{"id":16179,"date":"2026-02-10T11:07:23","date_gmt":"2026-02-10T10:07:23","guid":{"rendered":"https:\/\/www.imex-revista.com\/2026-articulos-imex-vol-6\/"},"modified":"2026-07-21T16:00:23","modified_gmt":"2026-07-21T15:00:23","slug":"2026-articulos-imex-vol-6","status":"publish","type":"page","link":"https:\/\/www.imex-revista.com\/en\/2026-articulos-imex-vol-6\/","title":{"rendered":"2026. Art\u00edculos iMex vol. 6"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”31″ bg_position=”center top” background_image_loading=”default” bg_repeat=”repeat” scene_position=”center” top_padding=”60″ text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” parallax_bg=”true” parallax_bg_speed=”slow” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” top_padding=”10″ text_align=”center” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_animated_title heading_tag=”h1″ style=”color-strip-reveal” color=”Accent-Color” text=”2026. Art\u00edculos iMex vol. 6″][divider line_type=”No Line” custom_height=”30″][vc_column_text]\n

Yasmin Temelli \/ Hans Bouchard (eds.)<\/span><\/strong><\/h3>\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”30″][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”center” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Art\u00edculos \/ Articles<\/span><\/strong><\/h3>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”30″][vc_column_text css=”” text_direction=”default”]\n

Javier Hern\u00e1ndez Quezada<\/span><\/strong><\/h3>\n

\"\"“Qu\u00e9 manera de turbarlo a uno”.<\/span><\/a>
\nLas cartas de Jos\u00e9 Carlos Becerra a Jos\u00e9 Lezama Lima<\/span><\/a><\/p>\n

(pp. 1-14)<\/span><\/p>\n

DOI: 10.5281\/zenodo.18736075<\/span><\/p>\n

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Olaf Jandura<\/span><\/strong><\/h3>\n

\"\"De \u201ccanal\u201d a ecosistema de servicios:
\nDeutsche Welle en M\u00e9xico entre TV, web y video social<\/span><\/a><\/p>\n

(pp. 15-39)<\/span><\/p>\n

DOI: 10.5281\/zenodo.21475941<\/span>[\/vc_column_text][vc_column_text css=”” text_direction=”default”]\n

Dennis Lichtenstein<\/span><\/strong><\/h3>\n

\"\"<\/p>\n

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Rese\u00f1as \/ Reviews<\/span><\/strong><\/a><\/h3>\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”30″][vc_column_text css=”” text_direction=”default”]\n

\"\"<\/h3>\n

Ren\u00e9 Ceballos<\/strong><\/span><\/h3>\n

(pp. I-II)<\/span><\/strong><\/p>\n

Vanden Berghe, Kristine (2025): Nellie Campobello, Las verdades de una subalternista<\/em>. Lieja: Presses Universitaires de Li\u00e8ge, 156 p\u00e1ginas.<\/span><\/p>\n

Descargar Art\u00edculo<\/span><\/i><\/a>\n

 <\/p>\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”130″][vc_column_text css=”” text_direction=”default”]\n

\"\"<\/h3>\n

Ingrid Lorena Villate Moncaleano<\/strong><\/span><\/h3>\n

(pp. III-IX)<\/span><\/strong><\/p>\n

Estrada, Oswaldo y Alicino, Laura (eds.) (2025): Documentar la realidad. Cruce de g\u00e9neros y fronteras en Am\u00e9rica Latina.<\/em> Venecia: Edizioni Ca’ Foscari, 320 p\u00e1ginas. <\/span><\/p>\n

Descargar Art\u00edculo<\/span><\/i><\/a>\n

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\"\"<\/h3>\n

Sof\u00eda Forchieri<\/strong><\/span><\/h3>\n

(pp. X-XII)<\/span><\/strong><\/p>\n

Von Ohlen, Elena (2024): Feminizid in Recht und Literatur. Diego Z\u00fa\u00f1iga, Laura Restrepo und Fernanda Melchor im v\u00f6lker- und strafrechtlichen Kontext. <\/em>Berlin: De Gruyter, 308 p\u00e1ginas.<\/span><\/p>\n

Descargar Art\u00edculo<\/span><\/i><\/a>\n

 <\/p>\n[\/vc_column_text][divider line_type=”Full Width Line” line_thickness=”3″ divider_color=”extra-color-3″ custom_height=”130″][\/vc_column][\/vc_row][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column][vc_column_text]\n

 <\/p>\n[\/vc_column_text]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”31″ bg_position=”center top” background_image_loading=”default” bg_repeat=”repeat” scene_position=”center” top_padding=”60″ text_color=”light” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” parallax_bg=”true” parallax_bg_speed=”slow” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all”…<\/p>\n","protected":false},"author":12,"featured_media":13091,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-16179","page","type-page","status-publish","has-post-thumbnail"],"yoast_head":"\n2026. 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