{"id":12560,"date":"2022-06-24T11:38:32","date_gmt":"2022-06-24T10:38:32","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxii-postales-de-lo-infraordinario\/"},"modified":"2022-08-24T12:02:30","modified_gmt":"2022-08-24T11:02:30","slug":"xxii-postales-de-lo-infraordinario","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxii-postales-de-lo-infraordinario\/","title":{"rendered":"XXII. V. S\u00e1nchez Villareal &#8211; Postales de lo infraordinario"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/11969\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Postales de lo infraordinario<br \/>\n(pp. 38-70; DOI: 10.23692\/iMex.22.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F11969%2F&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F11969%2F&#038;hl=en\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">V\u00edctor S\u00e1nchez Villareal<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11971\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/sanchez-villareal-261x300.jpg\" alt=\"\" width=\"194\" height=\"258\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11973\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victor-S\u00e1nchez-foto-1-225x300.jpg\" alt=\"\" width=\"194\" height=\"258\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victor-S\u00e1nchez-foto-1-225x300.jpg 225w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victor-S\u00e1nchez-foto-1-768x1024.jpg 768w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victor-S\u00e1nchez-foto-1-1152x1536.jpg 1152w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Victor-S\u00e1nchez-foto-1-scaled.jpg 1536w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">V\u00edctor S\u00e1nchez Villarreal (CDMX, 1979) studied a degree in Visual Arts at the Escuela Nacional de Artes Pl\u00e1sticas of the UNAM, specializing in Painting. He completed his academic training by taking extracurricular seminars with Master Ignacio Salazar, Dr. Blanca Guti\u00e9rrez Galindo and Dr. Daniel Montero. His work is not seen as a continuous development, but is organized in very different projects, being the constant inquiry of the particularities that distinguish the pictorial image from other images and other systems of meaning. Each project has concluded in a solo exhibition: Et incarnatus est at Academia de San Carlos in 2013, Inventario at Galer\u00eda Medell\u00edn 174 in 2012, Enormes minucias at eMe Espacio de Arte in 2015 and Objetos elusivos at Drexel Galer\u00eda in 2021. His work has been selected in national competitions such as the Rufino Tamayo Biennial, the Atanasio Monroy Biennial, the Muestra Iberoamericana de Arte Miniatura y Peque\u00f1o Formato, the Pedro Coronel Biennial, the Yucat\u00e1n Visual Arts Biennial, as well as the Alfredo Zalce Biennial. He has also participated in several group exhibitions both nationally and abroad. In 2018 he joined the National System of Art Creators (FONCA).<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][vc_column_text]\n<h3 style=\"text-align: left;\"><strong><span style=\"color: #b0b0b0;\">Image Gallery &#8220;Postales de lo infraordinario&#8221; by V\u00edctor S\u00e1nchez Villareal<br \/>\n<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;12211,12213,12215,12217,12219,12221,12223,12225,12227,12229,12231,12233,12235,12237,12239,12241,12243,12245,12247,12249,12251,12253,12255,12257,12259,12261,12263,12265,12267,12269,12271,12273,12275,12277,12279,12281,12283,12285,12287,12289,12291,12293,12295,12297,12299,12301,12303,12305,12307,12309,12311,12313,12315,12317,12319,12321,12323,12325,12327,12209&#8243; display_title_caption=&#8221;true&#8221; layout=&#8221;3&#8243; gallery_style=&#8221;2&#8243; load_in_animation=&#8221;none&#8221; el_id=&#8221;Image Gallery&#8221;][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b022 | La Ciudad de M\u00e9xico, Palimpsesto&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<span style=\"color: #b0b0b0;\"><strong>Introduction<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-introduction\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. J. R. Ruis\u00e1nchez \/ M. Moreno Carranco \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-interview-with-palou\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Brian Price \u2013 Entrevista con Pedro \u00c1ngel Palou<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Articles <\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-cambio-de-tiempo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jorge P. Uribe Llamas \u2013 Cambio de tiempo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-avisos-del-diario-y-mensajes-de-whatsapp\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Colectivo Maltip\u00fa \u2013 Avisos del Diario de M\u00e9xico y mensajes de Whatsapp<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-postales-de-lo-infraordinario\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. V\u00edctor S\u00e1nchez Villareal \u2013 Postales de lo infraordinario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-los-cines-donde-vi-mi-cine\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Y. Rodr\u00edguez Gonz\u00e1lez \u2013 Los cines donde vi mi cine<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-gueros-y-museo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Georgina Cebey - <em>G\u00fceros<\/em> y <em>Museo<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-la-cdmx-en-los-anos-veinte\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII.  Y. Hadatty Mora \u2013 La Ciudad de M\u00e9xico en los a\u00f1os veinte<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. M. Moreno Carranco  \u2013 Narrating urban change<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-chapultepec\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jos\u00e9 R. Ruis\u00e1nchez  \u2013 Chapultepec<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":12117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2403],"tags":[2421,2390],"class_list":["post-12560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xxii-la-ciudad-de-mexico-palimpsesto-en","tag-arqueologia-visual-en","tag-palimpsesto"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXII. 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