{"id":12548,"date":"2022-06-28T13:02:07","date_gmt":"2022-06-28T12:02:07","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxii-entrevista-con-palou\/"},"modified":"2022-08-24T12:03:36","modified_gmt":"2022-08-24T11:03:36","slug":"xxii-interview-with-palou","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxii-interview-with-palou\/","title":{"rendered":"XXII. Brian Price &#8211; Interview with Pedro \u00c1ngel Palou"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/5850\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Issue<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/12022\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Article<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">La Ciudad de M\u00e9xico a metro y medio de distancia: una entrevista con Pedro \u00c1ngel Palou<br \/>\n(pp. 12-20; DOI: 10.23692\/iMex.22.2)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F12022%2F&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fdownload%2F12022%2F&#038;hl=en\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Brian Price<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12031 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-300x300.jpg 300w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-150x150.jpg 150w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-100x100.jpg 100w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-140x140.jpg 140w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-500x500.jpg 500w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-350x350.jpg 350w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto-800x800.jpg 800w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Price-foto.jpg 959w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Brian Price (Ph.D. University of Texas at Austin) is a professor of Hispanic literature at Brigham Young University. His areas of academic research include 20th and 21st century Mexican literary, film, and cultural studies, the Latin American historical novel, comparative literature, and rock music. He is the author of <em>Cult of Defeat in Mexico&#8217;s Historical Fiction<\/em> (Palgrave, 2012), editor of <em>Assaults on History: Reimagining Hispanic American Historical Fiction<\/em> (Ediciones E\u00f3n, 2014), and co-editor of <em>TransLatin Joyce: Global Transmissions in Ibero-American Literature<\/em> (Palgrave, 2014) and <em>The Lost Cinema of Mexico: From Lucha Libre to Cine Familiar and Other Churros<\/em> (U Florida P, 2022). He is currently writing two books on rock in Mexican film and literature.<\/span><\/p>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Pedro \u00c1ngel Palou<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12026 size-medium alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Pedro-Angel-Palou-recorte-265x300.jpg\" alt=\"\" width=\"265\" height=\"300\" srcset=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Pedro-Angel-Palou-recorte-265x300.jpg 265w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Pedro-Angel-Palou-recorte-906x1024.jpg 906w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Pedro-Angel-Palou-recorte-1359x1536.jpg 1359w, https:\/\/www.imex-revista.com\/wp-content\/uploads\/Pedro-Angel-Palou-recorte-scaled.jpg 1812w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Born in Puebla on March 28, 1966, he studied Linguistics and Literature, a Master&#8217;s degree in Language Sciences at the UAP and a PhD in Social Sciences at the Colegio de Michoac\u00e1n. He has been a professor at the Universidad de las Am\u00e9ricas; editor-in-chief of Arcano; Secretary of Culture of the Government of the State of Puebla (1999-2005) and General Academic Vice-Rector of the Universidad de las Am\u00e9ricas Puebla (2005-2007).<br \/>\nAuthor of a large number of novels and essays, including <em>Con la muerte en los pu\u00f1os<\/em> (Xavier Villaurrutia Award 2003) and <em>El dinero del diablo<\/em> (2009). <em>Mexico &#8211; the novel &#8211;<\/em> is his latest work, to be published at the end of June 2022.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b022 | La Ciudad de M\u00e9xico, Palimpsesto&#8221; id=&#8221;1532705295697-43d7d-8e03&#8243; tab_id=&#8221;1580125134563-4&#8243;][vc_column_text]<span style=\"color: #b0b0b0;\"><strong>Introduction<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-introduction\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. J. R. Ruis\u00e1nchez \/ M. Moreno Carranco \u2013 Introducci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Interview<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-interview-with-palou\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Brian Price \u2013 Entrevista con Pedro \u00c1ngel Palou<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<p style=\"text-align: left;\"><span style=\"color: #b0b0b0;\"><strong>Articles <\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-cambio-de-tiempo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jorge P. Uribe Llamas \u2013 Cambio de tiempo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-avisos-del-diario-y-mensajes-de-whatsapp\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Colectivo Maltip\u00fa \u2013 Avisos del Diario de M\u00e9xico y mensajes de Whatsapp<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-postales-de-lo-infraordinario\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. V\u00edctor S\u00e1nchez Villareal \u2013 Postales de lo infraordinario<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-los-cines-donde-vi-mi-cine\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Y. Rodr\u00edguez Gonz\u00e1lez \u2013 Los cines donde vi mi cine<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-gueros-y-museo\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Georgina Cebey - <em>G\u00fceros<\/em> y <em>Museo<\/em><\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-la-cdmx-en-los-anos-veinte\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII.  Y. Hadatty Mora \u2013 La Ciudad de M\u00e9xico en los a\u00f1os veinte<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-narrating-urban-change\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. M. Moreno Carranco  \u2013 Narrating urban change<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button large see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxii-chapultepec\/\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXII. Jos\u00e9 R. Ruis\u00e1nchez  \u2013 Chapultepec<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":12,"featured_media":12117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2403],"tags":[970,2417,2396,2418],"class_list":["post-12548","post","type-post","status-publish","format-standard","has-post-thumbnail","category-issues","category-xxii-la-ciudad-de-mexico-palimpsesto-en","tag-mexico-en","tag-novel","tag-novela","tag-palou"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXII. 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