{"id":11539,"date":"2022-01-04T17:57:29","date_gmt":"2022-01-04T16:57:29","guid":{"rendered":"https:\/\/www.imex-revista.com\/xxi-western-argentino-mexicano\/"},"modified":"2022-01-10T14:27:38","modified_gmt":"2022-01-10T13:27:38","slug":"xxi-western-argentino-mexicano","status":"publish","type":"post","link":"https:\/\/www.imex-revista.com\/en\/xxi-western-argentino-mexicano\/","title":{"rendered":"XXI. Rom\u00e1n Setton \u2013 Variaciones en el western argentino y mexicano"},"content":{"rendered":"[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]\n<p style=\"text-align: center;\"><a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/11416\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Edici\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a> <a class=\"nectar-button n-sc-button small accent-color has-icon regular-button\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/download\/11411\/\" data-color-override=\"false\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>Download Art\u00edculo<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n[\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30&#8243;][vc_column_text]\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #b0b0b0;\">Cr\u00edmenes de Estado y contra el Estado. Variaciones en el <em>western<\/em> argentino y mexicano (pp. 53-69; DOI: 10.23692\/iMex.21.5)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<p style=\"text-align: center;\"><div class=\"ead-preview\"><div class=\"ead-document\" style=\"position: relative;\"><div class=\"ead-iframe-wrapper\"><iframe src=\"\/\/docs.google.com\/viewer?url=https%3A%2F%2Fwww.imex-revista.com%2Fwp-content%2Fuploads%2F4_RS_Crimenes-western-argentino-mexicano_iMex21.pdf&amp;embedded=true&amp;hl=en\" title=\"Embedded Document\" class=\"ead-iframe\" style=\"width: 80%;height: 80%;border: none;min-height: 500px;visibility: hidden;\"><\/iframe><\/div>\t\t\t<div class=\"ead-document-loading\" style=\"width:100%;height:100%;position:absolute;left:0;top:0;z-index:10;\">\n\t\t\t\t<div class=\"ead-loading-wrap\">\n\t\t\t\t\t<div class=\"ead-loading-main\">\n\t\t\t\t\t\t<div class=\"ead-loading\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/loading.svg\" width=\"55\" height=\"55\" alt=\"Loader\">\n\t\t\t\t\t\t\t<span>Loading...<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"ead-loading-foot\">\n\t\t\t\t\t\t<div class=\"ead-loading-foot-title\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/EAD-logo.svg\" alt=\"EAD Logo\" width=\"36\" height=\"23\"\/>\n\t\t\t\t\t\t\t<span>Taking too long?<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"ead-document-btn ead-reload-btn\" role=\"button\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/reload.svg\" alt=\"Reload\" width=\"12\" height=\"12\"\/> Reload document\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<span>|<\/span>\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/4_RS_Crimenes-western-argentino-mexicano_iMex21.pdf\" class=\"ead-document-btn\" target=\"_blank\">\n\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imex-revista.com\/wp-content\/plugins\/embed-any-document\/images\/open.svg\" alt=\"Open\" width=\"12\" height=\"12\"\/> Open in new tab\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div><\/div>\n[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;80&#8243;][vc_column_text]\n<h3><span style=\"color: #ffffff;\"><strong><span style=\"color: #b0b0b0;\">Dr. Rom\u00e1n Setton<br \/>\n<\/span><\/strong><\/span><\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11428 size-full alignleft\" src=\"https:\/\/www.imex-revista.com\/wp-content\/uploads\/Ram\u00f3n-Setton_iMex21.jpg\" alt=\"\" width=\"150\" height=\"220\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">Rom\u00e1n Setton is a Full Researcher at the National Council of Scientific and Technical Research (CONICET, Argentina) and university professor at the University of Buenos Aires and the University of Cinema\/Film (Argentina). His fields of research include German literature and crime fictions studies. He has widely published books and articles in journals. Some of his books are: <em>Los or\u00edgenes de la narrativa policial en la Argentina. <\/em><em>Recepci\u00f3n y transformaci\u00f3n de modelos gen\u00e9ricos alemanes, franceses e ingleses<\/em>\u00a0(2012);\u00a0<em>El candado de oro: 12 cuentos policiales argentinos 1860-1910<\/em>\u00a0(2013);\u00a0<em>Fuera de la ley: 20 cuentos policiales argentinos 1910-1940<\/em>\u00a0(2015);\u00a0<em>Crimen y pesquisa. El g\u00e9nero policial en la Argentina (1870-2015): literatura, cine, televisi\u00f3n, historieta y testimonio<\/em>\u00a0(2016);\u00a0<em>El g\u00e9nero policial argentino en el per\u00edodo cl\u00e1sico (1930-1960) entre Sur y el peronismo: modelos narrativos, tensiones y debates culturales<\/em>\u00a0(2020), the last two co-edited with Gerardo Pignatiello.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;50&#8243;][tabbed_section style=&#8221;default&#8221; alignment=&#8221;left&#8221; spacing=&#8221;default&#8221; tab_color=&#8221;Accent-Color&#8221;][tab icon_family=&#8221;none&#8221; title=&#8221;Abstract&#8221; id=&#8221;1580125134478-0f18a-f2a3&#8243; tab_id=&#8221;1641315056237-0&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">The paper analyzes the transformations that western film undergoes-a genre that represents the foundational and constituent crimes of the nation state-, in the appropriations made by Argentine and Mexican cinema. I focus in particular on the changes that can be perceived in the figure of the hero, in the representation of indigenous peoples and in the representation of women. Within Argentine cinema, I discuss in particular the film <em>Pampa b\u00e1rbara<\/em>, while in Mexican cinema I investigate some characteristics that the revolutionary western develops from the various representations of the figure of <em>la soldadera<\/em>. I also investigate some important variations in the plots based on the ways in which the cinema has articulated the stories of the birth of\u00a0the nation and the different roles of the army, the different revolutionary factions, and civil society.\u00a0<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;Resumen&#8221; id=&#8221;1580125134518-1f18a-f2a3&#8243; tab_id=&#8221;1641315056249-10&#8243;][vc_column_text]\n<p style=\"text-align: justify;\"><span style=\"color: #b0b0b0;\">El art\u00edculo analiza las transformaciones que sufre el <em>western<\/em>, un g\u00e9nero que representa los cr\u00edmenes fundacionales y constituyentes del Estado naci\u00f3n, en las apropiaciones que hacen el cine argentino y mexicano. Nos centramos en particular en los cambios que se pueden percibir en la figura del h\u00e9roe, en la representaci\u00f3n de los pueblos ind\u00edgenas y en la representaci\u00f3n de la mujer. Dentro del cine argentino, nos detenemos en particular en la pel\u00edcula <em>Pampa b\u00e1rbara<\/em>, mientras que en el cine mexicano indagamos algunas caracter\u00edsticas que desarrolla el <em>western <\/em>revolucionario a partir de las diversas representaciones de la figura de la soldadera. Tambi\u00e9n indagamos algunas variaciones importantes en las tramas a partir de las formas en que el cine ha articulado las historias fundacionales y los diferentes roles del ej\u00e9rcito, las diferentes facciones revolucionarias y la sociedad civil.<\/span><\/p>\n[\/vc_column_text][\/tab][tab icon_family=&#8221;none&#8221; title=&#8221;iMex N\u00b021 | Narrativa Criminal&#8221; id=&#8221;1580125134563-4f18a-f2a3&#8243; tab_id=&#8221;1641315056267-8&#8243;][vc_column_text]<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-editorial\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Hern\u00e1n Maltz \/ Yasmin Temelli \u2013 Editorial <\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-estimulo\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Sandra Lorenzano \u2013 Impression<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-formato-antologico\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. H\u00e9ctor Fernando Vizcarra \u2013 El formato antol\u00f3gico del cuento policial<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-genealogias-nacionales\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Martina Guevara \u2013 Genealog\u00edas nacionales para el policial latinoamericano<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-western-argentino-mexicano\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Rom\u00e1n Setton \u2013 Variaciones en el western argentino y mexicano<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-miedo-estereotipos\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Kristine Vanden Berghe \u2013 El miedo a los estereotipos en Mempo Giardinelli<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-decimo-infierno-giardinelli\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Beatrice Schuchardt \u2013 El d\u00e9cimo infierno de Mempo Giardinelli<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-policial-no-ficcion\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Roberta Bassi \u2013 Lo policial en la no-ficci\u00f3n<\/span><i class=\"icon-button-arrow\"><\/i><\/a>\n<a class=\"nectar-button n-sc-button small see-through-2 has-icon\" target=\"_blank\" href=\"https:\/\/www.imex-revista.com\/en\/xxi-novelas-laurini\" data-color-override=\"#ffffff\" data-hover-color-override=\"false\" data-hover-text-color-override=\"#fff\"><span>XXI. Annegret Thiem \u2013 Releer las novelas de Myriam Laurini<\/span><i class=\"icon-button-arrow\"><\/i><\/a>[\/vc_column_text][\/tab][\/tabbed_section][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; bg_image=&#8221;31&#8243; bg_position=&#8221;left top&#8221; bg_repeat=&#8221;repeat&#8221; parallax_bg=&#8221;true&#8221; parallax_bg_speed=&#8221;slow&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;0&#8243; bottom_padding=&#8221;30&#8243; overlay_strength=&#8221;1&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text] [\/vc_column_text][vc_row_inner column_margin=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[580,2319],"tags":[2341,2305],"class_list":["post-11539","post","type-post","status-publish","format-standard","category-issues","category-xxi-narrativa-criminal-en","tag-cine-argentino-en","tag-roman-setton"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XXI. 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