"author":"Emiliano Garcilazo","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Emiliano Garcilazo","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#article","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/"},"author":{"name":"Emiliano Garcilazo","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8"},"headline":"XXII. M. Moreno Carranco &#8211; Narrating urban change","datePublished":"2022-06-24T08:35:36+00:00","dateModified":"2022-08-24T11:00:43+00:00","mainEntityOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/"},"wordCount":1103,"image":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2.jpg","keywords":["Ciudad de M\u00e9xico","Palimpsesto"],"articleSection":["Issues","XXII. La Ciudad de M\u00e9xico, Palimpsesto"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/","url":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/","name":"XXII. M. Moreno Carranco - Narrating urban change - iMex Revista","isPartOf":{"@id":"https:\/\/www.imex-revista.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#primaryimage"},"image":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#primaryimage"},"thumbnailUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2.jpg","datePublished":"2022-06-24T08:35:36+00:00","dateModified":"2022-08-24T11:00:43+00:00","author":{"@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8"},"description":"Este art\u00edculo se centra en formas innovadoras de producir historia urbana. Trata de explorar c\u00f3mo los lugares, los objetos y los entornos se construyen subjetivamente y c\u00f3mo esta subjetividad es atravesada por relaciones afectivas.","breadcrumb":{"@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#primaryimage","url":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2.jpg","contentUrl":"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Portada-imex-2.jpg","width":2048,"height":1958},{"@type":"BreadcrumbList","@id":"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.imex-revista.com\/en\/imex\/"},{"@type":"ListItem","position":2,"name":"XXII. M. Moreno Carranco &#8211; Narrating urban change"}]},{"@type":"WebSite","@id":"https:\/\/www.imex-revista.com\/#website","url":"https:\/\/www.imex-revista.com\/","name":"iMex Revista","description":"iMex Revista","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.imex-revista.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.imex-revista.com\/#\/schema\/person\/c3db84d6ab5222fa47482c22e63f1fd8","name":"Emiliano Garcilazo","url":"https:\/\/www.imex-revista.com\/en\/author\/emiliano\/"}]}},"_links":{"self":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/12579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/comments?post=12579"}],"version-history":[{"count":3,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/12579\/revisions"}],"predecessor-version":[{"id":12586,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/posts\/12579\/revisions\/12586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media\/12117"}],"wp:attachment":[{"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/media?parent=12579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/categories?post=12579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imex-revista.com\/en\/wp-json\/wp\/v2\/tags?post=12579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}